He tries to soften it. He tries by saying, "Some things can happen only once." It is the sort of thing he might then have said. But she only puts her finger on his lips and says, "I'll never forget." Then she turns and walks toward her mother, to waken her. She turns and motions for Charlie to leave, then smiles again and waves. He waves back and goes out of the door and drives home. He lies awake in this bed that feels like childhood to him, and he wishes it could have gone on forever like this. It should have gone on like this, he thinks. She is no child. She was no child, he should have thought, for THIEF was already transporting him home.
"What's wrong, Charlie?" Jock asked.
Charlie awoke. it had been hours since THIEF brought him back. It was the middle of the night, and Charlie realized that he had been crying in his sleep. "Nothing," he said.
"You're crying, Charlie. I've never seen you cry before. "
"Go plug into a million volts, Jock. I had a dream."
"What dream?"
"I destroyed her."
"No, you didn't."
"It was a goddamned selfish thing to do."
"You'd do it again. But it didn't hurt her."
"She was only fourteen."
"No, she wasn't."
"I'm tired. I was asleep. Leave me alone."
"Charlie, remorse isn't your style."
Charlie pulled the blanket over his head, feeling petulant and wondering whether this childish act was another proof that he was retreating into senility after all.
"Charlie, let me tell you a bedtime story."
"I'll erase you."
"Once upon a time, ten years ago, an old woman named Rachel Carpenter petitioned for a day in her past. And it was a day with someone, and it was a day with you. So the routine circuits called me, as they always do when your name comes up, and I found her a day. She only wanted to visit, you see, only wanted to relive a good day. I was surprised, Charlie. I didn't know you ever had good days."
This program had been with lock too long. It knew too well how to get under his skin.
"And in fact there were no days as good as she thought," Jock continued. "Only anticipation and disappointment. That's all you ever gave anybody, Charlie. Anticipation and disappointment."
"I can count on you."
"This woman was in a home for the mentally incapable. And so I gave her a day. Only instead of a day of disappointment, or promises she knew would never be fulfilled, I gave her a day of answers. I gave her a night of answers, Charlie."
"You couldn't know that I'd have you do this. You couldn't have known it ten years ago."
"That's all right, Charlie. Play along with me. You're dreaming anyway, aren't you?"
"And don't wake me up."
"So an old woman went back into a young girl's body on twenty-eight October 1973, and the young girl never knew what had happened; so it didn't change her life, don't you see?"
"It's a lie." "No, it isn't. I can't lie, Charlie. You programmed me not to lie. Do you think I would have let you go back and harm her?"
"She was the same. She was as I remembered her."
"Her body was."
"She hadn't changed. She wasn't an old woman, lock. She was a girl. She was a girl, jock."
And Charlie thought of an old woman dying in an institution, surrounded by yellow walls and pale gray sheets and curtains. He imagined young Rachel inside that withered form, imprisoned in a body that would not move, trapped in a mind that could never again take her along her bright, mysterious trails.
"I flashed her picture on the television," Jock said.
And yet, Charlie thought, how is it less bearable than that beautiful boy who wanted so badly to do the right thing that he did it all wrong, lost his chance, and now is caught in the sum of all his wrong turns? I got on the road they all wanted to take, and I reached the top, but it wasn't where I should have gone. I'm still that boy. I did not have to lie when I went home to her.
"I know you pretty well, Charlie," Jock said. "I knew that you'd be enough of a bastard to go back. And enough of a human being to do it right when you got there. She came back happy, Charlie. She came back satisfied."
His night with a beloved child was a lie then; it wasn't young Rachel any more than it was young Charlie. He looked for anger inside himself but couldn't find it. For a dead woman had given him a gift, and taken the one he offered, and it still tasted sweet.
"Time for sleep, Charlie. Go to sleep again. I just wanted you to know that there's no reason to feel any remorse for it. No reason to feel anything bad at all.
Charlie pulled the covers tight around his neck, unaware that he had begun that habit years ago, when the strange shadowy shapes hid in his closet and only the blanket could keep him safe. Pulled the covers high and tight, and closed his eyes, and felt her hand stroke him, felt her breast and hip and thigh, and heard her voice as breath against his cheek.
"0 chestnut tree," Jock said, as he had been taught to say, "...great rooted blossomer,
"Are you the leaf, the blossom, or the bole? "0 body swayed to music, 0 brightening glance
"How can we know the dancer from the dance?"
The audience applauded in his mind while he slipped into sleep, and he thought it remarkable that they sounded genuine, He pictured them smiling and nodding at the show. Smiling at the girl with her hand raised so; nodding at the man who paused forever, then came on stage.
CLOSING THE TIMELID
Gemini lay back in his cushioned chair and slid the box over his head. It was pitch black inside, except the light coming from down around his shoulders.
"All right, I'm pulling us over," said Orion. Gemini braced himself. He heard the clicking of a switch (or someone's teeth clicking shut in surprise?) and the timelid closed down on him, shut out the light, and green and orange and another, nameless color beyond purple danced at the edges of his eyes.
And he stood, abruptly, in thick grass at the side of a road. A branch full of leaves brushed heavily against his back with the breeze. He moved forward, looking for--
The road, just as Orion had said. About a minute to wait, then.
Gemini slid awkwardly down the embankment, covering his hands with dirt. To his surprise it was moist and soft, chnging. He had expected it to be hard. That's what you get for believing pictures in the encyclopedia, he thought. And the ground gave gently under his feet.
He glanced behind him. Two furrows down the bank showed his path. I have a mark in this world after all, he thought. It'll make no difference, but there is a sign of me in this time when men could still leave signs.
Then dazzling lights far up the road. The truck was coming. Gemini sniffed the air. He couldn't smell anything-- and yet the books all stressed how smelly gasoline engines had been. Perhaps it was too far.
Then the lights swerved away. The curve. In a moment it would be here, turning just the wrong way on the curving mountain road until it would be too late. Gemini stepped out into the road, a shiver of anticipation running through him. Oh, he had been under the timehd several times before. Like everyone, he had seen the major events. Michelangelo doing the Sistine Chapel. Handel writing the Messiah (everyone strictly forbidden to hum any tunes). The premiere performance of Love's Labour's Lost. And a few offbeat things that his hobby of history had sent him to: the assassination of John F. Kennedy, a politician; the meeting between Lorenzo d'Medici and the King of Naples; Jeanne d'Arc's death by fire-- grisly.
And now, at last, to experience in the past something he was utterly unable to live through in the present. Death.
And the truck careened around the corner, the lights sweeping the far embankment and then swerving in, brilliantly lighting Gemini for one instant before he leaped up and in, toward the glass (how horrified the face of the driver, how bright the lights, how harsh the metal) and then --