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Blake thought mankind had a bright future.

Nietzsche thought mankind should have a bright future, but he believed

that it would destroy itself before the Supermen ever evolved from it.

Blake apparently liked women. Nietzsche despised them. In fact, he

thought women constituted one of the greatest obstacles standing between

man and his climb to godhood. You see what I'm getting at?"

"You're saying that if the Butcher subscribes to both Blake and

Nietzsche's philosophies, then he's a schizophrenic."

"Yet you say he's not even crazy."

"Wait a minute."

"Last night-"

"All I said was that if he's a maniac, he's a new kind of maniac. I

said he wasn't crazy in any traditional sense."

"Which rules out schizophrenia?"

"I guess it does, Ira."

"But I think it's a good bet . . . maybe I'm wrong ...

God knows ... but maybe he looks at himself as one of Nietzsche's

Supermen. A psychiatrist would call that delusions of grandeur. And

delusions of grandeur characterize schizophrenia and paranoia. Do you

still think the Butcher could pass any psychiatric test we could give

him?"

"Yes."

"You sense this psychically?"

"That's right."

"Have you ever sensed something and been wrong?"

"Not seriously wrong. No worse than thinking Edna Mowry's name was Edna

Dancer."

"Of course. I know your reputation. I know you're good. I didn't mean

to imply anything. You understand? But still-now where do I stand?"

"I don't know."

"Graham ... if you were to sit down with a book of Blake's poems, if you

were to spend an hour or so reading them, would that maybe put you in

tune with the Butcher? Would it spark something-if not a vision, at

least a hunch?"

"It might."

"Would you do me a favor then?"

"Name it."

"If I send a messenger right over with an edition of Blake's work, will

you sit down with it for an hour and see what happens?"

"You can send it over today if you want, but I won't get to it until

tomorrow."

"Maybe just half an hour."

"Not even that. I've got to finish working on one of my magazines and

get it off to the printer tomorrow morning. I'm already three days late

with the issue. I'll be working most of tonight. But tomorrow

afternoon or evening, I'll make time for Blake."

"Thank you. I appreciate it. I really do. I'm counting on you.

You're my only hope. This Butcher is too much for me, too sharp for me.

I'm getting nowhere. Absolutely nowhere. If we don't get a solid lead

soon, I don't know what's going to happen."

Paul Stevenson was wearing a hand-sewn blue shirt, a

blue-and-black-striped silk tie, an expensive black suit, black socks,

and light brown shoes with white stitching. When he came into Anthony

Prine's office at two o'clock Friday afternoon, unaware that Prine

winced when he saw the shoes, he was upset. Because he was incapable of

shouting and screaming at Prine, he pouted. "Tony, why are you keeping

secrets from me?"

Prine was stretched out on the couch, his head propped on a holster

pillow. He was reading The New York Times. "Secrets?"

"I just found out that at your direction the company has hired a private

detective agency to snoop on Graham Harris' "

"They're not snooping. All I've asked them to do is establish Harris's.

whereabouts at certain hours on certain days.

"You asked the detectives not to approach Harris or his girlfriend

directly. That's snooping. And you asked them for a forty-eight-hour

rush job, which triples the cost. If you want to know where he was, why

don't you ask him yourself?"

"I think he'd lie to me."

"Why should he lie? What certain hours? What certain dates?"

Prine put down the paper, sat up, stood up, stretched. "I want to know

where he was when each of those ten women was killed."

Perplexed, blinking somewhat stupidly, Stevenson said, "Why?"

"If on all ten occasions he was alone-working alone, seeing a movie

alone, walking alone-then maybe he could have killed them."

"Harris? You think Harris is the Butcher?"

"Maybe."

"You hire detectives on a maybe?"

"I told you, I've distrusted that man from the start. And if I'm right

about this, what a scoop we'll have!"

"But Harris isn't a killer. He catches killers."

Prine went to the bar. "If a doctor treats fifty patients for influenza

one week and fifty more the next, would it surprise you if he -got

influenza himself during the third week? "

"I'm not sure I get your point."

Prine filled his glass with bourbon. "For years Harris has been tuning

in to murder with the deepest levels of his mind, exposing himself to

trauma as few of us ever do. He has been literally delving into the

minds Of wife killers, child killers, mass murderers.... He's probably

seen more blood and violence than most career cops. Isn't it

conceivable that a man, unstable to begin with, could crack from all the

violent input? Isn't it conceivable that he could become the kind of

maniac he's worked so hard to catch?"

"Unstable?" Stevenson frowned. "Graham Harris is as stable as you or

me."

"How well do you know him?"

"I saw him on the show."

"There's a bit more you should know." Prine caught sight of himself in

the mirror behind the bar cabinet; he smoothed his lustrous white hair

with one hand.

"For example?"

"I'll indulge myself in amateur psychoanalysis-amateur but probably

accurate. First of all, Graham Harris was born into borderline poverty

and-"

"Hold on. His old man was Evan Harris, the publisher.

"

"His stepfather. His real father died when Graham was a year old. His

mother was a cocktail waitress. She had trouble keeping a roof over

their heads because she had to pay off her husband's medical bills. For

years they lived day to day, on the edge of disaster. That would leave

marks on a child."

"How did she meet Evan Harris?" Stevenson asked.

"I don't know. But after they were married, Graham took his

stepfather's name. He spent the latter part of his childhood in a

mansion. After he got his university degree, he had enough time and

money to become one of the world's leading climbers. Old man Harris

encouraged him. In some circles, Graham was famous, a star.

Do you realize how many beautiful women are drawn to the sport of

climbing?"

Stevenson shrugged.

"Not as participants," Prine said. "As companions to the participants,

as bedmates. More women than you'd think. I guess it's the nearness of

death that attracts them. For more than a decade, Graham was adored,

made over. Then he took a bad fall. When he recovered, he was

terrified of climbing." Prine was listening to his own voice,

fascinated by the theory he had developed. "Do you understand, Paul? He

was born a nobody, lived the first six years of his life as a

nobody-then overnight he became a somebody when his mother married Evan

Harris. Now is it any wonder that he's afraid of being a nobody again?

" Stevenson went to the bar and poured himself some bourbon. "It's not

likely he'll be a nobody again. He did inherit his stepfather's money."

"Money isn't the same as fame. Once he'd been a celebrity, even within

the tight circle of climbing enthusiasts, maybe he developed a habit for

it. Maybe he became a fame junkie. It can happen to the best. I've

seen it."

"So have I."

"if that's what he is ... well, maybe he's decided that being infamous

is as good as being famous. As the Butcher, he's grabbing headlines;

he's infamous, even if only under a nora de guerre- "

"But he was with you in the studio last night when the Mowry girl was