‘I am a shamed man once again, it seems.’
She shrugged. ‘It may be the Romans will find some use for you. They have always been great keepers of slaves and dogs, so I have heard. But you have no place amongst your own people.’
‘I know.’
‘I would not want to live so.’
‘I know that, too.’
‘And so what is your choice?’
‘You have taught me much,’ Kai said slowly. ‘And I know, that from you, this is a kindness.’ He looked to the west, thinking of the river beyond it, the people he had left behind. ‘But I choose to live.’
There was pity in her voice, when she answered him. ‘You shall regret this,’ she said.
‘That may be so. But in twenty-five years, I will ride once more with my daughter on the plain. I would not have her become as you are.’
A moment when there was something almost like pain upon her face. It had been so long since he had seen that. Then the lines of the face hardening, sharpening, twisting. Almost like a spell being cast, as though she had made a bargain with a sorcerer, to change the face that she hated, the face that reminded her of Kai. And at last, it was as though they looked nothing alike.
No great distance, to ride back to the encampment. Yet a journey taken alone always seems to be twice as far, and this was a kind of loneliness that he had not known before. The final bonds that held him to his people were cut at last. He had proved himself to be not of their kind, and so he did not ride back towards them, those who had been his kin and his people. He went to the Romans gathered at the edge of the plain, Lucius and his cavalry.
Some of the Romans were stifling laughter – amused, perhaps, by what must have seemed a barbarian’s practice. But others were solemn, though they could not have understood what they had seen. They knew it for a warrior’s ritual. And when he was amongst them once more, Lucius rode to him and laid his hands on the horns of Kai’s saddle. Leaning forward, speaking softly, he said: ‘You have paid more than I have, I think, for this victory.’
‘It may be so,’ said Kai. And it frightened him, how empty the words sounded, the need in his voice that he heard when he spoke again. ‘You will keep your promise? Twenty-five years, and I shall see my daughter again?’
‘I will keep my promise,’ the Roman said.
‘You hold my life with that oath, Lucius.’
A little dip of the Roman’s shoulders, then, a weight settling upon him. ‘Live, Kai,’ he said. ‘We go from this place soon. A great journey for your people. There will be a place of honour for you at the end of that journey. I will do all that I can to make it so.’
Looking back across the plain, its tall grass dancing in the wind and the first wildflowers of spring a brilliant scattering blue, Kai said: ‘It is a beautiful land, is it not?’
‘It is.’
‘It will be worth those years, to see this place again.’
‘It will.’
But for all those fine words, he could only think of the omen he had felt when he left the winter encampment. The whisper of a god, telling him that he would die in the west.
And he said to himself, in a whisper of his own that was spoken not like a prayer but a prophecy: ‘Then I shall have to prove a god wrong.’
Historical Note
This is a work of fiction. Relatively little is known for certain about the Sarmatians, a primarily nomadic people with no written record of their own left behind and a minimal archaeological footprint. What we do know of them is pieced together from written Greek and Roman sources such as Strabo, Cassius Dio, Ovid, and Herodotus, as well as the archaeological finds that survive (mostly from grave sites). So what we have is limited in scope and unreliable in nature – frustrating for the historian, but exciting for the novelist (and, I hope, the reader).
We do know that there was a war with the Roman Empire in AD 175 or so, a battle upon the frozen Danube, and eventually a peace settlement which sent thousands of Sarmatian heavy cavalry to the north of Britain. Much more than that remains mysterious, but the Sarmatians are pleasingly connected to many myths, ranging from that of the Amazon warrior women to that of our own King Arthur.
If you’d like to read further, I recommend The Sarmatians (Tadeusz Sulimirski, 1970) and Sarmatians (Eszter Istvánovits and Valeria Kulcsár, 2017) as excellent summaries of the archaeological and written record, and The Tales of the Narts (John Colarusso and Tamirlan Salbiev, 2016), and From Scythia to Camelot (C. Scott Littleton and Linda Malcor, 2000) for more on the mythological links.
Acknowledgements
As always, enormous thanks are due to everyone who has contributed to the book.
To Caroline Wood for her insightful guidance and storyteller’s instincts. To Nic Cheetham for his support and tremendous enthusiasm, and for setting me on the right path in the first place. To Wendy Toole for a careful copyedit, Mark Swan for the gorgeous cover, Clare Gordon for keeping everything on track, to Christian Duck, Lizz Burrell, Ben Prior, Avneet Bains, and Jade Gwilliam, and everyone else at Head of Zeus and Felicity Bryan for all they have done to help bring this book into the world.
To my colleagues at the Warwick Writing Programme for their wisdom, support, and good humour, and to my students for continuing to inspire me and to teach me the tricks of the trade (I hope that they occasionally feel they have learned something too).
To my parents, always, for everything.
To my friends, for at its heart this is a book about friendship. I suspect that those who are sceptical about the existence of the Amazon warriors have not met the climbing women of Sheffield – fierce, strong, and proud. This book is dedicated to one in particular, a very dear friend who has fought hard for me in the difficult times of my life. She was strong when I was not, brave when I was afraid. May I swallow your evil days, Ness – courage to the champion, and victory to her spear.
About the Author
TIM LEACH is a graduate of the Warwick Writing Programme, where he now teaches as an Assistant Professor. His first novel, The Last King of Lydia, was shortlisted for the Dylan Thomas Prize.
Also by Tim Leach
The Last King of Lydia
The King and the Slave
Smile of the Wolf
PRAISE FOR SMILE OF THE WOLF:
‘Superb… This is a thoughtful, literary take on a world that is more often depicted in a boy’s adventure way. The focus in Leach’s book is not on the fighting, but on the strange, inescapable logic that makes the fighting inevitable’ The Times, Book of the Year
‘A poetic, absorbing narrative with many of the same qualities as the medieval Icelandic sagas that it echoes and reimagines’ Sunday Times, Book of the Year
‘Smile of the Wolf bares its fangs from the first page. Like a medieval tapestry, the storytelling is rich with imagery. Readers will be lured spellbound into this lyrical and evocative Icelandic saga. It deserves huge success’ David Gilman
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