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THE MURDER FARM

THE MURDER FARM

Andrea Maria Schenkel

Translated from the German by Anthea Bell

New York • London

New York • London

© 2006 by Edition Nautilus

Translation © 2008 by Anthea Bell

Originally published in Germany as Tannöd by Edition Nautilus in 2006

First published in the United States by Quercus in 2014

The Litany for the Comfort of Poor Souls (for private use) printed in the book is taken from The Myrtle Wreath. A spiritual guide for brides and book of devotions for the Christian woman. Kevelaer 1922.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by reviewers, who may quote brief passages in a review. Scanning, uploading, and electronic distribution of this book or the facilitation of the same without the permission of the publisher is prohibited.

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e-ISBN 978-1-62365-168-8

This book is a work of fiction. Names, characters, institutions, places, and events are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons—living or dead—events, or locales is entirely coincidental.

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Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

I spent the first summer after the end of the war with distant relations in the country.

During those weeks, that village seemed to me an island of peace. One of the last places to have survived intact after the great storm that we had just weathered.

Years later, when life had gone back to normal and that summer was only a happy memory, I read about the same village in the paper.

My village had become the home of “the murder farm,” and I couldn’t get the story out of my mind.

With mixed feelings, I went back.

The people I met there were very willing to tell me about the crime. To talk to a stranger who was nonetheless familiar with the place. Someone who wouldn’t stay, would listen, and then go away again.

Lord have mercy upon us!

Christ have mercy upon us!

Lord have mercy upon us!

Christ, hear us!

Christ, hear our prayer!

God the Father in Heaven, have mercy upon them!

God the Son, Redeemer of the world, have mercy upon them!

God the Holy Ghost, have mercy upon them!

Holy Trinity, Three in One, have mercy upon them!

Holy Virgin Mary, pray for them!

Holy Mother of God, pray for them!

Blessed Virgin of all virgins, pray for them!

Holy St. Michael,

pray for them!

All holy angels and archangels,

All holy choirs of blessed spirits,

Holy St. John the Baptist,

pray for them!

All holy patriarchs and prophets,

Holy St. Peter,

Holy St. Paul,

Holy St. John,

pray for them!

All holy apostles and evangelists,

Holy St. Stephen,

Holy St. Lawrence,

pray for them!

All holy martyrs,

Holy St. Gregory,

Holy St. Ambrose,

pray for them!

Holy St. Jerome,

Holy St. Augustine,

pray for them!

All ye holy bishops and confessors,

All ye holy Fathers of the Church,

All ye holy priests and Levites,

All ye holy monks and hermits,

pray for them!

He enters the place early in the morning, before daybreak. He heats the big stove in the kitchen with the wood he has brought in from outside, fills the steamer with potatoes and water, puts the steamer full of potatoes on a burner.

He walks out of the kitchen, down the long, windowless corridor and over to the cowshed. The cows have to be fed and milked twice a day. They stand side by side in a row.

He speaks to them quietly. He is in the habit of talking to animals while he works in the shed with them. The sound of his voice seems to have a soothing effect on the cattle. Their uneasiness appears to be lulled by the regular singsong of that voice, the repetition of the same words. The calm, monotonous sound relaxes them. He’s known this kind of work all his life. He enjoys it.

He spreads a layer of fresh straw over the old one, fetching it from the barn next door. There is a pleasant, familiar smell in the shed. Cows don’t smell like pigs. There’s nothing sharp or assertive about their odor.

After that he fetches hay. He gets that from the barn, too.

He leaves the connecting door between the barn and the cowshed open.