One summer a number of years earlier, Yi Qiu's father had gone to this place with a number of his colleagues for a weekend to escape the heat. At that time, the entire grove was filled with countless pink peach blossoms – a virtual peach garden paradise, like a totally romantic stage set in the midst of the gray city suburbs. In the center of the grove, completely surrounded by peach trees, was a clump of small birches, all canted over at an angle of about 45 degrees. Those slanted birches must have made a deep impression on Yi Qiu's father.
The bodies were discovered early in the morning by a woman doing calisthenics. She said that she was doing waist bends in an area facing and a little bit higher than Yi Qiu's parents' leaning birches. At first she only vaguely noticed what appeared to be a man standing in front of a bare tree, his cap pulled down very low, almost completely covering his face. It puzzled her that anyone would stand there so long without moving on such a cold day. Then she noticed a second person, apparently a woman, with her long hair around her shoulders, standing before another tree close by. She was convinced that it was a pair of lovers meeting secretly. She continued exercising, but her attention had shifted, and she kept an eye on the man and woman. At first, she thought it a little strange that they didn't move, but when they had been rigidly motionless for about twenty minutes, she was sure there must be something amiss. Lovers just wouldn't behave like that. She stopped exercising and started moving closer for a better look, until she could see that they were not standing, they were hanging about a foot above the ground. She gave out a stunned scream… As I listened to Yi Qiu talking about her life, I did everything I could to suppress my fear and discomfort. We agreed to meet again the next day.
When I was leaving, she pressed close to my ear and whispered that she had a "boyfriend," and enjoined me not to tell anyone else. From the way she said this I could more or less imagine what kind of secrets were involved. I was filled with the kind of admiration for Yi Qiu, with her unique life experience, that a young girl feels for an older girl.
8 The Inner Room…
For women, the inner room is referred to in a different way; it has a different name. It is a wound, it seems, that comes along with birth, that others are not allowed to touch, that secrets itself in shadow as deep as the obscure darkness within the womb that quickens the heartbeat of men. Our maturation process involves our gradual acquiescence to and our seeking for and ultimate acceptance of "entry." During the process of seeking, our girlhood ends and we enter womanhood.
One morning shortly after eight, when I arrived at Yi Qiu's place as usual, I had to go to the toilet because I had had a bowl of thin gruel and a glass of milk before I left home.
Yi Qiu was putting on a blouse that was so tight she could hardly do up the buttons. Her plump breasts threatening to tumble out, she used a bare foot to point to the westernmost corner of the big room. "Nnn! There!" she said.
Only then did I notice a white door curtain hanging against the wall, but no doorway.
"Where?" I said.
She waved me over. "I'll show you."
I followed her, her bare feet padding across the rough but clean floor like a pair of big fat bugs.
Lightly lifting the curtain with one hand, she gestured, "Here. Most of the time I don't use the communal toilet. I go here."
I was totally surprised to find that this big square box of a house, in fact, had a "sleeve" attached to it. There was a long, rectangular space behind the curtain, which really did stretch out like the sleeve of a sweater. There was a triangular steel stand that had been painted blue, with a washbasin on it. A pair of underpants, a bra, a pair of stockings, and a handkerchief were hung to dry on a crooked length of wire that ran at an angle from one corner of the ceiling to a screw above the doorway. Like a miniature airplane, a big mosquito with transparent wings was perched securely on the wire, its stomach distended with blood it had probably sucked from Yi Qiu. A simple toilet that looked like a wooden stool stood in the center of the room, its bowl speckled with rust.
Yi Qiu said, "Xi Dawang fixed it up for me. You can't flush it like the ones in apartment buildings, but you can rinse it out with the water from the washbasin. It's connected to the sewer."
"Xi Dawang?" I asked. "Who's Xi Dawang?"
Yi Qiu smiled. "My cousin." She started tidying her hair as if the person she mentioned was about to appear in front of her. "Actually, he's my boyfriend."
I went into the toilet and dropped the curtain. The seat was wet and not very clean, so I sort of squatted rather than sitting right down. When I was finished, I put my toilet paper in a big bag for waste paper beside the toilet. As I stood up, I suddenly caught sight of a blood-soaked wad amid the waste paper in the bag. Its strident red color seized my eyes. It was like a budding flower that had burst into blossom hidden among a heap of white paper. My heart pounded wildly for a moment.
I had seen older women doing this sort of thing in public toilets. They were very open about changing the paper, making no effort to hide what they were doing. It seemed it was something that everyone did; there was no need to be secretive about it. Nonetheless, I would always turn away in embarrassment, unable to watch. But even though I didn't look directly, I could still see them dropping the red wads of paper into the filthy pit. I thought it was very strange, but that was all, because it was something that concerned adults.
When I saw that my companion Yi Qiu also had this problem, I was amazed. Only then did I begin to realize that this was going to happen to me too, and I couldn't help feeling confused.
When I came out of the "bathroom," I pretended nothing had happened and without a word, I opened my exercise book.
After a while, Yi Qiu said she had to go to the toilet, and disappeared into the "sleeve."
Unable to suppress my curiosity, I raised my head from my book and looked at the curtain.
Through a gap at the curled edge of the curtain, I could just make out Yi Qiu sitting on the toilet. She had something in her hand that she was rubbing herself with. I could see that it was red in color. My heart started to pound wildly all over again, so I dropped my head and forced myself to calm down.
Even today, I still believe that Yi Qiu was the catalyst that initiated my passage into womanhood, because when I got out of bed the morning after I had witnessed this, I discovered a small patch of blood, like a living crimson plum blossom, among the printed green flowers on my sheets.
I was fourteen that year.
When Yi Qiu opened the curtain and came out of the "sleeve," I had my head down and was practicing my written characters with grim deliberation. They were square and solid as bricks. She said, "How strange. You're so thin and frail, but your characters are so sturdy and solid."
I said, "What's strange about that? My mama says that looking at a person's writing is like looking into her heart."
"Heart?" Yi Qiu thought about it, but she couldn't see the connection between written characters and the heart, and said, "Your mama's an intellectual. Intellectuals are a pain, they want to connect everything to the 'heart.'"
"But it makes sense," I answered.
"What sense? I don't think your heart is anywhere near as rigid as your characters." She opened her own exercise book and said, "Look at how round and soft my characters are. According to your mother's theory, I should bawl when I look at a falling leaf. In fact, I never cry. What is there that's worth crying about?"
Because of the weird business with the red wad of paper that had just happened, I was confused and illogical and couldn't explain myself clearly.
I said, "She doesn't mean your heart, she means your temperament; well, not really your temperament, it's… Anyway, Mama's always correcting my characters. She says people who write characters like mine will get more and more stubborn, more unreasonable… and… and…"