Almost against her will, she noticed that there were no marks in the sand around his feet. He was sitting on the bottom step, his feet on the beach. He looked as though he had felt unwell, sat down and died where he was. His clothing was all in order and there seemed to be no mark on him. Nice clothes, brown suit, topcoat, white shirt, his tie still in place and tied with a Windsor knot. Unmarked and quite dead. Yet there was that secret smile on his lips. She wondered what colour his eyes were.
Then she ran up the steps and knocked at one of the house doors, to tell the comatose inhabitants that there was a corpse on their nice clean beach.
‘Marie!’ Phryne called as she came into her small house on West Terrace. ‘Marie, p’tit, est-ce que tu dans le maison?’
‘Oui,’ replied a light voice from upstairs. ‘Bonjour, Madame.’
Marie had been acquired in Carcassone, a child of twelve orphaned by a shell and removed by Phryne from a nasty destination. She had resisted all attempts to send her away after the war, and no one could find any survivors from the Jewish colony in that city. So she had come to Australia with Phryne. She was small, dark and intense, and so pretty that Phryne did not expect to keep her long.
She came down the stairs and caught sight of Phryne’s face.
‘What has happened?’
‘I found a dead man on the beach. I have seen enough dead men but I never expected to find one here.’
‘Murdered?’
‘No, he appears to have just died.’
Marie saw that Phryne was more shaken than she was willing to admit. She ran down the stairs and took her arm.
‘Come. We shall have a tisane. With a little cognac’
Side by side in the hall mirror, Phryne saw the dark, glowing, flawless face of Marie and her own countenance. Middle-aged, she thought, surveying the corded throat and the streaks of grey in her hair. Her eyes looked back at her, still intensely green, but wary and dilated.
‘Yes, you’ve seen a thing or two,’ she said to her reflection. ‘All right, Marie, tea and brandy it is. I can’t absorb shocks like I used to.’
Marie considered that Phryne was clearly still very attractive and, in any case, the best-dressed woman she had ever seen. She paid no attention and hustled her into the kitchen.
Two men sat huddled over a formica table in the most depressing pub in Hindley Street. They were careful not to attract attention; so careful that the other drinkers had noticed the air of cold seclusion that surrounded them and had given them a wide berth, isolating their table in the middle of a pool of silence.
‘When does she leave?’ asked the smaller and darker man. His red-headed companion sighed and scrubbed at his jaw with a hand calloused like a bricklayer’s.
‘Evening.’
‘Waste a few words on me, Damien,’ begged the first. ‘Which evening, for the good God’s sake?’
‘Tomorrow evening,’ said Damien. ‘And do not go on about words, Brian. It is words which got us into this and words which always betray us.’
‘So it is,’ agreed the dark one, ‘so it is. Are you going, then?’ he added, as Damien stood up.
‘I am. You will be for Melbourne?’
‘The morning train, yes. No sign of the suitcase? He probably left it at the station.’
‘No sign. They will raid the station tonight. He may have left it in a locker.’
‘They are not going to like this, Damien.’
‘No, Brian. They are not going to like it.’
‘Likely I am going to my death, bringing them the news of our failure.’
‘Yes.’
‘God be with you, Damien.’
‘And with you, Brian.’
Phryne had absorbed her tea and brandy, and was having a bath when the policewoman arrived. She came out to speak to her dressed in a heavy silk gown which dated to the 1920s. Such fabric was not to be found in a postwar world, mused Woman Police Constable Hammond, sitting down, at Phryne’s invitation, on the couch. At least this lady, she realised with relief, was not going to have hysterics and cry on her uniformed shoulder. In fact, thought WPC Hammond, as the green eyes of the middle-aged lady met her own soft brown ones, this was a woman who knew a good deal more about death than she did, and was no longer startled by it.
‘Miss Fisher? Er… Lady Fisher?’
‘Just Miss Fisher. What’s your name? Nice to see women being given some position in the world at last. Constable, are you? Well, I hope they make you a sergeant. Would you like tea or coffee? And how can I help you?’
‘My name is Hammond, I would like some tea and I came about the dead man on Somerton Beach.’
‘Yes, I thought that it might be that. Marie, can you make some tea? It’s all right, this is Australia and she is a police officer.’ Phryne smiled at Hammond. ‘Marie has only met people in uniform in the war and they always wanted to send her to Ravensbruck. You’ll have to excuse her, Constable. Now, what about the man on Somerton Beach?’
‘What were you doing there, Miss Fisher, and where was he when you first saw him?’
Phryne began to explain, in a crisp, ordered narrative which WPC Hammond took down in her notebook. When Phryne had finished, the officer looked up and asked, ‘Miss Fisher, I’ll be frank with you. The bigwigs have been onto us when we made a routine check on you, as a witness. They say that you were in the Resistance during the war in France. I’m going to ask you this, even though my boss wouldn’t like it.’
‘Well, ask.’
‘Did you know the man? Did he have any connection with… with what you were doing during the War?’
‘No, I didn’t know him. I don’t know anything about him. If I did there are people I would have called, things I would have done, which I won’t burden you with. But I didn’t call anyone and I didn’t do anything because I honestly did not know the man. To my knowledge I’ve never seen him before. Now have some tea and tell me more. Why all this mystery?’
Hammond took some tea, which was excellent, and said slowly, ‘we don’t know who he is. There’s no identification on the body – no labels, no tailor’s marks, nothing in his pockets.’
‘Nothing at all?’
‘No. No keys, no wallet. Just a little bit of paper with TAMAM SHUD written on it. In his watch pocket where it might have been overlooked by whoever searched him, if anyone did. I say, this is good tea.’
‘Ceylon,’ said Phryne absently. ‘Well, well, Tamam Shud, eh? That, as I recall, is the last word in The Rubaiyat of Omar Khayyam, A Persian version of ‘The End’. How… symbolic. Of something. Did he suicide, then?’
‘No – or if he did, the pathologist can’t find a cause of death. He seems to have just sat down and . . . and died, Miss Fisher.’
‘Heart failure?’
‘Yes.’
‘Hmm. That’s medical jargon for ‘Died of Death’. Interesting.’
‘Thing is,’ said the police officer slowly, ‘there is something about his face.’
‘Something?’
‘Yes, he doesn’t look like a suicide. No despair. The pathologist says that he has an educated face, but that’s not just it… he looks… like he has a secret, like he died well. I’m too fanciful, that’s what my sergeant says.’
‘No, you aren’t. I saw it too,’ Phryne winced. ‘The smug and unassailable face, the Knight with his Quest achieved. Safe in death with his secret unbetrayed.’
The young woman stared at Phryne, astonished to hear her own thoughts so cogently expressed.