My mother, Mother Elouise, often told me about my father. She described Father Charlie in detail, so I would not forget. She refused to let me forget anything. "It's what Father Charlie died for," she told me, over and over. "He died so you would remember. You cannot forget."
So I still remember, even today, every word she told me about him. His hair was red, as mine was. His body was lean and hard. His smile was quick, like mine, and he had gentle hands. When his hair was long or sweaty, it kinked tightly at his forehead, ears, and neck. Ibis touch was so delicate he could cut in half an animal so tiny it could not be seen without a machine; so sensitive that he could fly-an art that Mother Elouise said was a not a miracle, since it could be done by many giants of the Golden Age, and they took with them many others who could not fly alone. This was Charlie's gift. Mother Elouise said. She also told me that I loved him dearly. But for all the words that she taught me, I still have no picture of my father in my mind. It is as if the words drove out the vision, as so often happens.
Yet I still hold that one memory of my father, so deeply hidden that I can neither lose it nor fully find it again. Sometimes I wake up weeping. Sometimes I wake up with my arms in
the air, curved just so, and I remember that I was dreaming of embracing that large man who loved me. My arms remember how it feels to hold Father Charlie tight around the neck and cling to him as he carries his child. And when I cannot sleep, and the pillow seems to be always the wrong shape, it is because I am hunting for the shape of Father Charlie's shoulder, which my heart remembers, though my mind cannot.
God put angels into Mother Elouise and Father Charlie, and they destroyed the world, for the cup of God's indignation was full, and all the works of men become dust, but out of dust God makes men, and out of men and women, angels.
THE CHANGED MAN AND THE KING OF WORDS
0nce there was a man who loved his son more than life. Once there was a boy who loved his father more than death.
They are not the same story, not really. But I can't tell you one without telling you the other.
The man was Dr. Alvin Bevis, and the boy was his son, Joseph, and the only woman that either of them loved was Connie, who in 1977 married Alvin, with hope and joy, and in 1978 gave birth to Joe on the brink of death and adored them both accordingly. It was an affectionate family. This made it almost certain that they would come to grief.
Connie could have no more children after Joe. She shouldn't even have had him. Her doctor called her a damn fool for refusing to abort him in the fourth month when the problems began. "He'll be born retarded. You'll die in labor." To which she answered, "I'll have one child, or I won't believe that I ever lived." In her seventh month they took Joe out of her, womb and all. He was scrawny and little, and the doctor told her to expect him to be mentally deficient and physically uncoordinated. Connie nodded and ignored him. She was lucky. She had Joe, alive, and silently she said to any who pitied her, I am more a woman than any of you barren ones who still have to worry about the phases of the moon.
Neither Alvin nor Connie ever believed Joe would be retarded. And soon enough it was clear that he wasn't. He walked at eight months. He talked at twelve months. He had his alphabet at eighteen months. He could read at a second-grade level by the time he was three. He was inquisitive, demanding, independent, disobedient, and exquisitely beautiful, with a shock of copper- colored hair and a face as smooth and deep as a cold-water pool.
His parents watched him devour learning and were sometimes hard pressed to feed him with what he needed. He will be a great man, they both whispered to each other in the secret conversations of night. It made them proud; it made them afraid to know that his learning and his safety had, by chance or the grand design of things, been entrusted to them.
Out of all the variety the Bevises offered their son in the first few years of his life, Joe became obsessed with stories. He would bring books and insist that Connie or Alvin read to him, but if it was not a storybook, he quickly ran and got another, until at last they were reading a story. Then, he sat imprisoned by the chain of events as the tale unfolded, saying nothing until the story was over. Again and again "Once upon a time," or "There once was a," or "One day the king sent out a proclamation," until Alvin and Connie had every storybook in the house practically memorized. Fairy tales were Joe's favorites, but as time passed, he graduated to movies and contemporary stories and even history.
The problem was not the thirst for tales, however. The conflict began because Joe had to live out his stories. He would get up in the morning and announce that Mommy was Mama Bear, Daddy was Papa Bear, and he was Baby Bear. When he was angry, he would be Goldilocks and run away. Other monungs Daddy would be Rumpelstiltskin, Mommy would be the Farmer's Daughter, and Joe would be the King. Joe was Hansel, Mommy was Gretel, and Alvin was the Wicked witch.
"Why can't I be Hansel's and Gretel's father?" Alvin asked. He resented being the Wicked Witch. Not that he thought it meant anything. He told himself it merely annoyed him to have his son constantly assigning him dialogue and action for the day's activities. Alvin never knew from one hour to the next who he was going to be in his own home.
After a time, mild annoyance gave way to open irritation; if it was a phase Joe was going through, it ought surely to have ended by now. Alvin finally suggested that the boy be taken to a child psychologist. The doctor said it was a phase.
"Which means that sooner or later he'll get over it?" Alvin asked. "Or that you just can't figure out what's going on?"
"Both," said the psychologist cheerfully. "You'll just have to live with it."
But Alvin did not like living with it. He wanted his son to call him Daddy. He was the father, after all. Why should he have to put up with his child, no matter how bright the boy was, assigning him silly roles to play whenever he came home? Alvin put his foot down. He refused to answer to any name but Father. And after a little anger and a lot of repeated attempts, Joe finally stopped trying to get his father to play a part. Indeed, as far as Alvin knew, Joe entirely stopped acting out stories.
It was not so, of course. Joe simply acted them out with Connie after Alvin had gone for the day to cut up DNA and put it back together creatively. That was how Joe learned to hide things from his father. He wasn't lying; he was just biding his time. Joe was sure that if only he found good enough stories, Daddy would play again.
So when Daddy was home, Joe did not act out stories. Instead he and his father played number and word games, studied elementary Spanish as an introduction to Latin, plinked out simple programs on the Atari, and laughed and romped until Mommy came in and told her boys to calm down before the roof fell in on them. This is being a father, Alvin told himself. I am a good father. And it was true. It was true, even though every now and then Joe would ask his mother hopefully, "Do you think that Daddy will want to be in this story?"
"Daddy just doesn't like to pretend. He likes your stories, but not acting them out."
In 1983 Joe turned five and entered school; that same year Dr. Bevis created a bacterium that lived on acid precipitation and neutralized it. In 1987 Joe left school, because he knew more than any of his teachers; at precisely that time Dr. Bevis began eanung royalties on commercial breeding of his bacterium for spot cleanup in acidized bodies of water. The university suddenly became terrified that he might retire and live on his income and take his name away from the school. So he was given a laboratory and twenty assistants and secretaries and an administrative assistant, and from then on Dr. Bevis could pretty well do what he liked with his time.