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The Project Gutenberg EBook of A Great Man, by Arnold Bennett

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Title: A Great Man

A Frolic

Author: Arnold Bennett

Release Date: August 30, 2009 [EBook #29860]

Language: English

Character set encoding: ASCII

START OF THIS PROJECT GUTENBERG EBOOK A GREAT MAN ***

Produced by David Edwards, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.)

A GREAT MAN

A FROLIC

BY

ARNOLD BENNETT

AUTHOR OF ‘THE GRAND BABYLON HOTEL,’ ‘ANNA OF THE FIVE TOWNS,’ ‘LEONORA,’ ETC.

[Illustration]

LONDON CHATTO & WINDUS

1904

TO

MY DEAR FRIEND

FREDERICK MARRIOTT

AND TO

THE IMPERISHABLE MEMORY

OF

OLD TIMES

CONTENTS

CHAPTER PAGE

I.

HIS

BIRTH

1 II.

TOM

8

III

.

HIS

CHRISTENING

17 IV.

AGED

TWELVE

26 V.

MARRONS

GLACES

36 VI. A

CALAMITY

FOR

THE

SCHOOL

49

VII

.

CONTAGIOUS

58

VIII

.

CREATIVE

72 IX.

SPRING

ONIONS

85 X.

MARK

SNYDER

95 XI.

SATIN

105

XII

.

HIS

FAME

117

XIII

. A

LION

IN

HIS

LAIR

135

XIV

.

HER

NAME

WAS

GERALDINE

148 XV.

HIS

TERRIBLE

QUANDARY

161

XVI

.

DURING

THE

TEA-MEETING

169

XVII

. A

NOVELIST

IN A

BOX

181

XVIII

.

HIS

JACK-HORNERISM

195

XIX

. HE

JUSTIFIES

HIS

FATHER

201 XX.

PRESS

AND

PUBLIC

215

XXI

.

PLAYING

THE

NEW

GAME

226

XXII

. HE

LEARNS

MORE

ABOUT

WOMEN

239

XXIII

.

SEPARATION

249

XXIV

.

COSETTE

256

XXV

.

THE

RAKE’S

PROGRESS

273

XXVI

.

THE

NEW

LIFE

289

XXVII

. HE IS

NOT

NERVOUS

308

XXVIII. HE SHORTENS HIS NAME 325

XXIX

.

THE

PRESIDENT

337

A GREAT MAN

CHAPTER I

HIS BIRTH

On an evening in 1866 (exactly eight hundred years after the Battle of Hastings) Mr. Henry Knight, a draper’s manager, aged forty, dark, clean-shaven, short, but not stout, sat in his sitting-room on the second-floor over the shop which he managed in Oxford Street, London. He was proud of that sitting-room, which represented the achievement of an ideal, and he had a right to be proud of it. The rich green wall-paper covered with peonies in full bloom (poisoning by arsenical wall-paper had not yet been invented, or Mr. Knight’s peonies would certainly have had to flourish over a different hue) matched the magenta table-cloth of the table at which Mr. Knight was writing, and the magenta table-cloth matched the yellow roses which grew to more than exhibition size on the Axminster carpet; and the fine elaborate effect thus produced was in no way impaired, but rather enhanced and invigorated, by the mahogany bookcase full of imperishable printed matter, the horsehair sofa netted in a system of antimacassars, the waxen flowers in their glassy domes on the marble mantelpiece, the Canterbury with its spiral columns, the rosewood harmonium, and the posse of chintz-protected chairs. Mr. Knight, who was a sincere and upright man, saw beauty in this apartment. It uplifted his soul, like soft music in the gloaming, or a woman’s face.

Mr. Knight was writing in a large book. He paused in the act of composition, and, putting the pen between his teeth, glanced through the pages of the volume. They were filled with the drafts of letters which he had addressed during the previous seven years to the editors of various newspapers, including the Times, and several other organs great then but now extinct. In a space underneath each letter had been neatly gummed the printed copy, but here and there a letter lacked this certificate of success, for Mr. Knight did not always contrive to reach his public. The letters were signed with pseudonyms, such as A British Citizen, Fiat Justitia, Audi Alteram Partem, Indignant, Disgusted, One Who Knows, One Who Would Like to Know, Ratepayer, Taxpayer, Puzzled, and Pro Bono Publico—especially Pro Bono Publico. Two letters, to a trade periodical, were signed A Draper’s Manager of Ten Years’ Standing, and one, to the Clerkenwell News, bore his own real name.

The letter upon which he was now engaged was numbered seventy-five in the series, and made its appeal to the editor of the Standard. Having found inspiration, Mr. Knight proceeded, in a hand distinguished by many fine flourishes:

‘ ... It is true that last year we only paid off some four millions, but the year before we paid, I am thankful to say, more than nine millions. Why, then, this outcry against the allocation of somewhat less than nine millions out of our vast national revenue towards the further extinction of the National Debt? _It is not the duty of the State, as well as of the individual, to pay its debts?_ In order to support the argument with which I began this communication, perhaps you will permit me, sir, to briefly outline the history of the National Debt, our national shame. In 1688 the National Debt was little more than six hundred thousand pounds….’

After briefly outlining the history of the National Debt, Mr. Knight began a new paragraph thus:

‘In the immortal words of Shakspere, wh----‘

But at this point he was interrupted. A young and pleasant woman in a white apron pushed open the door.

‘Henry,’ she called from the doorway.

‘Well?’

‘You’d better go now.’

‘Very well, Annie; I’ll go instantly.’

He dropped the pen, reduced the gas to a speck of blue, and in half a minute was hurrying along Oxford Street. The hour was ten o’clock, and the month was July; the evening favoured romance. He turned into Bury Street, and knocked like fate at a front-door with a brass tablet on it, No. 8 of the street.

‘No, sir. He isn’t in at the moment, sir,’ said the maid who answered Mr. Knight’s imperious summons.

‘Not in!’ exclaimed Mr. Knight.

‘No, sir. He was called away half an hour ago or hardly, and may be out till very late.’

‘Called away!’ exclaimed Mr. Knight. He was astounded, shocked, pained. ‘But I warned him three months ago!’

‘Did you, sir? Is it anything very urgent, sir?’

‘It’s----‘ Mr. Knight hesitated, blushing. The girl looked so young and innocent.

‘Because if it is, master left word that anyone was to go to Dr. Christopher’s, 22, Argyll Street.’