How he had worshipped her: Syrarys, his legal consort, more arousing when she yawned or coughed than Thasha’s mother had been at the height of lovemaking; Syrarys, the only woman whose touch had ever made him weep for joy, though from the first night (her kisses a slave’s kisses, her moans of ecstasy indistinguishable from pain) a part of him had suspected that this joy was on loan from devils, and their rate of interest well beyond his means.
She had leaped back into his memory because of a laugh. King Oshiram had taken a new lover, a dancer rescued from some brothel in Ballytween, he’d said. Terribly shy and unearthly beautifuclass="underline" she was the reason the King now visited him so seldom. The palace was large, and this girl apparently had the run of much of it-though not, of course, the North Tower. Yet one of the king’s favorite chambers was just two floors below, and one day he had brought her there, and Isiq had heard her laugh. It had shocked him from months of silence. He had started to his feet and said one word: “Syrarys.” For it was her laughter. How astonishing to hear it again!
Of course it would be anything but wonderful if it were really Syrarys. For despite all the emptiness that remained inside him, despite the lust that accompanied the laugh, Isiq suddenly knew: it was Syrarys who had done it, fed him deathsmoke, conspired with his torturers, wanted him dead.
Fortunately (yes, fortunately; he must keep that clear) Syrarys was the one who had died. But this girl’s laugh! Identical, identical. From that day he had listened for it constantly, moving as little as possible lest by making some slight sound he should miss her. Now and then he would kneel and place his ear against the floor.
On his next visit the King spoke of the girl in a state approaching delirium. He wished he could make her queen, though his eventual bride was already chosen. He remarked on how intelligent she was “in her quiet, listening way.” He was jealous of every man in the castle, he said. Jealous and fearful. Above all he wanted to keep her safe.
One day life changed for the tailor bird. It had befriended a street dog, it told Isiq. A scrappy, short-legged creature, also woken, who slept on a pile of sacks behind the milliner, and begged scraps from the Ulluprid cooks in the tavern across the alley. The dog was sociable and self-assured, though he would not speak to just anyone. Indeed he had a strict policy, or as he put it “a survival plan.” He spoke to humans only in the farthest reaches of the capital, very far from his alley.
“And never in groups. And always at a distance, and with a clear escape path. I don’t fancy slavery, getting nabbed and flogged to some traveling carnival, doing tricks or telling fortunes for the rest of my days. You can’t be too careful, bird. Just be glad you have wings.”
For all that, the dog was a bit of a gossip, and even more of an eavesdropper. When the mutated rats stormed the city, a number of animals had revealed themselves as woken, screaming for help or howling prayers as the monsters attacked. Some had been killed, others befriended; many had counted on the inability of humans to tell them apart from their unwoken kin (one crow or alley cat looking much like another) and later blended back into their old, hidden patterns of life.
“But the dog and I mean to find our woken kin, Isiq,” said the bird. “Who knows how many there are? Twenty? Fifty? We can help one another, learn from one another. The dog has thought it all through.”
“C-care-” Isiq squeezed out, with tremendous effort.
“Careful? Oh, we will be, that I promise. And I’ll never abandon you, my friend, nor mention you to a soul, human or animal. Oshiram’s terribly good to you, and he must have his reasons for keeping you hidden, though what they are I can’t begin to guess.”
“Ott.”
“Ought what? Ought to release you? Do you mean he’s holding you a prisoner?”
Isiq shook his head. Ott was a who, not a what. A dangerous, a deadly who. Isiq could summon the face (damaged eye, vile grin) though he could recall nothing specific about the man. He is far away, thought the admiral suddenly. But that did not mean, somehow, that he could not strike.
Weeks passed. Sometimes the bird was crestfallen: he had sat on a temple roof and dared to shriek out words in the Simjan tongue, then watched the blackbirds and wrens that flitted from district to district, tree to tree, not one showing the least sign of understanding. But the next day he might be overjoyed, and come to the admiral with tales of some new friendship, or dreams of a future life, when animals and humans no longer had anything to fear from one another, and lived in peace.
One day he and the dog had made the acquaintance of a fenneg, one of the giant flightless birds of Simja, ridden by couriers and constables throughout the bustling city. The fenneg had been aware of them for some time, but it was only now that he summoned the courage to speak. In their first conversation the fenneg shared a secret: he had recently made a delivery to the house of a witch.
She was a dark-haired woman from the mainland who lived alone near the East Gate. She had winked at the fenneg in a strangely knowing way, and told the rider that his bird looked unusually clever. The rider was taken aback: he knew the fenneg was woken, but never spoke of it to a soul for fear that someone might take his steed away.
“The dog and I are going to have a look at this witch,” said the tailor bird said to Isiq. The admiral nodded: that was a fine idea. A few days later the bird had much more to tell.
Her house had a private courtyard and a dilapidated barn. She had spotted the bird watching her from the barn’s upper window, and known him for woken at a glance. When the dog padded casually by the courtyard gate, she had glanced up sharply and laughed: “This is turning into a tavern. Well, come in, you filthy thing, your friend’s already here.”
The dog did not come in that day-his survival plan forbade such a move. But the courtyard had two gates, and the woman began leaving them ajar, and also pointed out a hole at ground level at the back of the crumbling barn: yet a third means of escape. She set out a plate of dry corn for the bird and saved soup bones for the dog. By week’s end they had both concluded that she meant no harm.
“She tells us we’re welcome anytime,” the bird reported to Isiq.
“Happy,” he replied, meaning that for the bird’s sake, he was.
“No,” said the bird, “I don’t believe she’s very happy. She talks frequently of war. She waves a hand over the city and says we should expect to see it burn. Don’t misunderstand: she’s not raving; in fact she’s quite presentable-attractive even, when she combs her hair. And she has a pretty name, too: Suthinia.”
Isiq held the name in his mouth: Suthinia. It glimmered ever so slightly, in the darkness where his mind could not go.
“I’d started to doubt she was a witch at all,” the bird continued, “but not after what the dog told me last night. He’d been to see her the day before: I was with my dumb darling, telling stories, weaving twigs. Do you know what he saw that woman do, Isiq? Put her hand through a wall! Right through! Not her fist, not with violence. She simply reached through the solid brick wall beside her mantelpiece and brought out a vial of smoke.”
Isiq raised an eyebrow. “Smoke.”
“Very good, Isiq! Smoke it was: a pale blue smoke that shone with a faint light, and swirled like liquid in the glass. A moment later she brought out another, and this smoke was red. The dog asked her what they might be. ‘Dream-essence,’ she said. ‘The purest nectar of intelligence, formed in the soul before a dream begins. When the dream breaks it leaves us forever, and empties into that dark flood called the River of Shadows. But if you extract it at that precise moment, before the dream, you have a connection to the dreamer’s mind. You can look into the smoke and see his dream, on that night or any other. And should you have the skill you can give him new dreams, specific dreams, the dreams you choose. There are few in Alifros with that skill, but I am one.’