At some point in his musings, he thought he had heard a twanging metallic noise, but only now did it register fully. Could it have been the north door being locked? If so, it must surely have been locked from the outside. Yes. Blast it! He'd forgotten that notice about the recent vandalism, and someone must have come and locked the place up. But surely that someone would have looked into the church first? There was Ruth in there, for a start, although she probably had a key herself. Did she have a set of keys? What about any others who were in the church? If Ruth hadn't got a key, they'd all be shut up in there, wouldn't they?
Morse was only too conscious how woolly and confused his thinking was becoming – when he suddenly froze in his seat. He heard a man's voice, very close to him. It said, 'Hello, Ruth!' That was all. Quite a pleasant voice by the sound of it, but it seemed to turn Morse's blood to ice. Someone must have locked the door all right. From the inside.
Chapter Thirty-five
'What are you doing in here?' she asked sharply. 'I didn't hear you come in.'
'No, you wouldn't would you? I've been here a long time. Up on the tower. It's cold up there; but you get a wonderful view, and I like looking down on things – and people.'
(Oh, Lewis! If only your eyes had not been focused quite so closely on the door!)
'But you must go! You can't stay here! You shouldn't be out at all!'
'You worry too much.' He laid a hand on her shoulder as they stood together in the central aisle, arid pulled her towards him.
'Don't be silly!' she whispered harshly. 'I've told you – we agreed- '
'The door's locked, my beauty, have no fear. I locked it myself, you see. There's only the two of us here, so why don't we sit down for a little while?'
She pushed his hand from her, 'I've told you. It's got to finish.' Her lips were quivering with emotion, and she was very close to tears. 'I can't take any more of this, I just can't! You've got to go away from here. You've got to!'
'Of course I have. That's exactly what I've come to see you for – can't you understand that? Just sit down, that's all. Not too much to ask, is it, Ruth?' His voice was silkily persuasive.
She sat down and the man sat next to her, no more than ten feet or so from the confessional. (The man's heavy brown shoes, as Morse could now see, were of good quality, but appeared not to have been cleaned for many weeks.) For some time neither of them spoke as the man's left arm rested across the back of the pew, the hand lightly gripping her shoulder. (The finger-nails, as Morse could now see, were clean and well manicured, reminding him of a clergyman's nails.)
'You read the article,' she said flatly. It was not a question.
'We both read the article.'
'You must tell me the truth – I don't care what you say, but you must tell me the truth. Did you – ' (her voice was faltering now) ' – did you have anything to do with all that?'
'Me? You must be joking! You can't honestly believe that – surely you can't, Ruth!' (The man, as Morse could now see, wore a pair of dingy grey flannels, and above them a large khaki-green jumper, with leather shoulder-patches, reaching up to the neck in such a way that it was not clear whether or not he wore a tie.)
Ruth was leaning forward, her elbows on the top edge of the pew in front of her, her head in her hands. From the look of her she might well be praying, and Morse guessed that she probably was. 'You're not telling me the truth. You're not. It was you who killed them! All of them! I know you did.' She was a lost soul now, uncaring in the bitter depths of her misery as she buried her head in her hands. Morse, as he watched her, felt a profound and anguished compassion welling up within him; yet he knew that he must wait. The previous day he had guessed at the truth behind the grim succession of tragedies, and here and now that very same truth was working itself out, not more than a few yards away from him.
The man made no denial of the charges spoken against him, but his right hand seemed to be working round his throat, his face momentarily turned away. (The face, as Morse had already noticed, was that of a man in his late forties – or early fifties perhaps, for both the long, unkempt, blackish hair and the beard which covered his face were heavily streaked with white and grey.)
Here it all was, then – in front of him. It was all so very simple, too – so childishly simple that Morse's mind, as always, had refused to believe it and had insisted instead on trying to find (and, indeed, almost finding) the weirdest, most complex solutions. Why, oh, why, just for once in a while was he not willing to accept and come to terms with the plain, incontrovertible facts of any case – the facts that stared him point-blank in the face and simply shrieked out for a bit of bread-and-butter common sense and application? The man sitting here now, next to Ruth Rawlinson? Well, Morse? Of course it was! It was Lionel Lawson's brother – Philip Lawson; the man so despised in the stories of clever detection, the man so despised by Morse himself; the man who committed a not-very-clever crime for the very meanest of rewards; the layabout, the sponger and the parasite, who had bedevilled his longsuffering brother's life from their earliest schooldays together; the cleverer boy, the more popular boy, the favourite – the boy who had grown up without a thread of moral fibre in his being, the boy who had wasted his considerable substance on riotous living, and who had come back to prey once more upon his wretched brother Lionel; come back, with a complete knowledge of his brother's life and his brother's weaknesses; come back with threats of betrayal and public exposure – threats which Lionel had paid off with help and kindness and compassion and, doubtless, with money, too. And then – yes, and then came the time when Lionel himself, for once in his life, had desperately needed the help of his worthless brother, and was more than prepared to pay for it; the time when the two brothers had planned the execution and arranged the subsequent cover-up of Harry Josephs' murder, a murder planned meticulously at the very moment when Paul Morris had just opened the diapason stop on the organ, and was doubtless drowning the church with the last verse of 'Praise to the Holiest in the Height' or something. f f f.
These were the thoughts that flashed across Morse's mind in that instant, with the multiple murderer sitting there just in front of him, his left arm still resting along the back of the pew his right hand still fumbling with something round his neck; and Ruth still bending forward in her posture of semi-supplication still so pathetically vulnerable.
Then, even as he watched, Morse felt his every muscle tense in readiness as the adrenalin coursed through his body. The fingers of the man's left hand were holding the narrower end of a tie, a dark navy-blue tie with broad diagonal scarlet stripes bordered by very much thinner ones of green and yellow; and as Morse watched the scene being enacted immediately before his eyes his mind came to a dead stop in its tracks, seemed to turn a reverse somersault and to land in a state of complete stupefaction.
But the time for thought was past; already the man's left hand had looped the tie round the woman's neck; already the right hand was moving to meet it – and Morse acted. It was ill luck that the low door of the confessional opened inwards, for he had to clamber awkwardly in the narrow space and by the time he was out the element of surprise was gone; and as the tourniquet was already tightening about Ruth's throat she cried a terrible cry.
'Keep your distance!' snarled the man, springing to his feet and dragging Ruth up with him, the tie cutting cruelly into her neck. 'You heard me! Keep it there! Not a step farther or else- '