He slipped into the room, opening the door as little as he could; and immediately afterwards Juliette could be heard speaking in a tone of irritation. "What! you've allowed some one to come in? Why, I forbade it peremptorily. It's incredible!! I can't be left quiet for an instant!"
Helene, however, pushed open the door, strong in her resolve to do that which she imagined to be her duty.
"Oh, it's you!" said Juliette, as she perceived her. "I didn't catch who it was!"
The look of annoyance did not fade from her face, however, and it was evident that the visit was ill-timed.
"Do I disturb you?" asked Helene.
"Not at all, not at all," answered the other. "You'll understand in a moment. We have been getting up a surprise. We are rehearsing Caprice[*] to play it on one of my Wednesdays. We had selected this morning for rehearsal, thinking nobody would know of it. But you'll stay now? You will have to keep silence about it, that's all."
[*] One of Alfred de Musset's plays.
Then, clapping her hands and addressing herself to Madame Berthier, who was standing in the middle of the drawing-room, she began once more, without paying any further attention to Helene: "Come, come; we must get on. You don't give sufficient point to the sentence 'To make a purse unknown to one's husband would in the eyes of most people seem rather more than romantic.' Say that again."
Intensely surprised at finding her engaged in this way, Helene had sat down. The chairs and tables had been pushed against the wall, the carpet thus being left clear. Madame Berthier, a delicate blonde, repeated her soliloquy, with her eyes fixed on the ceiling in her effort to recall the words; while plump Madame de Guiraud, a beautiful brunette, who had assumed the character of Madame de Lery, reclined in an arm-chair awaiting her cue. The ladies, in their unpretentious morning gowns, had doffed neither bonnets nor gloves. Seated in front of them, her hair in disorder and a volume of Musset in her hand, was Juliette, in a dressing-gown of white cashmere. Her face wore the serious expression of a stage-manager tutoring his actors as to the tones they should speak in and the by-play they should introduce. The day being dull, the small curtains of embroidered tulle had been pulled aside and swung across the knobs of the window-fastenings, so that the garden could be seen, dark and damp.
"You don't display sufficient emotion," declared Juliette. "Put a little more meaning into it. Every word ought to tell. Begin again: 'I'm going to finish your toilette, my dear little purse.'"
"I shall be an awful failure," said Madame Berthier languidly. "Why don't you play the part instead of me? You would make a delicious Mathilda."
"I! Oh, no! In the first place, one needs to be fair. Besides, I'm a very good teacher, but a bad pupil. But let us get on-let us get on!"
Helene sat still in her corner. Madame Berthier, engrossed in her part, had not even turned round. Madame de Guiraud had merely honored her with a slight nod. She realized that she was in the way, and that she ought to have declined to stay. If she still remained, it was no longer through the sense of a duty to be fulfilled, but rather by reason of a strange feeling stirring vaguely in her heart's depth's-a feeling which had previously thrilled her in this selfsame spot. The unkindly greeting which Juliette had bestowed on her pained her. However, the young woman's friendships were usually capricious; she worshipped people for three months, threw herself on their necks, and seemed to live for them alone; then one morning, without affording any explanation, she appeared to lose all consciousness of being acquainted with them. Without doubt, in this, as in everything else, she was simply yielding to a fashionable craze, an inclination to love the people who were loved by her own circle. These sudden veerings of affection, however, deeply wounded Helene, for her generous and undemonstrative heart had its ideal in eternity. She often left the Deberles plunged in sadness, full of despair when she thought how fragile and unstable was the basis of human love. And on this occasion, in this crisis in her life, the thought brought her still keener pain.
"We'll skip the scene with Chavigny," said Juliette. "He won't be here this morning. Let us see Madame de Lery's entrance. Now, Madame de Guiraud, here's your cue." Then she read from her book: "'Just imagine my showing him this purse.'"
"'Oh! it's exceedingly pretty. Let me look at it,'" began Madame de Guiraud in a falsetto voice, as she rose with a silly expression on her face.
When the servant had opened the door to her, Helene had pictured a scene entirely different from this. She had imagined that she would find Juliette displaying excessive nervousness, with pallid cheeks, hesitating and yet allured, shivering at the very thought of assignation. She had pictured herself imploring her to reflect, till the young woman, choked with sobs, threw herself into her arms. Then they would have mingled their tears together, and Helene would have quitted her with the thought that Henri was henceforward lost to her, but that she had secured his happiness. However, there had been nothing of all this; she had merely fallen on this rehearsal, which was wholly unintelligible to her; and she saw Juliette before her with unruffled features, like one who has had a good night's rest, and with her mind sufficiently at ease to discuss Madame Berthier's by-play, without troubling herself in the least degree about what she would do in the afternoon. This indifference and frivolity chilled Helene, who had come to the house with passion consuming her.
A longing to speak fell on her. At a venture she inquired: "Who will play the part of Chavigny?"
"Why, Malignon, of course," answered Juliette, turning round with an air of astonishment. "He played Chavigny all last winter. It's a nuisance he can't come to the rehearsals. Listen, ladies; I'm going to read Chavigny's part. Unless that's done, we shall never get on."
Thereupon she herself began acting the man's part, her voice deepening unconsciously, whilst she assumed a cavalier air in harmony with the situation. Madame Berthier renewed her warbling tones, and Madame de Guiraud took infinite pains to be lively and witty. When Pierre came in to put some more wood on the fire he slyly glanced at the ladies, who amused him immensely.
Helene, still fixed in her resolve, despite some heart-shrinking, attempted however to take Juliette aside.
"Only a minute. I've something to say to you."
"Oh, impossible, my dear! You see how much I am engaged. To-morrow, if you have the time."
Helene said no more. The young woman's unconcern displeased her. She felt anger growing within her as she observed how calm and collected Juliette was, when she herself had endured such intense agony since the night before. At one moment she was on the point of rising and letting things take their course. It was exceedingly foolish of her to wish to save this woman; her nightmare began once more; her hands slipped into her pocket, and finding the letter there, clasped it in a feverish grasp. Why should she have any care for the happiness of others, when they had no care for her and did not suffer as she did?
"Oh! capital, capital," exclaimed Juliette of a sudden.
Madame Berthier's head was now reclining on Madame de Guiraud's shoulder, and she was declaring through her sobs: "'I am sure that he loves her; I am sure of it!'"
"Your success will be immense," said Juliette. "Say that once more: 'I am sure that he loves her; I am sure of it.' Leave your head as it is. You're divine. Now, Madame de Guiraud, your turn."
"'No, no, my child, it cannot be; it is a caprice, a fancy,'" replied the stout lady.
"Perfect! but oh, the scene is a long one, isn't it? Let us rest a little while. We must have that incident in proper working order."
Then they all three plunged into a discussion regarding the arrangement of the drawing-room. The dining-room door, to the left, would serve for entrances and exits; an easy-chair could be placed on the right, a couch at the farther end, and the table could be pushed close to the fireplace. Helene, who had risen, followed them about, as though she felt an interest in these scenic arrangements. She had now abandoned her idea of eliciting an explanation, and merely wished to make a last effort to prevent Juliette from going to the place of meeting.