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He stopped and said, wiping his face: 'I beg your pardon, my dear, but you will be glad to know I feel better. Tell me no more just now, or I might do it again. You must be refreshed and cheered. What did you take last? Was it breakfast, lunch, dinner, tea, or supper? And what will you take next? Shall it be breakfast, lunch, dinner, tea, or supper?'

The respectful tenderness with which, on one knee before her, he helped her to remove her hat, and disentangle her pretty hair from it, was quite a chivalrous sight. Yet who, knowing him only on the surface, would have expected chivalry — and of the true sort, too; not the spurious — from Mr. Grewgious?

'Your rest too must be provided for,' he went on; 'and you shall have the prettiest chamber in Furnival's. Your toilet must be provided for, and you shall have everything that an unlimited head chambermaid — by which expression I mean a head chambermaid not limited as to outlay — can procure. Is that a bag?' he looked hard at it; sooth to say, it required hard looking at to be seen at all in a dimly lighted room: 'and is it your property, my dear?'

'Yes, sir. I brought it with me.'

'It is not an extensive bag,' said Mr. Grewgious, candidly, 'though admirably calculated to contain a day's provision for a canary- bird. Perhaps you brought a canary-bird?'

Rosa smiled and shook her head.

'If you had, he should have been made welcome,' said Mr. Grewgious, 'and I think he would have been pleased to be hung upon a nail outside and pit himself against our Staple sparrows; whose execution must be admitted to be not quite equal to their intention. Which is the case with so many of us! You didn't say what meal, my dear. Have a nice jumble of all meals.'

Rosa thanked him, but said she could only take a cup of tea. Mr. Grewgious, after several times running out, and in again, to mention such supplementary items as marmalade, eggs, watercresses, salted fish, and frizzled ham, ran across to Furnival's without his hat, to give his various directions. And soon afterwards they were realised in practice, and the board was spread.

'Lord bless my soul,' cried Mr. Grewgious, putting the lamp upon it, and taking his seat opposite Rosa; 'what a new sensation for a poor old Angular bachelor, to be sure!'

Rosa's expressive little eyebrows asked him what he meant?

'The sensation of having a sweet young presence in the place, that whitewashes it, paints it, papers it, decorates it with gilding, and makes it Glorious!' said Mr. Grewgious. 'Ah me! Ah me!'

As there was something mournful in his sigh, Rosa, in touching him with her tea-cup, ventured to touch him with her small hand too.

'Thank you, my dear,' said Mr. Grewgious. 'Ahem! Let's talk!'

'Do you always live here, sir?' asked Rosa.

'Yes, my dear.'

'And always alone?'

'Always alone; except that I have daily company in a gentleman by the name of Bazzard, my clerk.'

'He doesn't live here?'

'No, he goes his way, after office hours. In fact, he is off duty here, altogether, just at present; and a firm down-stairs, with which I have business relations, lend me a substitute. But it would be extremely difficult to replace Mr. Bazzard.'

'He must be very fond of you,' said Rosa.

'He bears up against it with commendable fortitude if he is,' returned Mr. Grewgious, after considering the matter. 'But I doubt if he is. Not particularly so. You see, he is discontented, poor fellow.'

'Why isn't he contented?' was the natural inquiry.

'Misplaced,' said Mr. Grewgious, with great mystery.

Rosa's eyebrows resumed their inquisitive and perplexed expression.

'So misplaced,' Mr. Grewgious went on, 'that I feel constantly apologetic towards him. And he feels (though he doesn't mention it) that I have reason to be.'

Mr. Grewgious had by this time grown so very mysterious, that Rosa did not know how to go on. While she was thinking about it Mr. Grewgious suddenly jerked out of himself for the second time:

'Let's talk. We were speaking of Mr. Bazzard. It's a secret, and moreover it is Mr. Bazzard's secret; but the sweet presence at my table makes me so unusually expansive, that I feel I must impart it in inviolable confidence. What do you think Mr. Bazzard has done?'

'O dear!' cried Rosa, drawing her chair a little nearer, and her mind reverting to Jasper, 'nothing dreadful, I hope?'

'He has written a play,' said Mr. Grewgious, in a solemn whisper. 'A tragedy.'

Rosa seemed much relieved.

'And nobody,' pursued Mr. Grewgious in the same tone, 'will hear, on any account whatever, of bringing it out.'

Rosa looked reflective, and nodded her head slowly; as who should say, 'Such things are, and why are they!'

'Now, you know,' said Mr. Grewgious, 'I couldn't write a play.'

'Not a bad one, sir?' said Rosa, innocently, with her eyebrows again in action.

'No. If I was under sentence of decapitation, and was about to be instantly decapitated, and an express arrived with a pardon for the condemned convict Grewgious if he wrote a play, I should be under the necessity of resuming the block, and begging the executioner to proceed to extremities, — meaning,' said Mr. Grewgious, passing his hand under his chin, 'the singular number, and this extremity.'

Rosa appeared to consider what she would do if the awkward supposititious case were hers.

'Consequently,' said Mr. Grewgious, 'Mr. Bazzard would have a sense of my inferiority to himself under any circumstances; but when I am his master, you know, the case is greatly aggravated.'

Mr. Grewgious shook his head seriously, as if he felt the offence to be a little too much, though of his own committing.

'How came you to be his master, sir?' asked Rosa.

'A question that naturally follows,' said Mr. Grewgious. 'Let's talk. Mr. Bazzard's father, being a Norfolk farmer, would have furiously laid about him with a flail, a pitch-fork, and every agricultural implement available for assaulting purposes, on the slightest hint of his son's having written a play. So the son, bringing to me the father's rent (which I receive), imparted his secret, and pointed out that he was determined to pursue his genius, and that it would put him in peril of starvation, and that he was not formed for it.'

'For pursuing his genius, sir?'

'No, my dear,' said Mr. Grewgious, 'for starvation. It was impossible to deny the position, that Mr. Bazzard was not formed to be starved, and Mr. Bazzard then pointed out that it was desirable that I should stand between him and a fate so perfectly unsuited to his formation. In that way Mr. Bazzard became my clerk, and he feels it very much.'

'I am glad he is grateful,' said Rosa.

'I didn't quite mean that, my dear. I mean, that he feels the degradation. There are some other geniuses that Mr. Bazzard has become acquainted with, who have also written tragedies, which likewise nobody will on any account whatever hear of bringing out, and these choice spirits dedicate their plays to one another in a highly panegyrical manner. Mr. Bazzard has been the subject of one of these dedications. Now, you know, I never had a play dedicated to me!'

Rosa looked at him as if she would have liked him to be the recipient of a thousand dedications.

'Which again, naturally, rubs against the grain of Mr. Bazzard,' said Mr. Grewgious. 'He is very short with me sometimes, and then I feel that he is meditating, "This blockhead is my master! A fellow who couldn't write a tragedy on pain of death, and who will never have one dedicated to him with the most complimentary congratulations on the high position he has taken in the eyes of posterity!" Very trying, very trying. However, in giving him directions, I reflect beforehand: "Perhaps he may not like this," or "He might take it ill if I asked that;" and so we get on very well. Indeed, better than I could have expected.'