Nan was taken aback, totally ignorant of stocks. He forced himself to answer, "That must be true. Losses and gains take place every day."
"But he shouldn't have run the risk in the first place," she said. "Heaven knows how hard I've worked at the gift store. Last week I put in fifty-eight hours, and my legs got swollen every night when I came back. But he stayed home playing ducks and drakes with the money I made."
"All right, I won't do it again," said her husband.
Nan got the story and Shaoya's agreement to resume her pen name. on his way back he mulled over the scene at the Lius'. He was surprised that the old man would speculate in stocks. Everyone assumed that the Lius were poor, but Mr. Liu had just lost thousands of dollars. How could that be possible? Had he accepted some financial aid on the sly? Probably. Otherwise he wouldn't have squandered money that way.
On second thought, Nan was unsure of his reasoning. Mr. Liu had already established his image as an independent man; if he had taken money from someone, word would surely have come out, since the exile community was small and all eyes were focused on the funds available for the dissidents. No, the old man could hardly have accepted any financial aid without being noticed. Nan realized that Mr. Liu's apparent self-reliance was based mainly on his wife's hard work and sacrifice.
13
BAO knew a famous poet, Sam Fisher, who lived in the Village. He had invited Fisher to be on the honorary board of New Lines and the poet had agreed. The journal listed his name, together with several others, on the inside of its back cover. Bao also requested poems from Fisher, who was so generous that he said he'd give him three or four. One Sunday morning Bao and Nan set out for the poet's place to get the poems.
Fisher lived in a yellow-brick building on West Tenth Street. He greeted Bao and Nan with a little bow, his arm opened toward the inside of his apartment. He looked sleepy, but his droopy eyes were intense, as if they could bore into your mind when he peered at you. His crown was entirely bald, yet the hair at his temples curved upward like two tiny horns. His home was rather crowded, the walls lined with bookcases and many large photographs, some of which showed naked young men in different postures. One displayed a teenage boy sitting on his haunches and holding his erected member with his hand as if masturbating. Sam Fisher was also an accomplished photographer, selling his pictures to collectors regularly. In addition, he was a Zen Buddhist. On the wall of the corridor hung a long horn, the type used at Tibetan temples. He led the visitors into the living room, which smelled bosky and had a shiny floor, and then he called to his boyfriend to brew tea.
To Nan 's surprise, a young Chinese man stepped in with a tray that held a clay teapot and four cups. "This is Min Niu, from Chang-sha," Fisher introduced him to the guests.
They greeted his boyfriend in Mandarin, and then Nan resumed speaking English with Sam. He observed the young man pouring tea.
Min was rather effeminate and had a smart face with a smooth, hairless chin. He must have been in his mid-twenties. How could he and Sam be lovers? Sam must have been at least thirty years older than he was.
On the glass coffee table lay two biographies of Sam Fisher, one almost twice as thick as the other. Sipping the piping hot jasmine tea, Bao pointed at the books and asked Sam, "Which is more true?"
"Neither," Sam said. "This one is from a Marxist point of view, and that one is Freudian. They're interesting, but the man they describe is not me." He laughed, a sparkle in his eyes. He got up and went into his study.
Nan turned to Min Niu. "How long have you been in America?"
"Since last autumn."
"What do you do?"
"I'm a graduate student at NYU."
"Studying science?"
"No, Asian history."
"Really? What period?"
"I'm not sure yet. Probably I'll write a thesis on homosexuality in ancient China."
Sam returned with a few sheets of paper and handed them to Bao, saying, "You can use these."
Bao glanced through them as if able to read English while his eyes brightened. He said, "Thank for your help."
"Your poems will make a huge difference to our journal," Nan added.
Sam nodded without speaking. Someone knocked on the door, and Min went to answer it. In came a tall young man with Beatles-cut hair and high cheekbones. "Hey, come and meet my friends," Sam shouted, waving at the new arrival.
"Dick Harrison," the man introduced himself, and shook hands with Bao and Nan. He sat down across from Sam, and Min put a cup in front of him. As Min was about to pour tea, Dick stopped him and asked Sam, "Aren't we going out?"
"Yes, we're going to have lunch at Lai Lai." He turned to Bao and Nan. "Let's go out together, okay?"
Min whispered in Chinese, "He's in a sunny mood today."
"What did he say about me?" Sam asked.
"You're high-spirited," said Nan.
"Yes, I am happy. Let's go out for lunch."
"I have homework to do, Sam," Min said. "I can't join you."
"Stay home, then. We'll go without you."
After Nan called Ding's Dumplings and told Chinchin he'd be an hour late, the four of them went out of the building and headed east. As they passed a small bookstore called Smart Readers, a young woman with penciled eyebrows waved at Sam and cried, "Hey, Mr. Fisher, how are you doing?"
"I'm well."
She blew him a kiss and turned away, pulling a cart loaded with used books. Then a young man with a widow's peak stepped out of the bookstore, and at the sight of Sam, he said, "Wow, Mr. Fisher! Please wait a sec. Let me go in and buy a book of yours. Can you autograph it for me?"
"All right."
The man rushed back into the store while the four of them stood waiting. "Well, I'm often stopped on the street," Sam told Bao and Nan, apparently amused. His hands hung against his abdomen, his fingers interlaced.
In no time the man returned with a volume of Sam's poetry entitled Oh-Oh-Oh-, his thumb in between the cover and the title page. "Please sign this for me, will you? This will make my day."
"Sure." Sam took the felt-tip the man handed him and began inscribing. Nan craned to see him drawing a Buddha with a drumlike belly. Next Sam put several stars around the Buddha's head and wrote "Ha Ha Ha!" Then with a flourish he signed his name below the figure.
The man looked at the drawing and the signature. "This is awesome! Thank you." He held out his hand and Sam shook it.
They went on their way to Lai Lai on Sixth Avenue, which Dick told them was a noodle house Sam loved. Sam walked with his hands in his pants pockets and every once in a while kicked something on the sidewalk: a beer can, or a pebble, or a cigarette pack, or a paper cup. After another turn they arrived at the eatery, but before they could enter, an overweight man greeted Sam. "Mr. Fisher, I enjoy your new book. I'm a big fan."
"So," Sam looked annoyed, "you want me to fuck you in the ass?"
"No, no, please." The man backed away, but turned his head to smile at Sam.
Nan was flabbergasted by Sam's words. Dick explained, "That's Sam. People know him well and won't be offended."
"Damn it," Sam grunted. "I just don't want to be stopped every five minutes. If he'd bought my book, that would've been different."
They all laughed and went into Lai Lai.
14
THE NOODLE HOUSE was full of people. A young waitress, looking Vietnamese, piloted them into an inner room that had only two tables in it. She asked Sam with a knowing smile, "What would you like today?"
"Ask my friends first," Sam said.
"Sure." She turned to Bao. "What will you have?"
"Shogun Noodle."
Nan ordered the same; not having eaten the Japanese noodle before, he wanted to try it. Dick and Sam chose Pad Thai.
While waiting for their food, they talked about religion. Sam said he knew the Dalai Lama personally, and in fact his master was a distant cousin of His Holiness. "Do you practice Buddhism?" Nan asked him.