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Rollin’ down Sunset What do I see? A bunch of hoey-ass bitches Lookin’ at me. They got Christ’s footrest all wrong ’Cause they asses are Svanï. I’m like, “Wassup, ho?” She like, “My name is Lani.” That’s an American name, ’Cause she got no pride. Nut-draining Svanï bitches, They livin’ the lie. I line ’em up in front O’ they brothers Put a gun to they head. Svanï bitch, you betta give it up anal Or your brothers be dead. The brothers cryin’ like girls While they sistas I’m fuckin’ I’m, like, slippin’ and slidin’ They, like, flippin’ and buckin’.

All this talk about forced anal sex worried me. This was not how you gained market share on MSNBC or even on the FOX network, and certainly not how you won the love of the world. It was time to take action. It was time to “talk to Israel.”

And then a modern miracle happened. Nanabragov’s men finally installed a high-speed Internet connection in my office. I whipped out my laptop, jammed its little dickey into a wall socket, and powered up the World Wide Web.

Reams of information eagerly floated onto my screen. Several dull websites demonstrated rather clearly what a grant proposal looked like. I learned about the soul-searching expeditions of contemporary American Jews from the banks of Poland’s Vistula River to the extinguished shtetls of Bessarabia. I learned about the average American Jew’s curious if misplaced interest in something called “kabbalah.” As for the Holocaust, few genocides were better documented. I drank some coffee, touched myself, and began my duties as the Minister of Multicultural Affairs.

35

A Modest Proposal

Project Name

The Institute for Caspian Holocaust Studies, aka the Museum of Sevo-Jewish Friendship.

Project Overview

The greatest danger facing American Jewry is our people’s eventual assimilation into the welcoming American fold and our subsequent extinction as an organized community. Due to the overabundance of presentable non-Jewish partners in a country as tantalizingly diverse and half naked as America, it is becoming difficult if not impossible to convince young Jews to engage in reproductive sex with each other. Efforts to connect Jews of reproductive age through professional social networks and alcohol-fueled “meat markets” have had limited success. Israel, once a source of pride and inspiration, is now populated largely by an aggressive Middle Eastern people whose bizarre lifestyle is thoroughly incompatible with our own (cf. Greenblatt, Roger, “Why Does Hummus Leave a Bitter Taste in My Mouth?,” Annals of Modern Jewry, Indiana University Press). It is time to turn to the most effective, time-tested, and target-specific arrow in our quiver—the Holocaust.

Even among the most thoroughly secular and unaffiliated young Jews, the Holocaust enjoys great name recognition. When asked to identify the following eight components central to Jewish identity—Torah, Mishnah, Talmud, Holocaust, Mikvah, Whitefish, Israel, Kabbalah—only Whitefish scored higher than Holocaust in a survey of thirty drunk Jews at a nightclub in suburban Maryland (cf. Greenblatt, Roger, “Oy! What a Feeling, I’m Jewish,” Annals of Modern Jewry, Indiana University Press). The Holocaust, when harnessed properly as a source of guilt, shame, and victimhood, can serve as a remarkable tool for Jewish Continuity. The problem is the over-saturation of the Holocaust brand in media and academe, creating the need for a fresh, vibrant, and sexy (yes, sexy—let’s keep our eyes on the prize) approach to the mother of all genocides.

The newly independent Sevo Republic, run under the democratic and Israel-friendly auspices of the State Committee for the Restoration of Order and Democracy (SCROD), is a small but attractive nation-state on the shores of the beautiful Caspian Sea. The history of Sevo-Jewish friendship runs as deep as the waters of the Caspian. Both are educated, entrepreneurial, and maligned people fighting with their much larger oxlike neighbors for their share of love, recognition, and adequate living space. In 1943, as Hitler’s Operation Barbarossa thundered toward the peaceful oil reserves of the Caspian, the Sevo populace began a voluntary campaign to transport the native Jewish population out of the Republic and toward safety in Stalin’s Siberia. Today the country remains easily the most Jew-tolerant place on earth outside of Brookline, Massachusetts. This philo-Semitism, combined with an exotic location, the chance to enjoy the hospitality of a righteous people (finally an entire nation of tzadikim), and the opportunities of a temperate, beach-filled landscape most reminiscent of Cancún, Mexico (only cheaper, much cheaper), creates the perfect environment for an education-based initiative that is a world apart from the hackneyed death marches of Auschwitz-Birkenau and Yad Vashem.

Methodology

A Striking Architectural Design

Some of the world’s most remarkable recent architecture has been built in commemoration of the Holocaust, but much of it is too abstract and cerebral to inspire immediate Continuity in the loins of a frigid Jewish woman in her thirties. The Institute for Caspian Holocaust Studies will take the shape of a giant broken matzoh, in reference to the tragedy that befell our people and as a reminder of the Passover meal, which, among all the traumas of a Jewish upbringing, consistently rates as the “least scarring” (cf. Greenblatt, Roger, “Why on This Night of All Nights Do I Take Only One Milligram of Lorazepam?,” Annals of Modern Jewry, Indiana University Press). The main exhibition space of the broken matzoh will lead to a titanium-clad lamb shank (hint: Frank Gehry) symbolizing both the forearm of the Almighty and our own newly found brute strength.

The New Tribalism

Identity politics are a great boon to our quest for Continuity. Identity is born almost exclusively out of a nation’s travails. For us—a prosperous, unmolested people safely nuzzled in the arms of the world’s last superpower (as of this writing, anyway)—this means Holocaust, Holocaust, Holocaust. The twin halves of broken matzoh will be infused with the spirit of the New Tribalism that is captivating young people across the Western world as an angry response to global homogenization. The first half will show the past travails of the Jewish people (a parallel series of walk-in closets will do the same for the Sevo), and the second half will show how easily we forget how much they hate us (ditto, Sevo). To be a bit reductive: first half, unpronounceable—Kristallnacht, Kindertransport, Kraków ghetto, Chernowitz, Wadowice, Drohobycz; second half, guilt-inducing—towering videos of Jewish college boys at fraternity mixers hitting up demure Korean girls, while pretty suburban Jewish maideleh fetishize their urbanized African American counterparts at a Smith Barney softball game. Subtext: six million died and you’re twirling around a bar stool with some hazzar?