While the maid was spluttering into the telephone, attempting to make the front desk understand the situation, Marion knelt beside the body of the recently resurrected Pat Malone. His eyes stared up at her, sightless, with the same glare that had so daunted the Lanthanides at last night's reception. Steeling herself for the sensation of touching dead flesh, Marion reached for his wrist, confirming the absence of a pulse. This time, she thought to herself, there could be no doubt of the death of Pat Malone. This time he wasn't coming back.
Bunzie was in the midst of telling his highly romanticized version of the burying of the time capsule to a captive audience. Each time he mentioned one of his fellow Lanthanides, he prefaced the name with superlatives: the late, great Dale Dugger, the macabre genius Curtis Phillips, and the literary legend Brendan Surn. The more perceptive of the journalists might have noticed that Ruben Mistral did not really discuss any of the stories actually put into the time capsule by himself and his comrades, but perhaps they did not notice this omission, since Mistral was a charming and well-polished speaker. He seemed to be winding down the litany of reminiscences when a balding man in a dark suit appeared at the door and motioned for Mistral's attention.
The ever alert Geoff Duke hurried to the back of the room to confer with the hotel employee. "What is it?" he hissed, grasping the man's elbow and propelling him out of earshot. "We're in the middle of our presentation here."
The hotel clerk was a study in unruffled dignity. "We thought you ought to be notified, sir. One of your party has passed away."
"Oh, shit!" murmured Geoff, caught off guard by the news. "I was afraid one of those old geezers might croak from the excitement…" His voice trailed off when he caught the disapproving glint in the listener's eye. "I mean, what a shock. I can't believe it. What a complete tragedy. Which one of them?" His mind was furiously manipulating publicity options concerning the untimely demise of the literary legend Brendan Surn. Perhaps a cremation and hasty burial in the mire of the ruined farm in place of the time capsule? Visions of Newsweek photos danced in his head. He wondered if he could safely paraphrase the Gettysburg Address in the eulogy: But in a larger sense, we cannot dedicate, we cannot consecrate, we cannot hallow this ground. His hustler's reverie was cut short by the hotel manager's reply.
"The guest was registered as a Mr. Pat Malone," he said carefully. "I believe there was some trouble over his unexpected arrival last night?"
Geoff cringed. Obviously, the waiters had been gossiping. "His attendance had not been anticipated," he agreed. "Of course, his old friends were delighted to see him."
This bit of social whitewashing cut no ice with the Mountaineer Lodge. "It was our duty to notify the sheriff as well as the medical authorities," he said solemnly. "I came to notify you so that you could break the news to the folks in your conference."
Geoffs pallor and expression suggested that he might welcome the medical authorities himself. "We won't have to call off the boat trip, will we?"
The hotel manager relented. "Probably not," he said. "I expect that it will take them all day to figure out what he died of, and to get all the medical details attended to. If everyone will agree to be available for questioning tomorrow, then I see no reason why you shouldn't go ahead with your plans today. After all, the old gentleman may have simply succumbed to a heart attack."
Pat Malone didn't get heart attacks, thought Geoff Duke grimly, he gave them.
Marion didn't know why she had agreed to stay with the body until the authorities arrived. Perhaps it was a tacit acknowledgment that fandom was a family-or at least a tribe-and she felt a sense of loyalty to another of her kind, both of them self-imposed exiles from the clan. Or perhaps it was a lingering respect for one of the legends of science fiction. She wished that she had been given another chance to talk with fandom's stormy petrel, but stranger though he was to her, she could not leave him lying on the cold floor of a rented room with no one to pay him last respects.
Marion sat on the edge of the double bed, trying to look anywhere but at the shrunken form in the doorway of the bathroom. Irrationally, she felt that it would be an invasion of Pat Malone's privacy to stare at him in his final humiliation, sprawled in vomit on the cold tile floor. But she knew that the body should not be moved, and that no cleaning up could be done because there might have to be an investigation into the death. She also knew that it would be a mistake to touch any of the deceased's possessions in the hotel room, but when boredom and anxiety made her restless she decided that there would be no harm in looking. And if she felt it necessary to pick something up, she could use a tissue to avoid leaving fingerprints. Thus fortified with the tools and rationalization for her actions, Marion began to examine the deceased man's possessions. Above all, she wanted to know where Pat Malone had been between deaths.
His suitcase sat on top of the low chest of drawers, with its lid propped open against the wall. It was a cheap vinyl bag of medium size, without an identification tag on its handle. Inside it were a couple of shirts and changes of underwear and a worn collection of paperbacks: The Golden Gain, Brendan Surn's latest paperback reprints, and an issue of Fantasy and Science Fiction containing Peter Deddingfield's first (and worst) published short story. These books were bound with a thick rubber band, enclosing a note that read "Get Autographed." Lying loose in the suitcase were a book club edition of Deddingfield's Time Traveler Trilogy and a copy of Pat Malone's only published novel, River of Neptune. On impulse, Marion picked it up with her tissue-shielded hand, wondering if the author had made any notations in his personal copy, but when she flipped through the pages of the yellowed paperback, she found that the pages were unmarked. On impulse she turned to the title page and found an inscription in faded red ink: "To Curtis Phillips, A Slan for All Seasons, from Patrick B. Malone." She looked through the other books, but found no writing of any kind, except a rubber-stamped notation in the front of the Brendan Surn noveclass="underline" "Used -$1."
"Why would he have Curtis' copy of his own book?" Marion wondered aloud.
She patted the clothing in the suitcase to see if there was anything else concealed inside it. Nothing was hidden in the clothes, but a bulge in a side pouch of the luggage revealed a bottle of prescription medicine. "Elavil," the label said, and the pharmacist listed was located in Willow Spring, North Carolina. Most interesting of all was the name of the patient, neatly typed on the prescription labeclass="underline" Richard W. Spivey.
"Now who the hell is that?" asked Marion, peering at the corpse as if she expected an answer.
While Sarah Ashley was explaining literary auctions to the reporters, Ruben Mistral went out into the hall to confer with his minion. The arrival of the hotel manager had not gone unnoticed by Mistral, even though he gave no sign of it as he rambled on in his reminiscences. The expressions and body language of Geoff and the hotel man had told him that something was amiss, and he had seized the first opportunity to leave center stage and find out what was going on.
"Pat Malone is dead," said Geoff, in tones suggesting that his chief concern was the possibility of being shouted at for the inconvenience of it.
Ruben Mistral opened his mouth and then closed it again, wondering just exactly what it was he felt, and, more importantly, what he ought to be feeling. He couldn't even say that he was shocked, because he hadn't really got used to the idea of Pat Malone being alive in the first place. As far as any of them were concerned, Pat Malone had been dead for thirty years. It was no good resurrecting him for an hour, then killing him off again and expecting anyone to be shocked about it. It was a relief that he wouldn't be around to make trouble, of course. Pat had always had a genius for making trouble.