“You’re carrying on the tradition?”
“It beats a bowl of cornflakes in North Dakota.”
Isolde and Johnny invited people from the dance floor and tables to come up on the bandstand and join them in singing Danny & the Juniors’ signature song, “Rock ’n Roll Is Here to Stay.” Isolde danced with a former governor. A black man with taps on his shoes walked on his hands across the bandstand. Someone in back climbed on a table and let go with his own tenor sax. The entire building was shaking. But inside all the celebration and the innocence and happiness of the crowd, I saw the players in our medieval tale moving about like characters marked for death, distracted by a tolling of bells that only they heard.
I saw Mark Shondell and Eddy Firpo go to the men’s room; Father Julian disappeared in back also; then Adonis’s two men left their table and walked through the crowd as though searching for someone.
“I got to hit the head,” Clete said.
“I just saw Firpo and Mark Shondell go in there.”
“That’s got nothing to do with my kidneys,” he said. “I’ll be right back.”
“Give it a few minutes, Clete. Don’t crowd the batter on this one.”
“You worry too much. The Bobbsey Twins from Homicide are back in town. Wish I was thirty years younger. Look at the women in this place.” He pulled on his dong. “Go, Tigers.”
Then he was gone. I looked at my watch. It was 10:17. I saw Gideon Richetti standing to the left of the bandstand, and at first I thought I was having a hallucination. But he had the same height and athletic physique as Gideon and was wearing a hooded Tulane jacket and tight leather gloves, the kind a race-car driver or a speed-bag boxer might wear, his head and face buried inside the bowl of shadow created by his hood.
I headed for him, knocking through a couple of tables. People in silvery conical hats were forming a bunny-hop line. The man with the tenor sax had climbed up on the bandstand and was blasting out Harry James’s “Back Beat Boogie,” the drummer tearing the seams in the shoulders of his jacket, his drumsticks a blur.
“Gideon!” I yelled above the heads of the dancers.
He turned his back and began working his way to the fire exit. He was no doubt a powerful man, one that made you think of a primitive creature lifting stones into place on a medieval structure.
“Richetti! It’s Dave Robicheaux!” I shouted. “I just want to talk.”
I almost knocked a young woman to the floor and had to grab her and apologize to both her and her boyfriend. They were kind and full of smiles, and I felt like a fool. Gideon was almost to the fire exit. I had a .22 auto Velcro-wrapped to my right ankle. If I got a clear shot in the parking lot, I was going to drop him and worry about legalities later. Not rational? Neither were any of the things that had happened to Clete Purcel, Marcel LaForchette, and me.
Gideon crashed out the door. I followed him into an alley that stank of garbage and out to the parking lot of a loan company. I stopped long enough to pull my .22 auto from my ankle holster. He ran under a streetlamp and looked over his shoulder. This time there was no mistaking his identity. I could even make out his bump of a nose and eyes that were like watermelon seeds.
I could have fired justifiably somewhere below his waist. It would have not been legally justified, but morally, I thought I had the right. We needed Richetti strapped in custody. Or strapped to a table in a medical lab. If I missed, the round would probably hit concrete and ricochet against the front of a building. However, here’s the problem in that kind of situation: You have somewhere between one and two seconds to make a judgment. The wrong choice can kill an innocent person. The wrong choice can also ruin your life. Ask a cop who has stacked time in a mainline joint. You do not have to die to go to hell.
I aimed the .22 auto at his buttocks, then lowered it and let it hang from my hand. Gideon Richetti disappeared into the darkness. I put away the .22 and walked back to the fire exit, which was still open, then heard a woman scream inside. The music stopped, and the entire building became quiet. Coincidentally, the woman I had almost knocked down was the first out of the exit, her face dilated, her hands waving meaninglessly at the air as though she couldn’t breathe. Her mouth was an oval, but no sound came out.
“What is it?” I asked.
“That poor man,” she said, a tear slipping from each eye. She tried to speak again but began hiccupping and couldn’t stop.
I took out my badge and held it over my head and worked my way through the huge half-circle of people around the entrance to the men’s room. Eddy Firpo had made it out of the toilet stall and fallen through the doorway onto the floor, where he now lay on his back, his trousers and belt and jockey shorts around his ankles, his shirtfront soaked in blood. The wound across his throat was the kind usually inflicted by an instrument such as a box cutter or a barber’s razor. A rubber tourniquet was tied on his upper left arm. The syringe was still in the vein, gray sediment and backed-up blood inside the barrel.
I asked everyone to move back, then knelt by the body. There were no defensive wounds that I could see. His pigtail had been sawed from his scalp and stuffed in his mouth; his gold cross and chain were gone. Three vintage postage stamps inside a mashed cellophane container were pasted to the sole of one shoe. I knew nothing about stamp collecting, but these stamps were crisp and delicate and lovely in design and must have been expensive. What were the odds of their ending up next to a public toilet bowl where Firpo happened to step on them?
Two cops, a medic, and a fireman were trying to get through the crowd as gently as they could. Father Julian, Clete, and Adonis and his button men were nowhere in sight. Mark Shondell was comforting a woman who had almost been knocked down by Firpo when he burst out the door.
Somebody dropped a raincoat on Firpo’s body. Shondell patted the young woman’s back. He had become the protector, the man above the fray, the man of all seasons. Her hair was inches from his face. I saw his nostrils swell, his lips press together. Then he twisted his wrist so he could see the time on his watch. I wondered how one man could fool so many people for so many years.
Chapter Twenty-eight
There were no witnesses to the murder. Firpo must have been seated in a stall shooting up when his executioner entered the room. What happened after that was a matter of speculation. The stall door was neither locked nor broken. Would Firpo sit on a commode and shoot up without sliding the bolt? That made no sense. Which meant he probably knew the killer and opened the door of his own volition.
Several people in the nightclub had motivation to punch Firpo’s ticket. Maybe financial need had forced Adonis Balangie to pimp out his stepdaughter to Firpo and Mark Shondell, and Adonis had sent one of his Sicilian gumballs into the stall to even the score. The vicious nature of the killing, the sawed-off pigtail stuffed in the mouth, had the ritualistic overtones of the traditional Black Hand — also known as the Mafia — which had been in New Orleans since 1890, the year they murdered the police commissioner.
Mark Shondell was another candidate. Firpo was a hype. Shondell probably blamed him for getting Johnny on the spike and for Johnny running off with Isolde. Also, Shondell was probably Firpo’s silent business partner, and perhaps Firpo’s company assets would transfer automatically to Shondell, who would have no trouble finding a psychopath with a box cutter.
Then there was Gideon Richetti. There seemed to be no end to his potential. Unfortunately, we had no idea who or even what he was. I wanted to dismiss him as a meltdown. But like all categorizations, that didn’t slide down the pipe. Truth be known, I wondered if I was having a nervous collapse.