Mr. Nanabragov vibrated for a while. “You call that a funny friend?” he said. “Well, let me tell you, there’s a difference between humor and cynicism. Do you think the Russian poet Lermontov was funny? Why, he probably thought so. But then he publicly humiliated an old school chum who challenged him to a duel and then shot him dead! Not so funny anymore…” He twitched silently and glared at me.
“I have another funny friend,” I pressed on, “who says the Figa-6 oil field will never happen. He says the American airlift was just an old switcheroo and now there are all these new Halliburton people running around Svanï City for no reason at all. What’s going on, Mr. Nanabragov?”
“You know,” Nana’s father said, “that Alexandre Dumas called the Sevo the Pearls of the Caspian. Now, there’s a writer we respect. A Frenchman. Much better than Lermontov. He was funny but not cynical. See the difference?”
I was confused. Weren’t the Svanï called the Pearls of the Caspian? And why was Mr. Nanabragov bashing poor melancholy Lermontov and praising that overripe Dumas? Who cared about literature, anyway? Petroleum and hip-hop were the topics of my generation.
“Fine,” Mr. Nanabragov said, “maybe some of us in the SCROD were upset that the Svanï had control of the oil pipeline when traditionally we’re the people of the sea, and they’re the sheep-bangers of the interior. But we don’t want to steal the oil like the dictator Georgi Kanuk and his son Debil. We don’t want to spend the national patrimony in a Monte Carlo casino. We want to use the oil money to build a democracy. That’s the operative word we all love here. Democracy. What do we call ourselves? The State Committee for the Restoration of Order and Democracy.”
“I love democracy, too,” I said. “It’s great to have one, no question—”
“And democracy means Israel,” said Bubi, winning himself another pat from his father.
“Even Primo Levi admitted the Holocaust figures were inflated,” Volodya said.
“A few weeks ago,” I said, ignoring the former KGB agent, “I witnessed the terrible murder of a group of democrats by Colonel Svyokla and the Svanï forces. One of them had become a good friend of mine. His name was Sakha.”
Upon mention of Sakha, the courtyard fell silent. The men began to open and close their mobilniki. Bubi quietly whistled “Black Magic Woman.” A finch landed on a pile of lamb and began to sing to us about its golden life. “And,” said Mr. Nanabragov, “you liked this Sakha?”
“Oh, sure,” I said. “He had just gotten back from New York, from the Century 21 department store, and they shot him. Right in front of the Hyatt. In cold blood, as they say.”
Mr. Nanabragov slapped his hands together and twitched three times, as if sending a coded signal to a satellite nervously circling the table. “We admired Sakha, too,” he said. “Didn’t we?”
“True! True!” the assembled sang into their cupped hands.
“See, Misha, the Svanï sheep-bangers think that by killing Sevo democrats, they can silence our aspirations. Oh, where are Israel and America when you need them?”
“But they weren’t just Sevo democrats,” I said. “They were Sevo and Svanï. A little of each. A democratic cocktail.”
“You know who you should talk to?” said Mr. Nanabragov. “Our esteemed Parka here. Ai, Parka! Speak to us.”
The gathered moved their chairs either forward or back until I saw a small, intelligent-looking senior citizen in a rumpled dress shirt holding on to a chicken leg. He turned his double-jointed nose at me and sniffed the air sadly. “This is Parka Mook,” Mr. Nanabragov announced. “He spent many years in a Soviet prison for his dissident views, just like your dear papa. He is our most famous playwright, the man who penned Quietly the Leopard Rises, which indeed made the Sevo people rise up and pump their fists in the air. You could say he’s the moral consciousness of our independence movement. Now he’s working on a Sevo dictionary, which will show conclusively how much more authentic our language is when compared to Svanï, which is really just a bastardization of Persian.”
Parka Mook opened his mouth, revealing two rows of poorly made silver teeth. Now I recalled where I had seen him: his image had flanked that of Mr. Nanabragov on the Sevo billboard by the esplanade. He seemed even more tired and depressed in person. “Happy to make your acquaintance,” he said in slow, ponderous Russian that couldn’t hide his thick Caucasus accent.
“Quietly the Leopard Rises,” I said, “that sounds very familiar. Was it performed in Petersburg recently?”
“Perhaps,” Parka Mook said as he regretfully let go of his chicken leg. “But it’s not very good. When you put a Shakespeare or a Beckett or even a Pinter next to me, you will see how very small I am.”
“Nonsense, nonsense!” the gathered shouted.
“You’re very modest,” I told the playwright.
He smiled and waved me away. “It’s nice to do something for your country,” he said. “But soon I will die and my work will disappear forever. Oh, well. Death should be a pleasant release for me. I can hardly wait to drop dead. Maybe tomorrow the sweet day will come. Now, what did you ask me?”
“Sakha,” Mr. Nanabragov reminded him.
“Oh, yes. I knew your friend Sakha. He was a fellow anti-Soviet agitator. We did not share the same opinions as of late—”
“But you were still best friends,” Mr. Nanabragov interrupted.
“We did not share the same opinions of late,” Parka Mook resumed, “but when I saw his body on television, lying in the dirt, I had to shut my eyes. There was so much brightness that day. These infernal summer months. On some afternoons, when there is that much brightness—how should I put it—the very sunlight becomes false. So I closed the curtains and lost myself in memories of better days.”
“And he cursed the Svanï monsters who had killed his best friend, Sakha,” Mr. Nanabragov prompted the playwright.
Parka Mook sighed. He looked longingly at his abandoned chicken leg. “That’s correct,” he muttered, “I cursed…” He looked up at me with depleted eyes. “I cursed…”
“You cursed the Svanï monsters,” Mr. Nanabragov said, twitching impatiently.
“I cursed the monsters…”
“…who killed your best friend.”
“…who killed my best friend, Sakha. True enough.”
We watched the old playwright go back to his chicken leg and nibble carefully. I felt the longing to comfort him and, by extension, the whole Sevo race. God help me, but I found their feudal mentality charming. You couldn’t fault them for their ignorance, a small, impressionable people surrounded by nations lacking in intellectual rigor. They were young and ill-formed, like showy adolescent girls trying to win the affection of adults through prancing and coquetry and the deliberate flash of a skinny ankle. Forget my Petersburg charity. These were Misha’s Children. I pledged my fealty to their sunny, prepubescent causes, their dreams of freedom and impossible happiness. “The world has heard of your plight,” I said, “and soon you will have your dictionary and your oil pipeline.”
“Oh, if only.” The men began to sigh and blow unhappily into their empty wine horns.
“A tragedy took place yesterday,” Mr. Nanabragov said. “A tragedy that will change everything.”
“It’s the end, the end,” his co-nationals agreed.
“An Italian anti-globalization protester,” Mr. Nanabragov said, “a young man, has been killed at the G8 summit in Genoa by the Italian police.”
“How sad,” I agreed. “If a pretty Mediterranean person can be robbed of his life, what chance do the rest of us have?”