It was the world’s most experimental mix-up, the Achilles heel of benighted Handleyville. Now and again Dawley slept with Myra, but his wife didn’t know. She seemed a bit hazy about what went on, though perhaps she knew everything and was nursing her time for the jump. Dawley was too dim to notice, and that was a fact.
What Dawley didn’t know, and never would unless Cuthbert blurted it forth in order to shatter him, was that Cuthbert had passed a few nights with his wife. She wasn’t that good, but he’d serviced her — and himself — nevertheless. Maybe Dawley wouldn’t care, but if he did, it was one more thumb-tack in the coffin of the community.
The family house in Lincolnshire had killed Uncle John, and this community was emasculating his father. There was nothing to choose between them as far as Cuthbert could see. Only prisoners are obliged to make choices, and those who were out of touch with their subconscious, and in thrall to the demands of the tight society in which they lived. Once you realised that nothing was sacred you no longer had to make up your mind about anything. No choices were left. The world was yours when you wouldn’t care whether you had it or not. To want nothing was to get everything — in time. The only defeat you could possibly be landed with would be if what you eventually got caused any sort of surprise. That would be humiliation, if you hadn’t seen it coming. But it would be presumptuous to try and decide beforehand what it was that might surprise you. That would be a devious form of choice, and therefore to be shunned.
A box of John’s cigarettes lay by the morse key, in case he came back craving a smoke with the same intensity as he’d done during his four years as a prisoner of the Japanese. Cuthbert puffed one slowly, trying not to inhale or cough. A score had already been purloined on other nights, but Handley had not lifted the lid to check — during his daily visits to change the calendar and see that the clock above the transmitter was fully wound.
The silence saddened him, but he stuck to it like hunger. If you want something out of life be careful what you hope it is in case you ever get it. He opened the window and leaned out, pressing his fingers on the sill as if to support himself against the rabid noises of life from below. He felt such pity and love for Mandy that tears wetted the flesh of his cheeks, and he ached for daylight so that she might be better.
He’d believe in God if only she could stop screaming. He couldn’t bear it when she cried again, because her agony was his, just as, at certain times during his stay at college, she had shared her wealth with him. Living in such a hardup or tight-fisted family he could never decide where she got such money, but neither did he think to ask in his picture postcards of thanks. And now as he winced at her cries he only wondered about the impulse that caused her to send those occasional few pounds to her elder, no-good, cloistered brother. The rest of the family forgot him for months at a time, and he never blamed anybody for that, but loved Mandy for her sweet sacrifices that allowed him to buy unpriestly comforts in the town, so that on his penniless return to the dark towers of college he fervently hoped she had stolen the money from their father — otherwise he would feel too guilty to enjoy the next lot that came.
It was the one unblemished piece of generosity that had ever been bestowed on him, and he was grateful that it had come from Mandy, and not from someone he had grown to hate. He wanted to tear the night out of the sky for her and remake tomorrow with a sweep of his arms. But the stubborn stars held on, glittering studs keeping the black cloth down. Mandy’s great attempt to get away from the paralysing Handley dragnet had landed her with that blood-filled vampire Ralph, a failed country gentleman who was only good for the bright prospect of sponging off his rich parents. Since his marriage they had disowned him anyway, so that Handley had to take him in.
He shut the window and turned to the room, a wan and shabby memorial that made him think of smashing it to bits. A tin-chest tool-kit under the table had a stout hammer in it — but violence wasn’t Cuthbert’s way. It was a sure method of having no permanent effect. Leave such dark avenues to senseless Dawley, he thought, for whom brute force towards others was only an attempt to keep his own dead spirit alive.
The tempting hammer was balanced on the radio set, but he knew that he would lose all power of speculating on violence if he used it. It would be a bad bargain, to give up so much and achieve so little for a few lead-heavy blows of the hammer. But he went as far as he dare to the brink by rubbing the steel head slowly down his cheek and feeling the flat cold surface pressing into his flesh.
John had used the tools to make bookshelves, and keep his radio gear in good order. Cuthbert lifted a tray of nails and screws and brackets, brass hinges and fuses and small rolls of copper wire, and underneath was a large cigar box covered with an impressive label, a picture of a multi-chimneyed tobacco factory. Above it was an olive-skinned, green-eyed, smooth-haired young woman wearing a plain collarless common labouring shirt, her smooth thin lips meticulously engraved. He pulled down the hundred-watt Anglepoise for more light.
Who was she, with such a noble and sensible face? Did she work in the cigar factory, or did she own it? Since the cigars were Cuban he could make a case for both, but he wasn’t really interested in that. He was entranced by her face, the faint lines going from the mouth which showed that certain facets of life occasionally worried her. She had a sense of humour, though was not smiling at the moment. Faces he passed on the street or glimpsed behind a car wheel on country lanes floated or jerked by so that he could only feel contempt or pity for such utter lack of expression and inner life. But here was a small picture, a mere part of the cigar-label pageantry, and it fascinated him to the extent that he felt sorry for his own unworthiness.
The only way he could get closer to this woman of the cigar box was to prise open the lid and hope to find another good Havana inside, to sit a further half hour smoking it, and gloat on her inadequate though enticing portrait. Not that he believed she’d ever been real, yet her vulnerable improbability looked at him, her eyes fixed on the deepest inlays of his soul, a stare which affected him so deeply that he could not even think of anything cynical by which to turn it aside.
He could no longer take the picture in. It went dead on him. Wanting the promised cigar, he tried to lift the lid, but the small chromed nail held firm in the wood, and he searched the radio operator’s bric-à-brac for a knife. He forced it open, and the overhead lamp flooded the sharp grey line of the barrel, the curved trigger-guard, the rounded corrugated butt of a heavy revolver. Circling it, like torpedo-shaped sleeping tablets, were six rounds of ammunition. Along one side was the last cigar waiting to be smoked.
He stared, unable to believe, stricken at the picture of it. He now remembered the woman on the lid as if she had been real. His glazed look went to both in turn, Would this woman have made John happy? He laughed at the thought. It couldn’t have been the gun John blew his brains out with, for the police had nicked that. Maybe it was a twin, for John had certainly left it here, or hidden it where Handley had found it and returned it to the shrine. Cuthbert felt sick at a sudden uprush of love and death: he sensed danger — returning childhood mingled with smells of shit — the bite of knowing that decisions came from sources totally outside oneself. The change and destruction they brought might be more powerful than any man could withstand.
The fixed monochromatic picture of the woman made him smile, and the steel flesh of the gun brought down sweat. His finger itched towards it, touched the barrel and shot back as if it were new from a blacksmith’s fire. But heat was in his fingers, not the gun, and to someone thrown out of theological college, fire was more important than metal, because fire is alive and metal is dead, and if metal does come alive it is only through fire.