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“How’s the gum doing?”

“New piece, please.”

“Here.”

“….”

“Is the gum working?”

“Do you hear me complaining yet?”

“Good point.”

“And so as the next scene opens it’s a few days later, and the man and the Thermos woman are walking in Central Park, or rather walking and limping, respectively, and they’re holding hands, although for the man it’s just a friendly platonic hand-holding, although we’re not sure what it is for the Thermos woman, and it’s made clear that the man had gone to the Thermos address and had talked to the woman and had, after a reasonably long time and many visits, broken down some of her really pathological shyness and introversion, though only some. And they’re walking hand in hand, although it’s inconvenient, because the woman clearly has a pathological need always to be in shadow, and so they keep having to veer all over Central Park to find shadow that she’ll be able to walk in, and she also has a pathological need to keep her neck covered, and keeps fingering at one of the seemingly uncountable number of scarves she owns, and she also strangely always seems to want to have only her right side facing the man, she keeps her left side turned away at all times, so all the man ever sees of her is her right profile, and as he turns from time to time and moves relative to her she keeps moving and positioning herself like mad to keep only her right side facing him.”

“….”

“And she also seems really aloof and not emotionally connected with anyone outside herself at all, except her family, who live in Yonkers, but as the man works to exercise his love-discrimination mechanism and starts hanging around the woman and beginning to get to know her better, it seems clear to him that she actually wants to be connected with people outside herself, very much, but can‘t, for some strange reason that he can’t figure out, but knows has something to do with the shadows, the scarves, and the profiles.”

“ ”

“And a funny thing happens. The man begins to like the Thermos woman. Not love, but like, which is something the man has never experienced before, and finds different, because it involves directing a lot more emotional attention to the actual other person than the old uncontrollable passionate love had involved, involves caring about the whole other person, including the facets and features that have nothing whatsoever to do with the man. And now it’s implied that what has happened is that the man has for the first time become really connected to a person other than himself, that he had not really ever been connected before, that his intense-love tendency, which might at first glance have seemed like the ultimate way to connect, has really been a way not to connect, at all, both in its results and, really, as a little psychological analysis is by implication indulged in, in its subconscious intent. The inability to bring the discriminating faculty of love to bear on the world outside him has been what has kept the man from connecting with that world outside him, the same way the Thermos woman has been kept from connecting by the mysterious shadow-scarf-and-profile thing.

“Which thing, by the way, really begins to bother the man, and makes him intensely curious, especially as he begins to feel more and more connected to the woman, though not exactly in a passionate-love way, and thinks he feels her yearning to connect, too. And so he gradually wins her trust and affection, and she responds by starting to wash her hair, and dieting, and buying an extra thick shoe for her obscenely short leg, and things progress, although the Thermos woman is still clearly pathologically hung up about something. And then one night in very early April, after a walk all around the quainter parts of Brooklyn, the man takes the Thermos woman back to her apartment and has sex with her, seduces her, gets her all undressed — except, compassionately, for her scarf — and he makes love to her, and it’s at first surprisingly, but then when we think about it not all that surprisingly, revealed that this is the first time this incredibly passionate, love-oriented man, who’s about thirty, has ever had sex with anybody, at all.”

“….”

“Um, first time for the Thermos woman, too.”

“….”

“….”

“What’s the matter?”

“My ear! Shit! God!”

“Try to swallow.”

“….”

“Try to yawn.”

“….”

“….”

“Good God. I so hate airplanes, Lenore. I can think of no more convincing demonstration of my devotion to you than my coming on this trip. I am flying for you.”

“You’re going to get to see Amherst in the very early fall. You said early fall in Amherst used to make you weep with joy.”

“….”

“You’re less pale. Can we assume the ear is better?”

“Jesus.”

“….”

“So they have sex, and the man is able to be gentle and caring, which we can safely intuit he couldn’t have been, passion-wise, if he’d really been hopelessly in love in his old way with the Thermos woman, and the Thermos woman weeps tears of joy, at all the gentleness and caring, and we can practically hear the thud as she falls in love with the man, and she really begins to think it’s possible to connect with someone in the world outside her. And they’re lying in bed, and their limbs are unevenly intertwined, and the man is resting his head on the little shelf of the Thermos woman’s weak chin, and he’s playing idly with the scarf around her neck, which playing pathologically bothers the woman, which the man notices, and curiosity and concern wash over him, and he tries tentatively and experimentally slowly to undo the scarf and take it off, and the Thermos woman tenses all her muscles but through what is obviously great strength of will doesn’t stop him, although she’s weeping for real, now, and the man gently, and with kisses and reassurances, removes the scarf, throws it aside, and in the dimness of the bedroom sees something more than a little weird on the woman’s neck, and he goes and turns on the light, and in the light of the bedroom it’s revealed that the woman has a pale-green tree toad living in a pit at the base of her neck, on the left side.”

“Pardon me?”

“In a perfectly formed and non-woundish pit on the left side of the Thermos woman’s neck is a tiny tree toad, pale green, with a white throat that puffs rhythmically out and in. The toad stares up at the man from the woman’s neck with sad wise clear reptilian eyes, the clear and delicate lower lids of which blink upward, in reverse. And the woman is weeping, her secret is out, she has a tree toad living in her neck.”