Выбрать главу

That night Merv Griffin's executive assistant calls an emergency policy meeting of the whole staff. MGE's best minds take counsel. Alex and Faye are invited to sit in. Faye calls downstairs for coffee and Cokes and Merv's special seltzer.

Griffin murmurs to his right-hand man. His man has a shiny face and a black toupee. The man nods, rises:

"Can't let her go. Too good. Too hot. She's become the whole show. Look at these figures." He brandishes figures.

"Rules, though," says the director. "Five slots, retire undefeated, come back for Champion's Tourney in April. Annual event. Tradition. Art Flemming. Fairness to whole contestant pool. An ethics type of thing."

Griffin whispers into his shiny man's ear. Again the man rises.

"Balls," the shiny man says to the director. "The girl's magic. Figures do not lie. The Triscuit people have offered to double the price on thirty-second spots, long as she stays." He smiles with his mouth but not his eyes, Faye sees. "Shoot, Janet, we could just call this the Julia Smith Show and still make mints."

"Julie," says Faye.


Griffin whispers up at his man.

"Need Merv mention we should all see substantial salary and benefit incentives at work here?" says the shiny man, flipping a watch fob. "A chance here to be industry heroes. Heroines. MGE a Camelot. You, all of you, knights." Looks around. "Scratch that. Queens. Entertainment Amazons."

"You don't get rid of a sixty share without a fight," says Dee, who's seated next to Faye, sipping at what looks to Faye a little too much like water. The director whispers something in Muffy deMott's ear.

There's a silence. Griffin rises to stand with his man. "I've seen the tapes, and I'm impressed as I've never been impressed before. She's like some lens, a filter for that great unorganized force that some in the industry have spent their whole lives trying to locate and focus." This is Merv Griffin saying this. Eyes around the table are lowered. "What is that force?" Merv asks quietly. Looks around. He and his man sit back down.

Alex goes to the door to relieve a winded gofer of refreshments.

Griffin whispers and the shiny man rises. "Merv posits that this force, ladies, gentleman, is the capacity of facts to transcend their internal factual limitations and become, in and of themselves, meaning, feeling. This girl not only kicks facts in the ass. This girl informs trivia with import. She makes it human, something with the power to emote, evoke, induce, cathart. She gives the game the simultaneous transparency and mystery all of us in the industry have groped for, for decades. A sort of union of contestantorial head, heart, gut, buzzer finger. She is, or can become, the game show incarnate. She is mystery."

"What, like a cult thing?" Alex Trebek asks, opening a can of soda at arm's length.

Merv Griffin gives Trebek a cold stare.

Merv's man's face gleams. "See that window?" he says. "That's where the rules go. Out the window." Feels at his nose. "Does your conscientious entertainer retain — and here I say think about all the implications of'retention,' here" — looking at Janet—"I mean does he cling blindly to rules for their own sake when the very goal and purpose and idea of those rules walks right in off the street and into the hearts of every Triscuit consumer in the free world?" "Safe to say not," Dee says drily.

The man: "So here's the scoop. She stays till she's bumped. We cannot and will not give her any help on-air. Off-air she gets anything within what Merv defines as reason. We get her to play a little ball, go easy on the board when strategy allows, give the other players a bit of a shot. We tell her we want to play ball. DeMott here is one of our carrots."

Muffy deMott wipes her mouth on a commissary napkin. "I'm a carrot?"

"If the girl plays ball, then you, deMott, you start in on helping the kid shelter her income. Tell her we'll give her shelter under MGE. Take her from the seventy bracket to something more like a twenty. Kapisch? She's got to play ball, with a carrot like that." "She sends all her money to a hospital her brother's in," Faye says softly, next to her mother.

"Hospital?" Merv Griffin asks. "What hospital?" Faye looks at Griffin. "All she told me was her brother was in Arizona in a hospital because he has trouble living in the world."

"The world?" Griffin asks. He looks at his man.

Griffin's man touches his wig carefully, looks at Muffy. "Get on that, deMott," he says. "This hospitalized brother thing. If it's good P.R., see that it's P.'d. Take the girl aside. Fill her in. Tell her about the rules and the window. Tell her she's here as long as she can hang." A significant pause. "Tell her Merv might want to do lunch, at some point."

Muffy looks at Faye. "All right."

Merv Griffin glances at his watch. Everyone is instantly up. Papers are shuffled.

"Dee," Merv says from his chair, absently fingering a canine tooth. "You and your daughter stay for a moment, please."

Idaho, Coins, Truffaut, Patron Saints, Historical Cocktails, Animals, Winter Sports, 1879, The French Revolution, Botanical Songs, The Talmud, 'Nuts to You.'

One contestant, slot two-eighty-seven, 4 December 1986, is a bespectacled teenage boy with a smear of acne and a shallow chest in a faded Mozart T-shirt; he claims on-air to have revised the Western solar calendar into complete isomorphism with the atomic clocks at the U.S. Bureau of Time Measurement in Washington. He eyes Julie beadily. Any and all of his winnings, he says, will go toward realizing his father's fantasy. His father's fantasy turns out to be a spa, in the back yard of the family's Orange County home, with an elephant on permanent duty at either side of the spa, spouting.

"God am I tired," Alex intones to Faye over a soda and handkerchief at the third commercial break. Past Alex, Faye sees Julie, at her little desk, looking out at the studio audience. People in the audience vie for her attention.

The boy's hopes for elephants are dashed in Final Jeopardy. He claims shrilly that the Islamic week specifies no particular sabbath.

"Friday," Julie whispers.

Alex cues bongos, asks the audience to consider the fact that Californians never ("never," he emphasizes) seem to face east.

"Just the facts on the brother who can't live in the world is all I want," Merv Griffin says, pushing at his cuticles with a paper clip. Dee makes soft sounds of assent.

"The kid's autistic," Faye says. "I can't really see why you'd want data on a damaged person."

Merv continues to address himself to Dee. "What's wrong with him exactly. Are there different degrees of autisticness. Can he talk. What's his prognosis. Would he excite pathos. Does he look too much like the girl. And et cetera."

"We want total data on Smith's brother," iterates the gleaming face of Merv's man.


Dee looks at the empty glass in her hand.

"The potential point," Merv murmurs, "is can the brother do with a datum what she can do with a datum." He switches the paper clip to his left hand. "Does the fact that he has, as Faye here put it, trouble being in the world, together with what have to be impressive genetics, by association," he smiles, "add up to mystery status? Game-show incarnation?" He works a cuticle. "Can he do what she can do?"