Выбрать главу

42 Sex- and substance-issues notwithstanding, professional athletes are in many ways our culture’s holy men: they give themselves over to a pursuit, endure great privation and pain to actualize themselves at it, and enjoy a relationship to perfection that we admire and reward (the monk’s begging bowl, the RBI-gurus eight-figure contract) and love to watch even though we have no inclination to walk that road ourselves. In other words they do it “for” us, sacrifice themselves for our (we imagine) redemption.

43 In the Qualies for Grand Slams like Wimbledon and the U.S. Open, players sometimes have to play two three-out-of-five-set matches in one day; it is little wonder that the surviving qualifiers often look like concentration-camp survivors by the time they get to the main draw and you see them getting annihilated by a healthy and rested top seed in the televised first round.

44 Meaning a two-handed forehand, whose pioneer was a South African named Frew McMillan and whose most famous practitioner today is Monica Seles.

45 The idea of what it would be like to perspire heavily with large amounts of gel in your hair is sufficiently horrific to me that I approached Knowle after the match to ask him about it, only to discover that neither he nor his coach spoke enough English or even French to be able to determine who I was, and the whole sweat-and-gel issue will, I’m afraid, remain a matter for your own imagination.

46 What Joyce has done is known as “wrong-footing” his opponent, though the intransigent Francophone press here keep calling the tactic a “contre-pied.”

47 Who is clearly such a fundamentally nice guy that he would probably hit around with me for a little while just out of politeness, since for him it would be at worst somewhat dull. For me, though, it would be obscene.

48 The example of Michael Joyce’s own childhood, though, shows that my friends and I were comparative sluggards, dilettantes. He describes his daily schedule thusly: “I’d be in school till 2:00. Then, after, I’d go [driven by father] to the [West End Tennis] Club [in Torrance CA] and have a lesson with [legendary, wildly expensive, and unbelievably hard-ass Robert] Lansdorp [former childhood coach of, among others, Tracy Austin] from 3:00 to 4:00. Then I’d have drills from 4:00 to 6:00, then we’d drive all the way home — it’s like half an hour — and I’m like, ‘Thank God, I can watch TV or go up and talk with [friends] on the phone or something,’ but Dad is like, ‘You didn’t practice your serve yet.’ At twelve or thirteen [years old], you’re not going to want to do it. [No lie, since two hours of serious drills alone were usually enough to put your correspondent in a fetal position for the rest of the day.] You need somebody to make you do it. [This is one way of looking at it.] But then, after like a hundred or so serves, I start to get into [standing by himself out on the Joyces’ tennis court in their backyard with a huge bucket of balls and hitting serve after serve to no one in what must by then have been the gathering twilight], I like it, I’m glad I’m doing it.”

49 An important variable I’m skipping is that children are (not surprisingly) immature and tend to get angry with themselves when they screw up, and so a key part of my strategy involved putting the opponent in a position where he made a lot of unforced errors and got madder and madder at himself, which would ruin his game. Feelings of self-disgust at his errors, or (even better for me) bitter grievance at the universe for making him have “bad luck” or an “offday” would mount until usually by sometime in the second set he’d sink into a kind of enraged torpor and expect to miss, or occasionally he’d even have a kind of grand Learesque tantrum, complete with racquet-hurling and screamed obscenities and sometimes tears. This happened less and less as I got older and opponents got more mature, and by the time I was in college only genuine head-cases could be counted on to get so mad that they’d basically make themselves lose to an inferior player (viz. me). It’s something of a shock, then, to watch Joyce do to his third-round Qualies opponent what I used to do to twelve-year-old rich kids, which is essentially to retrieve and avoid errors and wait for this opponent to have a temper tantrum. Because Sunday was a rainout, Joyce’s third round is played Monday at 10:00 A.M., at the same time that some of the main draw’s first rounds are beginning. Joyce’s opponent is a guy named Mark Knowles, 25, the 1986 U.S. Junior Indoor Champion, a native of the Bahamas, now known primarily as a doubles player but still a serious opponent, ranked in the world’s top 200, somebody on Joyce’s plateau.

Knowles is tall and thin, muscular in the corded way tall thin people are muscular, and has an amazing tan and tight blond curls and from a distance is an impressive-looking guy, though up close he has a kind of squished, buggy face and the slightly bulging eyes of a player who, I can tell, is spring-loaded on a tantrum. There’s a chance to see Knowles up close because he and Joyce play their match on one of the minor courts, where spectators stand and lean over a low fence only a few yards from the court. I and Joyce’s coach and Knowles’s coach and beautiful girlfriend are the only people really seriously standing and watching, though a lot of spectators on their way to more high-profile matches pass by and stop and watch a few points before moving on. The constant movement of civilians past the court aggrieves Knowles no end, and sometimes he shouts caustic things to people who’ve started walking away while a point is still in progress.

“Don’t worry about it!” is one thing Knowles shouted at someone who moved. “We’re only playing for money! We’re only professionals! Don’t give it a second thought!” Joyce, preparing to serve, will stare affectlessly straight ahead while he waits for Knowles to finish yelling, his expression sort of like the one Vegas dealers have when a gambler they’re cleaning out is rude or abusive, a patient and unjudging look whose expression is informed by the fact that they’re extremely well compensated for being patient and unjudging.

Sam Aparicio describes Knowles as “brilliant but kind of erratic,” and I think the coach is being kind, because Knowles seems to me to belong on a Locked Ward for people with serious emotional and personality disorders. He rants and throws racquets and screams scatological curses I haven’t heard since junior high. If one of his shots hits the top of the net-cord and bounces back, Knowles will scream “I must be the luckiest guy in the world!” his eyes protruding and mouth twisted. For me he’s an eerie echo of all the rich and well-instructed Midwest kids I used to play and beat because they’d be unable to eat the frustration when things didn’t go their way. He seems not to notice that Joyce gets as many bad breaks and weird bounces as he, or that passing spectators are equally distracting to both players. Knowles seems to be one of these people who view the world’s inconveniences as specific and personal, and it makes my stomach hurt to watch him. When he hits a ball against the fence so hard it seems to damage the ball, the umpire gives him a warning, but in the sort of gentle compassionate voice of a kindergarten teacher to a kid who’s known to have A.D.D. I have a hard time believing that someone this off-the-wall could rise to a serious pro plateau, though it’s true that when Knowles isn’t letting his attention get scattered he’s a gorgeous player, with fluid strokes and marvelous control over spin and pace. His read on Joyce is that Joyce is a slugger (which is true), and his tactic is to try to junk him up — change pace, vary spins, hit drop shots to draw Joyce in, deny Joyce pace or rhythm — and because he’s Joyce’s equal in firepower the tactic is sound. Joyce wins the first set in a tiebreaker. But three times in the tiebreaker Knowles yells at migratory spectators “Don’t worry! It’s only a tiebreaker in a professional match!” and is basically a wreck by the time the first set is over, and the second set is perfunctory, a formality that Joyce concludes as fast as possible and hurries back to the Players’ Tent to pack carbohydrates and find out whether he has to play his first round in the main draw later this same day.