A Village Affair

Rose Villa contained an accumulation of a lifetime's energetic curiosity and culture. As a young woman Lettice Deverel had taught in an international school in Switzerland and had learned to ski in brown leather boots - there was a matching brown photograph to prove it. She had then come home to teach with the Workers' Education Authority, and gone on to be librarian of a famous collection on the history of women in England. All her life she had painted, cooked, gardened, written, read, travelled and kept animals and a diary. She played both the piano and the harp. She had always lived alone and had collected a wide and enthusiastic circle of friends. When Peter Morris added himself to the circle, she told him that she was agnostic and that she had never known a priest well before. He said in that case, she was about to learn. She said, meaning it, 'But I won't stand for God being dragged in all the time,' and he had replied, 'Well, He won't mind that as there's nothing He dislikes so much as no reaction at all.'

It had been a good start. Three years later, among a welter of weekly minutiae, they had together been through Clodagh Unwin's defection to America, the death of Miss Pimm's tyrannical but worshipped old mother, a crippling motorbike accident to the brightest boy in the village, cot deaths, Down's Syndrome babies, broken marriages, drunkenness, unemployment, fire, flood and pestilence. Alice Jordan seemed to Lettice Deverel a very minor problem indeed. She went on thumping her dough while she said, 'Of course, you wouldn't trouble yourself about her if she wasn't goodlooking.'

'Good morning,' the parrot said from his cage. 'And who's a pretty parrot then?'

'I might,' said Peter Morris, who never minded being found out, 'not trouble myself quite so much-'

'She may be a very spoiled young woman, for all we know. And of course spoiled people inevitably become discontented in time.'

'I don't think she's spoiled. I think she may be unhappy, but I don't think it's discontent. It might be disappointment, of course, in her marriage, maybe.'

Lettice Deverel had encountered Martin several times in the village; once, outside the shop, she had dropped a bag of flour and he had helped her, most assiduously, to scoop it into the gutter. She gave a fault snort.

The English public school system-'

'Well?'

'-renders most men incapable of recognizing or acknowledging their own states of mind. Makes them emotionally inarticulate.' She poked a floury finger at Peter. 'Makes most of them afraid of women. Drives any of them who go to Winchester quite round the bend.'

'I think Martin Jordan went to Rugby.'

'Stands out a mile off.'

She dumped fat sausages of dough into loaf tins and set them at the back of her ancient Rayburn to rise.

'If you're trying to make me say I think you should go and talk to her, you're out of luck. You leave well alone.'

'Laugh like parrots at a bagpiper,' said the parrot. 'Good morning. Merchant of Venice. Pretty parrot.'

'She's rather a good painter, you see,' Peter said, 'and she won't paint. Or can't paint.'

'Creativity isn't like carpentry.'

Peter Morris stood up.

'Why have you taken against Alice Jordan?'

'I've done no such thing. I've admired her about the village and I've noticed what you have noticed. But I haven't woven sentimental fantasies about her. You leave her be. She's got pride. Now come outside and have a look at the camellia I thought the frost had done for. You never saw such leaders-'

The last week of the spring school holidays was soft and warm, with the sun shining bright and hard through the still bare branches of trees. Pitcombe began to break the winter seal on its doors and windows and pot plants were put out on doorsteps, like invalids, to take a little reviving air. Lettice Deverel washed the blankets on her bed as a gesture to spring cleaning, and started to go for walks again, declining to do so in winter because she said there was no point in walking when you had to keep your eyes on your feet rather than the view. In rubbersoled brogues and grasping a thumb stick, she set off most afternoons at a determined pace and the village, noticing her departures, said to one another, grinning, that spring must have come if Miss D. was off again. Fred Mott's grandson, Stuart, who was unemployed and a competition gardener, took advantage of these walks to take a wheelbarrow up to Rose Villa by the field path where he would be less observed, and to help himself to some excellent and well-rotted compost.

Sometimes Lettice went up the hill and round the edge of the Park. Sometimes she went either way along the river path, or across fields by bridleways to King's Harcourt and Barleston. Her favourite walk, however, was to skirt the higher boundary of The Grey House garden and strike east along the hillside, with the river below her and a widening valley view opening out ahead. She noticed, with approval, that the window frames of The Grey House were being painted and that someone had begun to thin out the depressing hedge of mahonias that John Murray-French had simply ignored. There was a new sandpit on the lawn outside the kitchen door, and a tricycle and a pleasingly full washing line. Lettice had never wanted to marry but she was a staunch supporter of family life.

Two fields beyond The Grey House, she could hear children. She dropped down the slope a little so that she could see the river, and there some way below her in the grass sat Alice Jordan and Clodagh Unwin with a basket and a baby, while a girl and a boy were jumping about over the trunk of a fallen willow near-by. It was a very pretty scene. It might have been, Lettice thought, the subject of one of those Victorian narrative paintings on which her artistic teeth had been cut. Alice wore blue and Clodagh was wrapped in a strange cloak of yellow and black. Lettice, who had known Clodagh from a child and believed her to be thoroughly spoiled and the only original child of the Unwin family, considered going down the slope to join them, and to meet Alice Jordan properly. But they looked so complete in themselves that she decided against it, and tramped on above them with her stick in her right hand and her face set determinedly to the eastward view.

'Don't you have any curiosity about me?' Clodagh was saying.

She had been wearing a long string of yellow amber beads under her cloak, and she had taken them off and given them to Charlie who was collapsing them, up and down, up and down, on his knees.

'I'm dying of it,' Alice said, 'but I thought it was generally accepted that no one must ask.'

'Ask what-'

'About New York.'

'Jesus,' Clodagh said, 'what about New York?'

Alice leaned on one elbow, turning herself towards Charlie and Clodagh.

'Well. I may have got it all wrong, but I understood that a love affair that might have ended in marriage went wrong and you have come home with a broken heart.'

'Broken heart?' Clodagh said. 'Hah! Marriage. Honestly.'

Alice waited. Charlie swung the beads from side to side and talked excitedly to them.

'I see,' Clodagh said. 'I'm the poor little jilted fiancee, am I?'

'I don't know,' Alice said, 'I don't know anything. And if you want to be mysterious, I never shall.'

There was a pause. Then Clodagh said, 'I don't want to be mysterious. Not to you.'

Alice lay down in the grass and waited. It was ten days since the dinner party at Pitcombe Park, and she had seen Clodagh on eight of them. Clodagh had come down to The Grey House constantly on some pretext or other, bringing with her a tabby kitten and a significant change of atmosphere. It was she who suggested this picnic, just as she had suggested a number of other things - getting the drawing room curtains up, learning songs to her guitar, making fudge, choosing old roses to climb through apple trees - that had made them all feel that life was markedly improved.