Me and Buck hurries down to the office. We finds on the stairs and in the hall a crowd of people trying to squeeze into our office, which is already jammed full inside to the railing. They've nearly all got Golconda stock and Gold Bonds in their hands. Me and Buck judged they'd been reading the papers, too.
We stopped and looked at our stockholders, some surprised. It wasn't quite the kind of a gang we supposed had been investing. They all looked like poor people; there was plenty of old women and lots of young girls that you'd say worked in factories and mills. Some was old men that looked like war veterans, and some was crippled, and a good many was just kids—bootblacks and newsboys and messengers. Some was working-men in overalls, with their sleeves rolled up. Not one of the gang looked like a stockholder in anything unless it was a peanut stand. But they all had Golconda stock and looked as sick as you please.
I saw a queer kind of a pale look come on Buck's face when he sized up the crowd. He stepped up to a sickly looking woman and says: "Madam, do you own any of this stock?"
"I put in a hundred dollars," says the woman, faint like. "It was all I had saved in a year. One of my children is dying at home now and I haven't a cent in the house. I came to see if I could draw out some. The circulars said you could draw it at any time. But they say now I will lose it all."
There was a smart kind of kid in the gang—I guess he was a newsboy. "I got in twenty-fi', mister," he says, looking hopeful at Buck's silk hat and clothes. "Dey paid me two-fifty a mont' on it. Say, a man tells me dey can't do dat and be on de square. Is dat straight? Do you guess I can get out my twenty-fi'?"
Some of the old women was crying. The factory girls was plumb distracted. They'd lost all their savings and they'd be docked for the time they lost coming to see about it.
There was one girl—a pretty one—in a red shawl, crying in a corner like her heart would dissolve. Buck goes over and asks her about it.
"It ain't so much losing the money, mister," says she, shaking all over, "though I've been two years saving it up; but Jakey won't marry me now. He'll take Rosa Steinfeld. I know J—J—Jakey. She's got $400 in the savings bank. Ai, ai, ai—" she sings out.
Buck looks all around with that same funny look on his face. And then we see leaning against the wall, puffing at his pipe, with his eye shining at us, this newspaper reporter. Buck and me walks over to him.
"You're a real interesting writer," says Buck. "How far do you mean to carry it? Anything more up your sleeve?"
"Oh, I'm just waiting around," says the reporter, smoking away, "in case any news turns up. It's up to your stockholders now. Some of them might complain, you know. Isn't that the patrol wagon now?" he says, listening to a sound outside. "No," he goes on, "that's Doc. Whittleford's old cadaver coupé from the Roosevelt. I ought to know that gong. Yes, I suppose I've written some interesting stuff at times."
"You wait," says Buck; "I'm going to throw an item of news in your way."
Buck reaches in his pocket and hands me a key. I knew what he meant before he spoke. Confounded old buccaneer—I knew what he meant. They don't make them any better than Buck.
"Pick," says he, looking at me hard, "ain't this graft a little out of our line? Do we want Jakey to marry Rosa Steinfeld?"
"You've got my vote," says I. "I'll have it here in ten minutes." And I starts for the safe deposit vaults.
I comes back with the money done up in a big bundle, and then Buck and me takes the journalist reporter around to another door and we let ourselves into one of the office rooms.
"Now, my literary friend," says Buck, "take a chair, and keep still, and I'll give you an interview. You see before you two grafters from Graftersville, Grafter County, Arkansas. Me and Pick have sold brass jewelry, hair tonic, song books, marked cards, patent medicines, Connecticut Smyrna rugs, furniture polish, and albums in every town from Old Point Comfort to the Golden Gate. We've grafted a dollar whenever we saw one that had a surplus look to it. But we never went after the simoleon in the toe of the sock under the loose brick in the corner of the kitchen hearth. There's an old saying you may have heard—'fussily decency averni'—which means it's an easy slide from the street faker's dry goods box to a desk in Wall Street. We've took that slide, but we didn't know exactly what was at the bottom of it. Now, you ought to be wise, but you ain't. You've got New York wiseness, which means that you judge a man by the outside of his clothes. That ain't right. You ought to look at the lining and seams and the button-holes. While we are waiting for the patrol wagon you might get out your little stub pencil and take notes for another funny piece in the paper."
And then Buck turns to me and says: "I don't care what Atterbury thinks. He only put in brains, and if he gets his capital out he's lucky. But what do you say, Pick?"
"Me?" says I. "You ought to know me, Buck. I didn't know who was buying the stock."
"All right," says Buck. And then he goes through the inside door into the main office and looks at the gang trying to squeeze through the railing. Atterbury and his hat was gone. And Buck makes 'em a short speech.
"All you lambs get in line. You're going to get your wool back. Don't shove so. Get in a line—a line—not in a pile. Lady, will you please stop bleating? Your money's waiting for you. Here, sonny, don't climb over that railing; your dimes are safe. Don't cry, sis; you ain't out a cent. Get in line, I say. Here, Pick, come and straighten 'em out and let 'em through and out by the other door."
Buck takes off his coat, pushes his silk hat on the back of his head, and lights up a reina victoria. He sets at the table with the boodle before him, all done up in neat packages. I gets the stockholders strung out and marches 'em, single file, through from the main room; and the reporter man passes 'em out of the side door into the hall again. As they go by, Buck takes up the stock and the Gold Bonds, paying 'em cash, dollar for dollar, the same as they paid in. The shareholders of the Golconda Gold Bond and Investment Company can't hardly believe it. They almost grabs the money out of Buck's hands. Some of the women keep on crying, for it's a custom of the sex to cry when they have sorrow, to weep when they have joy, and to shed tears whenever they find themselves without either.
The old women's fingers shake when they stuff the skads in the bosom of their rusty dresses. The factory girls just stoop over and flap their dry goods a second, and you hear the elastic go «pop» as the currency goes down in the ladies' department of the "Old Domestic Lisle-Thread Bank."
Some of the stockholders that had been doing the Jeremiah act the loudest outside had spasms of restored confidence and wanted to leave the money invested. "Salt away that chicken feed in your duds, and skip along," says Buck. "What business have you got investing in bonds? The tea-pot or the crack in the wall behind the clock for your hoard of pennies."
When the pretty girl in the red shawl cashes in Buck hands her an extra twenty.
"A wedding present," says our treasurer, "from the Golconda Company. And say—if Jakey ever follows his nose, even at a respectful distance, around the corner where Rosa Steinfeld lives, you are hereby authorized to knock a couple of inches of it off."
When they was all paid off and gone, Buck calls the newspaper reporter and shoves the rest of the money over to him.
"You begun this," says Buck; "now finish it. Over there are the books, showing every share and bond issued. Here's the money to cover, except what we've spent to live on. You'll have to act as receiver. I guess you'll do the square thing on account of your paper. This is the best way we know how to settle it. Me and our substantial but apple-weary vice-president are going to follow the example of our revered president, and skip. Now, have you got enough news for to-day, or do you want to interview us on etiquette and the best way to make over an old taffeta skirt?"