There had to be more than one Foeti, he decided (again). The first one that had attacked him had been entirely bald. This one had long cobwebs of hair hanging over its face, through which its lidless black eyes glared. And whereas the first ones he had encountered had always been crawling rapidly on all fours, lately the ones in this vicinity seemed to spend more time scurrying along on their hind legs, bent under the weight of huge heads which were still not as huge as the heads of the first Foeti he had known. This one even wore primitive, torn clothing.
The wild-haired Foeti had not advanced up even one of the steps, paced back and forth at their foot, emitting terrible cries of frustration. Was the thing concerned that the steps might cave in under its weight? No…Noon understood what the problem was. The symbols on the steps. The Foeti was afraid of them. This was confirmed when he saw the Foeti lash out, dig its nails into the bottom step and tear away a strip of the papier-mache as he himself had done. It flicked the shred away, and tore another free. Then, it began flailing madly with both of its thin but powerful forelimbs.
Even if it should strip all the symbols from the bottom step (and now Noon saw that a concrete staircase lay beneath the paper facade), there was still the step above that, and the step above that. Assuming that the messages or spells written on them were all equally powerful, all equally frightening to the Foeti. But whether the Foeti should be delayed for minutes or for a day, Noon didn’t linger to waste any more of this precious time. Turning forward again, he continued mounting the increasingly shadowy staircase.
As he ascended, it appeared to him that the purple symbols became more vivid. And soon enough, as the last of the light bulb illumination below him receded (and the Foeti was swallowed up in the dimness, apparently having only gained a handful of steps), the symbols actually began to glow in the darkness. It helped him know where to plant his feet, though the luminosity was far too feeble to show him how much higher the flight of steps would lead him.
In spots here and there, the glossy black paint had been chipped or torn by the passage of creatures not impeded like the Foeti, maybe curious like himself about what lay beneath. The layers of glued newspaper revealed by these wounds shone white against the blackness, but it was still difficult for Noon to make out the letters on them in the scant light from the purple-painted runes. Leaning his face close to one torn patch, he thought he made out the words “impregnated” and “stillborn”, the rest too smeared and blurred with hardened paste. In a smaller wound, in a sans serif type, there was just the word “our”. A few steps higher, another little tear (or maybe just a spot carelessly missed in the painting, since it lay like a shadow directly beneath a high ridge in the wrinkly surface) showed only the letters “roborus”, in a more elegant type style—though Noon didn’t know whether that was the start, middle, or end of a word.
Ahead of him, he began to make out a haze of dim light. Around this time, after it seemed he had been ascending the stairs for close to an hour, he also started to notice that the steps were marred in more than just little nicks and peeled strips. The papier-mache was warped, buckled, as if its paste had become fluid again, bubbled and then rehardened. Greater sections of the painted skin had split and pulled away from each other. As he climbed yet higher, he saw more and more damage until whole large areas of the papier-mache had become damp and sloughed away from the concrete steps beneath, only to resolidify again. The purple characters (less and less luminous the nearer he came to that pale light) were cracked, distorted, or missing altogether.
At last, he stepped up into the light. Here, the staircase and the painted papier-mache ended. The walls, floor and ceiling of the Tunnel were again of mortared stone. The new light was of an intoxicating, unmistakable quality…a kind of light he hadn’t seen in perhaps a year.
It was sunlight.
And with it, even more intoxicating, the smell of fresh air. Vegetation warmed by a summer sun. There could no longer be a mere desert above him. The sunlight and fresh air came from four evenly spaced windows in the ceiling over his head, just out of reach of his outstretched arms when he tried to jump to touch them. These open windows were covered with heavy iron bars, too close together for him to squeeze through even if he could spring high enough to grab hold of them, but they permitted the sun’s gold (late afternoon, early morning?) light to filter through, a sweet-smelling breeze to waft between. And now he knew that it was intermittent rain coming into the Tunnel through these openings, and trickling down the stairs, that had caused the damage to the papier-mache, returning it to the formless mush it had started out as.
Scanning around him for some forgotten tool or other item with which to pry loose the bars from one of the windows (should he even be able to climb up the blocks of the wall to reach them), Noon glanced back the way he had come. He heard one eerie, far-off wail from the pursuing lone Foeti, like the shriek of a hawk. There were no bird cries outside the four rectangular openings in the roof, but he did think he heard the shh-shh-shhing of sawing, sizzling insect noises in tall grass.
His eyes were drawn back to the damaged papier-mache of the staircase he had mounted. The improved light made the newspapers it was composed of more legible. He saw part of a birth announcement page here, a column of obituaries there. One portion of the ruined top step in particular drew him closer. He crouched, cocked his head to examine it, at last broke that piece free in his hands to lift to his face.
It was not merely letters or words that showed on the newsprint, this time, but a halftone photograph of a house. Was it from a real estate page? Did it illustrate the scene of some crime? The caption was partially torn away, revealing only the words: “…in the house at 101 Ada Street.”
However truncated, the caption made Noon’s heart spasm. Even before he had read it, he had thought the house resembled his own ancient domicile…through whose moldering floor he had plummeted into this unsuspected underworld. The photograph seemed to portray his home back in some older time, perhaps, when its wood was sturdier, its paint not yet worn away. If not his home, one very much in the same style. But the fragment of caption spelled it out beyond any doubt. The address it gave was definitely his own.
His maple tree, growing so close to the house that its roots must have begun separating the very stones of the foundation, was missing from the picture, a mere sapling in its place. Was the picture so old that the sapling was the maple tree, in its infancy? Or…could this picture be of his house since he had fallen into the Tunnel? Repaired, repainted, resold? The damaging tree cut down, and replaced with a new one?
A fresh headache was brewing like a storm in his poor stretched skull; he could ponder the photograph no longer, and slipped it into a pocket of his ragged trousers to examine again later on. For now, he wanted to concentrate on getting up to, and through, those metal bars over the four ceiling windows. He aligned himself directly below the first of the windows, and could hear more distinctly the sounds of insects in high, sun-yellowed summer grass. Bent blades of this grass even dangled down between the bars along the window’s edges. But as he stood there, inhaling, tilting his chin toward the fragrant air, a much cooler breeze washed over him. It was chilly, in fact, and caused him to look toward the windows spaced farther ahead. He found himself wandering forward.