"Six-forty," I said, "on the dot. With my family. In a taxicab. Clarence Mundy's taxicab."
"And you were in the hall the whole evening?"
"Of course I was. I came over and spoke to you — don't you remember?"
"Yes. Answer the question, please."
"Yes."
I must admit that the Inspector was making me quite cross. I had hoped to be able to collaborate with him: to provide him with a richly described, minute-by-minute account of the horror that had taken place — almost in my lap — this evening. Now I could see that I was going to be treated as if I were just another gawking spectator.
"Did you see or speak to Mr. Porson before the performance?"
What did he mean by that? I had seen and spoken to Mr. Porson on several occasions over the past three days. I had driven with Mr. Porson to Culverhouse Farm and had overheard his quarrel with Gordon Ingleby in Gibbet Wood. And that was not all that I knew about Rupert Porson. Not by a long chalk.
"No," I said.
Two could play at this game.
"I see," he said. "Well, thank you. That will be all."
I had just been checkmated.
"You're free to go," he added, glancing at his wristwatch. "It's probably past your bedtime."
The nerve of the man! Past my bedtime indeed! Who did he think he was talking to?
"May I ask a question?"
"You may," he said, "although I might not be able to answer it."
"Was Rupert — Mr. Porson, I mean — electrocuted?"
He looked at me narrowly, and I could see that he was thinking carefully about his reply.
"There is that possibility. Good night, Flavia."
The man was fobbing me off. Rupert had fried like a flounder, and the Inspector knew it as well as I did.
Flashbulbs were still going off behind the puppet stage as I rejoined Father in the front row. Feely and Daffy were nowhere in sight.
"Mundy has already taken them home," he said.
"I'll be ready in a jiff," I said, walking towards the W.C. No one, anywhere, at any time in history, has ever stopped a female en route to the Baffins.
At the last moment, I changed direction and slipped into the kitchen, where I found Mrs. Mullet in full command. She had made a huge pot of tea, and had placed steaming cups in front of Nialla and Sergeant Woolmer, who sat at a side table.
Nialla saw me before the sergeant did, and her eyes flashed — but only for an instant — like a startled animal. She gave me an almost imperceptible shake of the head, but its meaning was clear.
Women's wireless at work. I rubbed my nose casually to let her know that the message had been received.
"Thank you, Miss Gilfoyle," the sergeant said. "You've been most helpful."
Gilfoyle? Was that Nialla's name? It was the first time I'd heard it.
Sergeant Woolmer drained his cup in a single draught, with no apparent ill effects.
"Champion tea, Mrs. Mullet," he said, closing his notebook. He gathered his papers, and with a pleasant nod in my direction, walked back out into the auditorium.
The man must have a stomach like a ship's boiler, I thought.
"Now then, dear, as I was saying," Mrs. Mullet said, "there's no use you goin' back to Culverhouse Farm tonight. It's rainin' cats and dogs — has been for an hour or more. The river will be mortal high — not safe to cross. 'Sides, no one would expect you to sleep in a tent in a wet field with the situation bein' what it is, if you take my meanin'. Alf's brought a brolly that's big enough for the three of us, and we're just across the way. Our Agnes's room hasn't been slept in since she left home to take up Pitman shorthand six years ago come November thirteenth. Alf and me have kept it a kind of a shrine, like. Has its own hot plate and a goose-down mattress. And don't say no, 'cause I won't hear you."
Nialla's eyes were suddenly brimming with tears, and for the life of me, I could not tell if they were tears of grief or joy.
I'd have given a guinea to know what words passed between Father and Dogger in the backseat of the taxicab, but the simple truth is that I dropped off. With the heater turned full up against the chill of the cold night rain, and the windscreen wipers making their quiet swish-swash in the darkness, the urge to sleep was irresistible. Not even an owl could have stayed awake.
When Father roused me at the door of Buckshaw, I stumbled into the house and up the stairs to bed — too tired even to bother undressing.
I must have fallen asleep with my eyes open.
* FOURTEEN *
THE SUN WAS STREAMING splendidly in at my casement window; the birds in the chestnuts were singing their little throats out. The first thought that came flashing into my mind was of Rupert's face: his lips pulled slightly back, his teeth showing obscenely.
I rolled over onto my back and stared at the ceiling. I always find that a blank screen helps clarify one's thoughts marvelously; helps bring them into focus.
In death Rupert had looked, I decided, remarkably like the dead dog I had once almost stepped on in a field behind the Thirteen Drakes, its fog-filled eyes staring, its yellowed fangs bared in a frozen grimace. (Although with Rupert, there had been no flies, and his teeth were quite presentable, actually.)
Somehow, the dog reminded me of something — but what?
Of course! Mutt Wilmott! The Thirteen Drakes! Mutt Wilmott would be staying at the Thirteen Drakes!
If Mrs. Mullet were to be believed, it had begun raining shortly after the evening performance began. Mutt had been there at about six-forty — say, six forty-five — I had seen him with my own eyes. He would hardly have set out for London in such a downpour. No, had he planned to leave, he would have done so before the show. It seemed obvious that he still had business to conclude with Rupert.
Ergo: He was, at this very instant, eating bacon and eggs at the Thirteen Drakes, Bishop Lacey's sole hostelry.
Fortunately, I was already dressed.
There was a cryptlike silence in the house as I crept down the east staircase. Last night's excitement had drained everyone of their energy and they were, I guessed, still snoring away in their respective rooms like a pack of convalescent vampires.
As I was slipping out the kitchen door, however, I came to an abrupt halt. On the wooden stand beside the door, tucked between the two full bottles the milk float had left on our doorstep at dawn, was a package.
It was a pustulent purple color, with projecting top and bottom rims. The clear cellophane in which it was wrapped had protected it from last night's rain. On the lid, in gold letters, were the words Milady Chocolates — Finest Assorted — 2 lb. Duchess Selection. Wrapped around it lengthwise was a ribbon the color of a faded red rose. The label was still attached like the Mad Hatter's hat: 10/6.
I had seen this box before. In fact, I had seen it just a few days ago in the flyblown window of Miss Cool's confectionery shop cum post office in the high street, where it had languished since time immemorial — perhaps since the war, or even longer. And I realized at once how it had made its way to the back door at Buckshaw: Ned Cropper.
Ned earned PS7 a week doing chores for Tully Stoker at the Thirteen Drakes, and he was smitten with, among others, my sister Ophelia. Even though he had accompanied Tully's daughter, Mary, to Jack and the Beanstalk last night, it had not kept him from leaving his midnight love token on our doorstep, as an adoring tomcat drops a mouse at its owner's feet.
The chocolates were so old, I thought, they were most likely full to bursting with countless varieties of interesting molds, but unfortunately there was no time to investigate. Reluctantly, I returned to the kitchen and stuffed the box in the top compartment of the ice cabinet. I would deal with Feely later.