In the lounge, just as in the bedroom, there was restricted headroom because of the angle of the roof and Horton had to incline his head to avoid knocking it against the rafters as he crossed to the kitchenette to the right of an old, small wrought iron fireplace. The room was stuffy and felt claustrophobic. He wouldn’t like to be up here in summer. Give him the boat and the open sea any day, he thought, opening the fridge. There was milk and cheese in it, which were beginning to go off. This must have been one of the servant’s rooms years ago, he guessed, probably a large cupboard or perhaps another bedroom where the lowliest of servants had slept.
On the desk underneath the window in the lounge, Horton picked up a silver-framed photograph of Colin Yately with his daughter beside him. It was recent; taken about six months ago he’d say, on the promenade at Ventnor. Horton studied Yately’s smiling features, but just as in the interview room when Hannah had handed him a photograph of her father, he couldn’t equate it with what he’d seen on the slab in the mortuary. This time, though, he noted the receding light-brown hair, the lines around the mouth and the dark-brown eyes, which were like his daughter’s. Yately looked a fairly innocuous sort of man. It was easy to imagine him in the uniform of a postman. But not in a woman’s dress.
Slipping the photograph out of its frame, Horton placed it between the pages of his notebook. He didn’t think Hannah would mind, and even though she’d already given them a photograph he thought this more recent one would be better for circulating to the media if they needed to trace Yately’s last movements. He wondered if there were other photographs or an album about the place. Perhaps in the desk. On it was a large lined notepad with neat, thin handwriting. Horton popped the fountain pen beside it into another bag, again to compare fingerprints with the dead man’s, before his eyes fell on the notes. Yately had written:
In the early 1800s, Ventnor was a hamlet of thatched fishermen’s cottages with an old mill, an inn and a couple of humble dwellings; by 1838 it had grown to three hundred and fifty inhabitants.
Horton flicked through the pages of writing, about fifty in total, and saw that Yately’s interest was not only in local history but in the chines, creeks and coves on the east coast of the island. Perhaps this was what had given him the buzz which he had hinted at to his daughter. Could he have been on one of these cliffs when he’d fallen into the sea? But he was back to that damn dress again. And if Yately had gone out for a walk why not take his keys?
There was no sign of a suicide note anywhere. It was time to leave, but before he did he jotted down details of Yately’s GP and dentist, and found three photograph albums in the desk. He didn’t have time to study the pictures so he placed the albums into a bag. He wondered if he’d find a photograph of the former Mrs Yately or another female wearing that patterned dress. Locking up he got the impression of a solitary man, but not necessarily a lonely one.
Tomorrow they’d have the results of the autopsy and then make a decision on how the investigation should proceed if indeed there was an investigation. On the ferry he took the photograph albums up to the lounge with him. In a seat by the window, with a coffee and toasted bacon sandwich in front of him, he began to look through them but was distracted by thoughts of all the photographs he’d taken of Catherine and Emma. Catherine had probably lit a ruddy great bonfire of the photographs of him when she’d kicked him out a year ago, but there must be some left of him and Emma together and he’d like to have them. All he had were two pictures of his daughter, one of which he kept on his boat, the other on his desk.
His mind jumped back to his childhood. He couldn’t remember his mother taking photographs of him but surely she must have done. So where were they? Had they been destroyed when the flat had been cleared out? Who had cleared their flat? His mind flicked to Adrian Stanley and what he wasn’t telling him about Jennifer. Checking his watch Horton thought it was too late to telephone Stanley, but he would tomorrow.
He turned his mind back to the photographs in front of him. There were many pictures of Hannah Yately through the ages and of her proud and doting father. There were a few pictures of a woman who must be Hannah’s mother, wearing modern clothes over the years, though to Horton they were slightly on the tarty side, and she was either looking bored or posing into camera, but there was no sign of the maxi-dress with the flowers on it. There was an older woman who could have been Yately’s mother and Hannah’s grandmother. Was she still alive, Horton wondered? If so, perhaps she’d recognize the dress. But Hannah hadn’t mentioned her so he guessed she was dead. Still, they’d check.
As the ferry slid into port he eyed Glenn’s superyacht lit up like a giant advertisement in Piccadilly Circus. He recalled Avril’s jewellery, hoping it was safely locked away at night, before his mind flitted to more pleasing thoughts of her shapely figure and her smile. He speculated over her relationship with her husband and the brief information Mike Danby had given him, and decided to run a few checks on Russell Glenn before meeting him on Friday night.
He headed straight for his boat, deciding that the items he’d collected from Yately’s flat could be sent to the Fingerprint Bureau tomorrow. It was late, it had been a hectic day, and he hoped that sleep would come easily. But it didn’t. His head was too full of Adrian Stanley, of Avril and Russell Glenn, and of Jennifer Horton.
Tuesday
The seagulls were squealing in the harbour when he woke the next morning with a muggy head and with a determination to concentrate on getting to the bottom of Colin Yately’s death. Dr Clayton would have the autopsy results today which might help to make things a little clearer.
By the time Cantelli returned from the ferry and hovercraft ticket offices Horton had telephoned Hannah Yately and told her what he’d found in her father’s flat, which was nothing, and what he’d taken away. He said he’d let her know the moment they had positive confirmation and prayed she wouldn’t ask him why he wanted the photograph albums. She didn’t.
Cantelli plonked himself in the seat across Horton’s desk. ‘There’s no record of Colin Yately travelling on either the Fastcat ferry, the car ferry or the Hovercraft but he could have paid by cash. However, no one I spoke to in the ticket office and none of the marshalling staff recognized him, so it’s likely he never reached here.’
‘Alive that is. He almost made it dead,’ Horton said sombrely. ‘I didn’t find any evidence in his flat to suggest he was into cross-dressing.’
‘Perhaps he dressed up elsewhere because he was scared his daughter might find the clothes at his flat. He could have used a beach hut or been at a house near the sea or on a boat.’
‘Alone or with someone?’
Cantelli shrugged. ‘If he was with someone who shared his passion, he might be afraid or too ashamed to come forward. He could be married. Yately ended up accidentally in the sea leaving his keys and other identification in his trousers.’
‘But why remove the keys from that fob?’
‘Perhaps he’d put them on a new fob some time ago, only Hannah never noticed. He didn’t want to discard the fob with the picture of his daughter in it because it was too precious to him, and that he always kept on him no matter what.’
Horton glanced at the photograph of Emma on his desk. Yes, he could understand that. Yately’s daughter might be all that the poor man had had left and he’d needed the picture to remind himself he wasn’t alone. Or was that how he felt, he thought gloomily? Only he didn’t carry a picture of Emma. He’d learnt in the job a long time ago to have few personal effects on him in case they could be used against him, or destroyed or stolen.