Everyone in the room was listening with eyes intent upon Wolff's face. Rathbone looked at them discreetly. Their faces were filled with emotion as their imaginations journeyed with him, dreaming, thinking.
"But she loved the eastern architecture also," Wolff went on. "She admired the mosques of Turkey, the coolness and the light. She was fascinated with the dome of the Blue Mosque and how the ventilation was so superb the smoke from the candles never made a mark on the ceiling." A shadow of memory softened the harshness of his grief for a moment. "She talked about it endlessly. I don't think she was even aware of whether I was listening or not."
No one moved or made the slightest sound of interruption. McKeever's face was intent.
"And when her father went to Egypt"-Wolff was absorbed in memory-"she went as well. It was a whole new dimension of architecture, more ancient than anything else she had even imagined. She stood in the ruins of Karnak as if she had seen a revelation. Even the light was different. I remember her saying that so often. She always built for light-" He stopped abruptly as emotions overwhelmed him. He stood with his head high but his face averted. He was not ashamed, but it should have been a private thing.
McKeever looked around the room slowly, bidding them await Wolff's ability to begin again without further losing his composure.
Rathbone glanced at Barton Lambert. He seemed like a man in a dream, his eyes almost glazed, his expression hovering between pity and incomprehension. Beside him, Delphine seemed touched with something which could even have been fear, or perhaps it was only the light and shadow distorting her anger. Undoubtably she was still furious.
"Would you like the usher to fetch you a glass of water?" McKeever offered Wolff, then, without waiting for his reply, nodded to the usher to do so.
"No… thank you, my lord." Wolff collected himself. He breathed in deeply. "Keelin was always drawing, but she had no interest in being an artist, though naturally it was what her father suggested. She drew only to catch the structures, to see on paper the finished work. She had no interest in drawing for its own sake. She would design her own buildings, not simply record other people's, no matter how marvelous they were. She was a creator, not a copier."
A bitter smile touched his mouth. "But of course no school of architecture was going to accept a female pupil for any serious study. But she wouldn't be thwarted. She found an architectural student who was attracted to her and borrowed his books and papers, asked him about the lectures he attended." A wry expression passed fleetingly across his face, an unreadable mixture of irony, tenderness and pain. "Eventually she took a job as an assistant to a professor, clearing up for him, copying notes for him, all the time absorbing everything he taught the men. She did this for years, and eventually realized that even though she could have passed the examinations she would still never be taken seriously as an architect, never given work as long as she was a woman. She had beautiful hair, soft, shining brown and gold. She cut it off…" In the gallery a woman gasped and closed her eyes, her hands clenched, her imagination of the cost of it clear in her face.
One of the jurors shook his head slowly and bunked away tears. Perhaps his own wife or daughter had hair he loved.
"She passed herself off as a boy," Wolff said, his voice catching for the first time. "Just to attend a particular lecture of a visiting professor and be treated as a student, not a servant, to be able to ask questions and be addressed directly in answer." He blinked several times, and his voice dropped a tone. "It worked. People thought she was very young, but they did not question that she was a man. She came home and cried all night. Then she made her decision, and from then on she called herself Killian, and to everyone except me, she was a man."
There was a murmur around the room. Several people shifted position with a creak of whalebone, a squeak of leather, a rustle of fabric. No one spoke unless it was in a whisper so soft it was inaudible above the movement.
"It has happened to others in the past," Wolff continued. "Women have had to pose as men in order to use the talents God gave them because our prejudice would not permit them to be themselves. There are two routes open to those who will not be stifled. They can do as many Renaissance painters and composers of music did, have their work put forward, but under their brother's or their father's names… or else do as army surgeon Barry did here in England, and dress as a man.
How she contrived that and carried it off in everyday life, I don't know. But she did. Some may have known her secret, but the authorities never learned until after her death. And she was one of the best surgeons, a pioneer in technique. Keelin spoke of her often"-he could not mask the trembling of his voice any longer-"with admiration for her courage and her brilliance, and rage that she should have had to mask her sex all her adult life, deny half of herself in order to realize the other half. If sometimes she hated us for doing this to her, I think we have deserved it."
McKeever stared at him, his mouth tightened very slightly, and he inclined his head in a fraction of a nod.
Rathbone felt brushed with guilt himself. He was part of the establishment. He remembered sharply another case of a woman who wanted to study medicine, and certainly had proved on the Crimean battlefields that she had the skills and the nerve, but had been prevented because of her sex. That too had ended in tragedy.
The jurors were uncomfortable. One elderly man blew through his mustache loudly, a curiously confused sound of anger and disgust, but his face betrayed his sense of confusion. He did not know what he thought, except that it was acutely unpleasant, and he resented it. He was there to pass judgment on others, not to be judged.
Another sat frowning heavily, seemingly troubled by his thoughts, his face filled with deep, unsettling pity.
Two more faced each other for moral support and nodded several times.
A fifth shook his head, biting his lips.
"Thank you, Mr. Wolff," McKeever said quietly. "I think you have explained the matter as far as it is possible for us. I am obliged to you. It cannot have been either easy or pleasant for you, but I believe you have done us a service, and perhaps you have dealt Keelin Melville some measure of justice, albeit too late. I have no further questions. You may step down."
As he was leaving the court, outside in the hallway, Rathbone heard footsteps hurrying behind him, and when he turned he was caught up by Barton Lambert.
"Sir Oliver!" Lambert was out of breath, and he looked profoundly agitated. He caught hold of Rathbone's arm.
"Yes, Mr. Lambert," Rathbone said coldly. He did not dislike the man-in fact, he had considered him basically both honest and tolerant-but he was burning with an inner anger and confusion, and a great degree of guilt. He did not want to have to be civil to anyone, least of all someone who was part of the tragedy and might, all too understandably, be seeking some relief from his own burden. Rathbone had none to offer.
"When did-when did you know?" Lambert said earnestly, his face creased, his eyes intent. "I could never be-I…" He stopped. He was too patently telling the truth to be doubted.
"The same moment you did, Mr. Lambert," Rathbone replied. "Perhaps I should have guessed, rather than assume the relationship with Wolff was an immoral or illegal one. Perhaps you should have. We didn't, and it is too late now to undo our destruction of her life or recall the talent we have cut off forever."