Why did he have to be so difficult?
‘All along, we’ve assumed the dagger was taken after the party, at night,’ I explained. ‘But Martin Longhurst could have taken it early the following morning.’
‘I haven’t assumed anything,’ Hawthorne said.
I ignored this. ‘An hour and a half would have been enough time to go to Little Venice and back again. He could have killed Harriet Throsby and gone straight into work.’
‘Covered in blood?’
‘He could have worn a coat!’
‘But why would he have wanted to frame you?’ he asked.
‘Well, you heard what he said. His client’s going bankrupt. Maybe he blamed me for the play.’
Hawthorne stopped. ‘It’s just possible that Longhurst could have picked up the dagger when he went to the theatre the next morning,’ he said. ‘But there are three questions you’ve got to ask yourself. How did he know it was there, and if he happened to come across it, how would he know it was yours?’
‘And the third question?’
‘How did he get hold of a strand of your hair?’
It was true. ‘Longhurst wasn’t anywhere near me,’ I admitted. ‘He couldn’t have got a sample of my hair … not unless he followed me into a hairdresser, and I haven’t been to one for weeks!’
Hawthorne stopped. I could see the main road and Holborn station ahead of us.
‘Let’s just suppose for a minute that the two things – the murder and your involvement – aren’t connected,’ he said. ‘Let’s imagine that you’re completely irrelevant.’
‘Thanks!’
‘An old man died in the village of Moxham Heath. Two kids killed him. And Harriet turned it all into a book.’
‘You think someone didn’t like what she wrote?’
‘Nobody ever liked what she wrote. That was her intention. But emotions always run high when someone dies. And you’ve got to ask yourself – what was that book doing, sitting on Harriet’s desk?’
‘Bad Boys …’
‘Maybe she was trying to tell us something.’
‘We’re not going to Moxham Heath, are we?’
‘Tony, mate. Cara Grunshaw can’t be too far behind. By the end of today, she’s going to have everything she needs to nail you.’
One hour later, we were on the train.
17
Extract from Bad Boys by Harriet Throsby
They were, of course, very young boys. Nobody can say if they intended to kill Major Philip Alden, a twice-decorated veteran who served with the Royal Marines and who saw action in the Falklands, a family man and a teacher loved by all those he taught. When they balanced a marble bust of Cicero on the door of his study, I am sure they were giggling. Oh what a lark! The defence made much of the fact that an eleven-year-old would be unlikely to have the words ‘fractured skull’ in his vocabulary, although both the defendants would have seen episodes of Casualty and Peak Practice on TV.
When Philip Alden was laid to rest at the lovely Norman church of St Swithin’s on a sunny spring afternoon – two weeks after his death on 19 April – the vicar spoke of forgiveness and understanding. Well, I’m trying to understand. That has been the purpose of this book … to make sense of a senseless waste of life. But like the crowd who packed into the little cemetery, with mourners coming from as far as Arbroath and Port Stanley, I struggle to forgive. Standing next to Rosemary Alden, Philip’s widow, as she wiped away the tears only to have them replaced by more tears in a constant stream of sorrow, I reflected on the circumstances that had brought us here, to this ugly rectangular trench cut into the emerald sward.
Trevor and Annabel Longhurst had sent flowers. At least, their personal assistant had. Their wreath had to be bigger than anyone else’s and it dominated the entrance to the church: £200 worth of white orchids and lilies tied with a black ribbon and the name of the donors on a label, writ large so there could be no mistake. The Longhursts themselves did not make an appearance. Out of decency or shame? one had to ask. Perhaps both, came the answer, echoing like a funeral bell.
Trevor and Annabel had never been popular and had become even less so when their son had taken one of Moxham’s own. I have described how they had fought to move a centuries-old footpath simply because it afforded a view of their swanky new swimming pool. How the village fête that had always taken place on the sacred turf of Moxham meadow had found itself turfed out, redirected to the Waitrose car park. We have seen how, from the day they arrived, they had seemed to deliberately search out reasons to antagonise the long-suffering villagers.
Well, the flowers may have spelled out some sort of apology, just as other wreaths spelled out BROTHER, SOLDIER and ADIOS. But even as the old soldier was being sent on his final pack drill, serious manoeuvres were going on behind the scenes. The Longhursts had assembled, at enormous cost, a team of London’s most aggressive and unsparing lawyers in what they had decided would be a fight to the death, determined that the death for which their son was partly responsible should be seen as unfortunate, accidental and definitely something for which he did not need to be punished.
I have spoken to a junior barrister at Blackwood Chambers who worked on the case. Speaking in the strictest confidence and with total anonymity, he told me that this was the agreed strategy. ‘We had to separate the two boys. Wayne Howard was the older of the two. He didn’t even live in Moxham Heath, but on the nearby Sheldon Estate, which was part of Chippenham. His father had been arrested for drug offences. He was physically larger, on the edge of puberty. It was evident from the start that he was a Machiavellian figure, even though he was only eleven, and that Stephen had been in thrall to him from the day they’d met. Our task was to make the judge see this, to prove the psychological manipulation which the older boy had exerted over the younger. Put simply, we set out to represent Stephen Longhurst as the victim he undoubtedly was.’
It helped that Stephen was physically small, with a voice that had not broken and baby blue eyes. Although it has never been proved, several reports have suggested that when his trial began (by video link), he was dressed in a set of Red Button clothes that had been specially created for him, but which were originally designed for seven-year-olds. He was clutching a copy of The Lion, the Witch and the Wardrobe, his favourite book. The aim was to make him look as sweet and innocent as possible.
As we have seen, this was only half the truth. There are the memories of Rosemary Alden, who helped at Moxham Heath Primary School and knew both boys, and the testimony of Stephen’s nanny, Lisa Carr, who still carries the scars of her time with him. There’s the evidence given by Police Constable Brownlow, who first encountered the two boys following the village allotment incident. And what does it all add up to? Simply this. That Stephen Longhurst was the archetypal spoilt brat, entitled, rude to the staff and cruel to animals. The best that can be said of him is that he was an innocent, waiting to be led astray. If Wayne Howard hadn’t come stumbling into his life, it might have been someone else. And whose fault was all this?
Step forward, Trevor and Annabel Longhurst.
They had always made it abundantly clear that their second son was an afterthought, the unwanted child – and how do you think it affected Stephen, hearing this? Oh yes, they showered him with material wealth – the quad bikes, the computer games, his own horse before he was even nine – but they were never actually there, too focused on their investment portfolio, their business in America and their fashionable charity projects. Their home might be in Wiltshire, but their hearts were in London and New York. The ten-year-old had no relationship with his teenaged, self-centred brother who had spent the past five years at a top public school and was about to disappear on a ‘charity’ trip around Africa. Martin Longhurst really didn’t need a gap year. The gap between him and his brother could hardly be more apparent.