Just as she told nobody she was screwing the dentist — even after her divorce, she’d told no one — so she told no one about her mandatory vacation. Day after stifling day she remained indoors with the shades pulled, a futile attempt to stay cool. Even now she remembers the oily sweat between and under her breasts, how she’d pull up her T-shirt, baring her chest, the T-shirt absorbing the sweat on her forehead and cooling her nape and covering her hair like the veil of a topless nun.
She also remembers the small rabbit-eared TV in her bedroom — her entire divorce settlement, the retention of that little TV — that she watched almost nonstop during those interminable days. One afternoon she tuned into Bill Boggs to find an impressively drunk Tennessee Williams slouched on the couch while Rich Little did impressions of Johnny Carson and John Wayne. Right after Boggs, Walter Matthau appeared on Dinah Shore, and, right after Dinah Shore, Walter Matthau showed up again, this time on Mike Douglas. Lady had nothing against Walter Matthau — who didn’t like Walter Matthau? — but his reappearance, his repeated gags, the same clip from The Bad News Bears, made her feel unhinged. Then night fell with its soothing reruns of Rhoda, Phyllis, and Maude, and later an appearance by the Happy Hooker on Tom Snyder. Lady was beginning to understand how this could become your life, how it could make you feel like you had companions with whom you’d chatted and done things that day. Rhoda, Phyllis, Maude, Xaviera, Tennessee. Girlfriends.
Each day she told herself that she’d do something productive, that she’d watch no more TV, but each day she’d stay in bed, dozing on and off until midafternoon. Then she’d break, she’d crack, she’d turn on the set. Also she’d drink. And sometimes there might be some eating, might be some showering, might be some teeth brushing with the Oral-B extra-firm and sample-size Crest she got free from the office. But most often there was none of the above, just TV and cocktails and her T-shirt pulled over her head like a snood.
Not a day went by that she didn’t order herself to call Vee or Delph or even Eddie — maybe just Eddie, the most compassionate of the lot — to say that perhaps she hadn’t mentioned it, but she was on vacation, and she seemed unable to get out of bed, and could they please come over and yank her to her feet and make her get dressed. Maybe bringing some food would also be a good idea. A pizza. A turkey sandwich. An entire pound cake.
But she didn’t call, she couldn’t, because that was the week her fear of talking on the phone materialized as suddenly and surprisingly as a paper bouquet from a magician’s sleeve. All at once: poof, you’re telephobic.
The unanticipated phobia was accompanied by nausea and nerves and stomach adventures, and it escalated rapidly. At the beginning of the vacation she just ignored the ringing phone, a taupe standard Ma Bell table unit that could, if properly wielded, kill someone. By the end she was skittering across the hall, hiding in the bathroom, where she kept an extra bottle of vodka so she could calm herself until the jangling stopped. She would drink directly from the bottle, one glug, then two, call it a dry martini — which it was, sans olives — or an extra-dry Gibson — which it was, sans cocktail onions. Also sans ice bucket and stemware. She was a self-proclaimed hippie; she didn’t much care about elegance or ritual, which was good, given that she kept the crystal clear bottle of Popov on the sweating top of the toilet tank, alongside the green container of pHisohex and blue jar of Noxzema and brown vial of Miltown, the latter prescribed by the dentist.
It wasn’t until the final Saturday of the vacation — the third of July — that Lady emerged from her apartment. She hadn’t left before then, not for companionship, not for exercise, not for fresh air or groceries, not for snow peas, not for nothing. But then something came up, or rather something came down. A switch plate in the bedroom had lost its top screw several weeks before. It now hung upside down from its bottom screw, exposing the electrical box and the unpainted wall behind it.
Joe Hopper had taken all the tools when he’d moved out — that had been his divorce settlement — so she tried to stick it back into place with Scotch tape. When that didn’t work, she tried ignoring it. That didn’t work either, and the switch plate had come to remind her of someone hanging from a ledge, holding on to its lip with the fingertips of one hand. It was driving her crazy. She needed to get to a hardware store and buy a screwdriver.
The dentist’s office was — maybe still is — in shabby downtown Riverdale, by the elevated train station. On weekdays Lady reverse-commuted there. Daily she clattered down the metal staircase, and, at its landing, propelled herself over a puddle that she swore never evaporated. The weather might be hot and dry; the mayor (little Abe Beame) might have banned residents of all five boroughs from watering their houseplants and flushing their toilets. It didn’t matter. The puddle remained, shrunken perhaps, sometimes a mere muddy outline, but there nonetheless, dead leaves on its surface. In 1976 the puddle lay directly across the street from a dive called the Terminal Bar, a fairly ominous name if you thought about it, and given Lady’s proclivity for both suicide and puns, she did. Accordingly, Lady had named it the Puddle Styx.
On one side of the Terminal Bar was a four-story office building. The dentist’s office was on its second floor. On the other side of the bar was a hardware store owned and run by a pair of aging brothers, two irritable men, short and ovate, with glaring black eyes, bulbous thread-veined noses, and patchy pubic beards. Despite the countless hardware stores on the Upper West Side, it was this hardware store — half an hour from her apartment if there were no delays, but of course there were always delays — that Lady decided to patronize.
She had a reason for traveling that distance when she didn’t really have to: she wasn’t at ease inside hardware stores, and at least she’d been in this one before. Not often, but sometimes the dentist sent her there to pick up some Windex or a three-way plug adaptor or an extension cord. She would feel less unnerved in the somewhat familiar surroundings.
On this summer morning no one in the store paid her any attention or asked if they could help her or gave any indication that they’d seen her before, or, for that matter, were seeing her now. She didn’t care. In stores, as in most places and situations, she preferred to be left to herself. This was particularly true now, consumed as she was with the switch-plate crisis.
Before leaving home, she’d unscrewed the plate completely, using her fingers to turn the bottom screw, which was also on the brink of falling out. She’d put the plate and the screw inside a baggie and put the baggie in her purse. This had turned out to be smart. In an aisle filled with, surely, over a hundred bins of over a million screws, she was able to find the one she needed.
Buoyed, she continued to the next aisle with its multiple bins of screwdrivers, but here she was at a loss. She wasn’t sure how to choose among screwdrivers, didn’t know which characteristics of a screwdriver were determinant. She decided to go by color.
She considered one with a rubbery blue handle, rejected it, picked up another, cherry red, put it back. She walked up and down the aisle, then snatched up a model with a handle of translucent plastic, acid green, a hue she’d once experimented with, borrowing an Indian tunic in that shade from Delph. “It makes you look dead,” Joe Hopper said, and she returned it unworn.