When the drum ceased, the man shouted the paying customer’s question into the cow’s ear, loud enough for the entire ring of humans to hear. And she answered with a nod or shake of her intricately made-up head, tinkling the tiny silver bells round her neck. The crowd applauded in wonder and admiration. Then the drum-rubbing resumed while donations were collected.
One day, after Ibrahim’s question was bellowed into the soft, brown, unprotected ear, there was no response. The man repeated it, louder. This time the cow reacted. Whether it was the annoying drum that she had put up with for years, or the boorish bellowing in her ear day after day, she gored her keeper with her vermilioned horns.
For a moment, the spectators thought the cow was just responding a bit more energetically than usual to the question. Then she tossed him to the ground, trampling him thoroughly. Now they realized it was not part of the prophecy procedure, especially when the man’s blood started to flow.
With cries of mad cow! mad cow! the crowd scattered. But once her tormentor had been dealt with, she stood placidly, blinking her gentle, long-lashed eyes, swishing away the udder-seeking flies with her tail.
The man’s bizarre death convinced Ibrahim that this was no longer a reliable method of obtaining divine advice. Some days later a new team of cow and drum-rubber took over the corner, but Ibrahim avoided the performances. There were other, safer systems for procuring preternatural help.
While the mad-cow incident was still fresh in his mind, however, he witnessed another death. This time it was the handler of a sortilegious serpent whose venom ducts had become overdue for milking. Ever after, Ibrahim shivered when picturing the scene: it could have been into him that the cobra sank its fangs, for he had been crouching close to observe its oracular movements.
Shocked by the two fatalities, the rent-collector abandoned all fortune-telling fauna. As though waking from a nightmare, he re-donned his forsaken fez and set out to recover his lost self. How much money had been diverted from his family’s needs with his blasphemous addiction, he realized, as he sat beside the sea while the setting sun’s ocean light bathed the masjid, floating at the end of the long causeway. He gazed out upon the receding tide that lay bare the secrets beneath the waves, and he shuddered. His own dark secrets swam up again from their murky depths of confusion and despair. He tried to push them back, to hold them under, to drown them. But they kept slipping away like eels, resurfacing to haunt him. There was only one way to vanquish them — he returned penitent to the masjid, ready to accept whatever fate had in store for him.
Among other things, it was the plastic folder. Twenty-four years of buckram had passed, and now it was the age of plastic in the landlord’s office. Ibrahim no longer cared. He had learned that dignity could not be acquired from accoutrements and accessories; it came unasked, it grew from one’s ability to endure. If the office had handed him a coolie’s basket to carry the documents around on his head, he would have complied now without complaint.
But the plastic folder did have an advantage — it kept the monsoon at bay. Now he seldom had to recopy documents on which the ink had decided to frolic with the rain in lunatic swirls. At a time when his hands had started to shake, this was a blessing. Also, one pass with a wet rag, and all sneezes and snuff stains, pea green or brown, were wiped clean, no longer embarrassing him during audiences with the landlord.
And at home, too, there were changes he accepted with submission. After all, what other options were there? His older daughter died of tuberculosis, followed by his wife. Then his sons disappeared into the underworld, returning periodically to abuse him. The remaining daughter, just when he was beginning to think she would redeem everything, left to become a prostitute. His life, he thought, had become the plot of a bad Hindi movie minus the happy ending.
Why, he wondered, did he keep working now, making his rounds of the six buildings and collecting rent? Why did he not jump off the top of one of them? Why did he not make a bonfire of the receipts and the cash, and throw himself onto it drenched in kerosene? How was it that his heart kept beating instead of bursting, his sanity intact instead of shattering like a dropped mirror? Was it all made of tough synthetic material, like the indestructible plastic folder? And why was time, the great vandal, now being neglectful?
But plastic, too, had its allotted span of days and years. It could rip and tear and crack like buckram, he discovered. Like skin and bone, he realized with relief. It was simply a matter of patience. Thus the present folder was the third of its kind in twenty-one years.
He examined it from time to time, and saw reflected in its tired covers the furrows inflicted in his brow. The plastic divisions inside were starting to tear, and the neat compartments seemed ready to rebel; within his bodily compartments the rebellion had already begun. Which one would win this ridiculous race between plastic and flesh, he wondered, as he arrived at the flat, wiped the snuff off his nostrils and fingers, and rang the doorbell.
Spotting his maroon fez through the peephole, Dina silenced the tailors. “Not a sound while he is here,” she whispered.
“How are you?” smiled the rent-collector, baring heavily stained teeth and two gaps: the sweet, innocent smile of an aged angel.
Without acknowledging his greeting, she said, “Yes? The rent is not yet due.”
He shifted the folder to the other hand. “No, sister, it isn’t. I have come for your reply to the landlord’s letter.”
“I see. Wait one minute.” She shut the door and went to look for the unopened envelope. “Where did I put it?” she whispered to the tailors.
The three searched through the jumble of things on the table. She found herself watching Omprakash, the way his fingers clutched and his hands moved. His bony angularity no longer disturbed her. She was discovering a rare birdlike beauty in him.
Ishvar came upon the envelope under a stack of cloth. She tore it open and read — quickly, the first time, then slowly, to penetrate the legal jargon. The gist of it soon became clear: the running of a business was prohibited on residential premises, she must cease her commercial activities immediately or face eviction.
Cheeks flushing, she raced to the door. “What kind of nonsense is this? Tell your landlord his harassment won’t work!”
Ibrahim sighed, lifted his shoulders and raised his voice. “You have been warned, Mrs. Dalai! Breaking the rules will not be tolerated! Next time there will be no nice letter but a notice to vacate! Don’t think that-”
She slammed the door. He stopped shouting immediately, relieved to be spared the full speech. Panting, he wiped his brow and left.
Dina read the letter again, dismayed. Barely three weeks with the tailors and trouble already with the landlord. She wondered if she should show it to Nusswan, ask his advice. No, she decided, he would make too much of it. Better to ignore it and continue discreetly.
She had no choice now but to take the tailors further into her confidence, impress on them how essential it was to keep the sewing a secret. She discussed the matter with Ishvar.
They agreed on the fiction to be used if the rent-collector ever confronted the two coming to or going from the flat. They would tell him that they came to do her cooking and cleaning.
Omprakash was insulted. “I am a tailor, not her maaderchod servant who sweeps and mops,” he said after they left work that evening.
“Don’t be childish, Om. It’s just a story to prevent trouble with the landlord.”
“Trouble for whom? For her. Why should I worry? We don’t even get a fair rate from her. If we are dead tomorrow, she will get two new tailors.”