With Guibor, the count, watching it all, smiling to himself in the way he had, and then assessing and deciding affairs of state afterwards, at night, with the glittering wife he loved and who loved him, and whom he trusted with his life, his honour, his realm, with all his hope of happiness on this side of death.
"Your mother's laughter," he'd said to Aelis once, "is the strongest army I will ever have in Arbonne."
He'd said that to his daughter. She'd been sixteen then, newly returned home from two years on Rian's Island in the sea, newly discovering, almost day by day, that there seemed to be avenues to beauty and grace for herself, after an awkward childhood.
Less than a year after that conversation her father had married her to Urté de Miraval, perhaps the strongest of the lords of Arbonne, and so exiled her from all the newly charming, flattering courtiers and poets, from the wit and music and laughter of Barbentain to the hunting dogs and the sweaty night thrustings of the duke he'd decided needed to be bound more closely to his allegiance to the ruling counts of Arbonne.
A fate no different from that of any daughter of any noble house. It had been her mother's fate, her aunt's in Malmont to the east across the river; it would be black-haired Ariane's too, one day—and night—not far off.
Some women were lucky in their men, and some found an early widowhood—which might actually mean power here in Arbonne, though not, by any means, everywhere in the world. There were other paths as welclass="underline" those of the goddess or the god. Her sister Beatritz, the eldest child, had been given to Rian; she was a priestess in a sanctuary in the eastern mountains near Gfitzland. She would be High Priestess there one day—her parentage assured at least so much—and wield her own measure of power in the intricate councils of Rian's clergy. In many ways, Aelis thought, it was an enviable future, however remote it might be from the laughter and the music of the courts.
On the other hand, how close was she herself to such music and such laughter in Miraval, with the candles and torches doused just after dusk and Duke Urté coming to her in the night through the unlatched door that linked their rooms—smelling of dogs and moulting falcons and sour wine, in search of temporary release and an heir, nothing more?
Different women dealt with their destinies in very different ways, thought dark-haired, dark-eyed Aelis, the lady of Miraval, as she rode under green-gold leaves beside the rippling waters of Lake Dierne with vineyards on her left and forests beyond.
She knew exactly who and what she was, what her lineage meant to the ferociously ambitious man she'd been given to like a prize in the tournament at the Lussan Fair: Urté, who seemed so much more a lord of Gorhaut in the cold, grim north than of sun-blessed Arbonne, however full and ripe the grapes and olives might grow on his rich lands. Aelis knew precisely what she was for him; it didn't need a scholar from the university in Tavernel to do that sum.
There was a sudden sound, an involuntary gasp of wonder beside her. Aelis stirred from reverie and glanced quickly over and then beyond Ariane to see what had startled the girl. What she saw stirred her own pulse. Just ahead of them, off the road beside the lake, the Arch of the Ancients stood at the end of a double row of elm trees, its stones honey-coloured in the morning sunlight. Ariane hadn't taken this ride before, Aelis realized; she would never have seen the arch.
There were ruins of the Ancients all over the fertile land named for the Arbonne River that watered it: columns by the roadside, temples on cliffs by the sea or in the mountain passes, foundations of houses in the cities, bridge stones tumbled into the mountain streams and some still standing, some still in use. Many of the roads they rode or walked today had been built by the Ancients long ago. The great high road beside the Arbonne itself, from the sea at Tavernel north to Barbentain and Lussan and beyond them into and through the mountains to Gorhaut, was one of the old straight roads. All along its length were marker stones, some standing, many toppled into the roadside grass, with words upon them in a language no one living knew, not even the scholars of the university.
The Ancients were everywhere in Arbonne, the simple sight of one of their ruins or artifacts, however unexpected, would not have drawn a cry from Ariane.
But the arch by Lake Dierne was something else again.
Rising ten times the height of a man, and almost as broad, it stood alone in the countryside at the end of its avenue of elms, seeming to master and subdue the gentle, vine-clad landscape between the forests and the lake, Which, Aelis had long suspected, was precisely the purpose for which it had been raised. The friezes sculpted on both the near face and the far were of war and conquest: armoured men in chariots carrying round shields and heavy swords, battling others armed with only clubs and spears. And the warriors with the clubs were dying on the friezes, their pain made vivid in the sculptor's art. On the sides of the arch were images of men and women clad in animal skins, manacled, their heads bowed and averted in defeat, slaves. Whoever they were, wherever they now had gone, the Ancients who had set their marks upon this land had not come in peace.
"Would you like to see it more nearly?" she asked Ariane mildly. The girl nodded, never taking her eyes from the arch. Aelis lifted her voice, calling ahead to Riquier, the leader of the corans detailed to ride with her. He dropped hastily back to her side.
"My lady?"
She smiled up at him. Balding and humourless, Riquier was much the best of the household corans, and she was, in any case, prepared to smile at almost anyone this morning. There was a song winding through her heart, a song written this winter, after the festive season, in response to a promise a lady had made. Every joglar in Arbonne had been singing that song. No one knew the troubadour who had written it, no one knew the lady.
"If you think it safe," she said, "I should like to stop for a few moments that my cousin might see the arch more closely. Do you think we could do that?"
Riquier looked cautiously around at the serene, sunlit countryside. His expression was earnest; it was always earnest when he spoke with her. She had never once been able to make him laugh. Not any of them, actually; the corans of Miraval were men cut from her husband's cloth, not surprisingly.
"I think that would be all right," he said.
"Thank you," Aelis murmured. "I am happy to be in your hands, En Riquier, in this as in all things." A younger, better-educated man would have returned her smile, and a witty one would have known how to reply to the shameless flattery of the honorific she had granted him. Riquier merely flushed, nodded once and dropped back to give his orders to the rear guard. Aelis often wondered what he thought of her; at other times she wasn't really sure she wanted to know.
"The only things that belong in that one's hand are a sword or a flask of unmixed wine," Ariane said tartly and not quite softly enough at Aelis's side. "And if he deserves a lord's title, so does the man who saddled my horse." Her expression was scornful.
Aelis had to suppress a smile. For the second time that morning she had cause to wonder about her young cousin. The girl was disconcertingly quick. Despite the fact that Ariane's words reflected her own thoughts exactly, Aelis tendered her a reproving glance. She had duties here—the duties of a duchess towards the girl-woman who had been sent to her as a lady-in-waiting for fostering and to learn the manners proper to a court. Which was not, Aelis thought, going to happen in Miraval. She had considered writing her aunt at Malmont and saying as much, but had so far refrained, for selfish reasons as much as any others: Ariane's brightness, since she had arrived last fall, had been a source of genuine pleasure, one of the very few Aelis had. Not counting certain songs. Even the birds above the lake are singing of my love…