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‘Si,’ she answered dully.

‘Then put the phone down, get your coat and leave the apartment,’ he commanded, his voice coming, for the first time, close to what must be its natural tone.

‘How do I know you’ll let Flavia go?’ Brett asked, fighting to sound calm.

This time, he laughed. ‘You don’t know it, do you? But I assure you, in fact I give you my word as a gentleman, that as soon as you leave your apartment with my friends, someone will make a phone call and Signora Petrelli will be free to go.’ When she didn’t say anything, he added, ‘It’s all you’ve got, Dottoressa.’

She set the receiver down on the table, walked into the entrance hall and took her coat from the large cupboard. She came back into the room, went to her desk and grabbed up a pen. Quickly, she wrote a few words on a small piece of paper and went over to the bookcase. Glancing down at the control panel on the CD player, she punched the ‘Repeat’ button, then placed the piece of paper in the empty CD box, closed the box and leaned it upright against the door of the player. She took her keys from the table just inside the door and left the apartment.

When she opened the main door downstairs, two men stepped quickly into the entrance way. She recognized one of them immediately as the shorter of the two men who had beaten her and only by a conscious effort of will kept herself from shying away from him. He smiled and put out his hand. ‘The keys,’ he demanded. She took them from her pocket and handed them to him. He disappeared up the steps and was gone for five minutes, during which the other man kept his eyes on her and she watched the first tiny wave of water crawl its way under the door, signalling the arrival of acqua alta.

When he returned, his partner opened the door and they stepped out into the rising water. The rain came down heavily, but none of them had umbrellas. Quickly, one of them on either side of her, dropping carefully into single file when they passed anyone on the narrow streets, they made their way towards the Rialto and over the bridge. On the other side, the two men tried to turn left; but the water had risen too high alongside the Grand Canal, so they had to continue down through the market, empty now of all except the most hardy. They turned left, climbed up on to the wooden boards that had been set on their metal risers, and continued down towards San Polo.

As she walked, she realized how rash she had been. She had no way of being certain the man who called her had Flavia. But how else could he have known the exact time she left the apartment and where she was going unless she had been followed? Nor could she be certain that he or they would let Flavia go in exchange for her own agreement to see him. It was only a chance. She thought of Flavia, remembered the sight of Flavia sitting beside her bed when she woke up in the hospital, remembered Flavia on stage in the first act of Don Giovanni, singing, ‘E nasca il tuo timor dal mio periglio’ and she remembered other things. It was a chance; she took it.

The one in front of her turned left, stepping off the boards into the water below, and down towards the Grand Canal. She recognized it, Calle Dilera, remembered that there was a dry cleaner over here that specialized in suede, and marvelled at her ability to think of something so trivial at a time like this.

In water that was now well above their ankles, they stopped in front of a large wooden door. The short one opened it with a key, and she found herself in an open courtyard, rain pounding down upon the surface of the water trapped there. The two men herded her across the courtyard, one leading and one following. They climbed a set of exterior steps, opened another door and went inside. There they were greeted by a younger man, who nodded to them, signalling to the two men that they could leave. He turned, without speaking, and led her down a corridor and up a second stairway, and then a third. At the top, he turned towards her and said, ‘Give me your coat.’

He moved around behind her to take it from her. She fumbled at the buttons, thick-fingered with cold and shock, and finally managed to loosen them. He took the coat and casually dropped it on the ground then moved up against her and wrapped his arms around her, cupping her breasts with his hands. He forced his body against hers, rubbing against her rhythmically, and whispered in her ear, ‘Never had a real Italian man, eh, angelo mio? Just wait. Just wait.’

Brett’s head hung limply, and she felt her knees going weak. She struggled to stay standing, lost the struggle against tears. ‘Ah, that’s nice,’ he said behind her. ‘I like it when you cry.’

A voice spoke from inside. As suddenly as he had grabbed her, he stepped away from her and opened the door in front of them. He stepped aside and let her enter the room alone, then closed the door behind her. She stood there, soaked and beginning to shiver.

A heavy-set man in his fifties stood at the centre of a wooden-floored room filled with Plexiglas cases on velvet-covered stands that raised them to about eye level. Spot-lighting hidden in the heavy beams of the ceiling picked out the cases, some of which were empty. Several niches in the white walls were similarly lit, but all of those seemed to contain objects of one sort or another.

The man came forward, smiling. ‘Dottoressa Lynch, this is indeed an honour. I never dreamed I’d have the pleasure of meeting you.’ He stopped in front of her, hand still extended, and continued, ‘I’d like to tell you, first, that I’ve read your books and found them illuminating, especially the one on ceramics.’

She made no effort to take his hand, so he lowered his but didn’t move away from her. ‘I’m so glad you agreed to come and see me.’

‘Did I have a choice?’ Brett asked.

The man smiled. ‘Of course you had a choice, Dottoressa. We always have choices. It’s only when they are difficult ones that we say we don’t have them. But there is always a choice. You could have refused to come, and you could have called the police. But you didn’t, did you?’ He smiled again, eyes actually growing warm, either with humour or something so sinister Brett didn’t want to contemplate it.

‘Where’s Flavia?’

‘Oh, Signora Petrelli is quite all right, I assure you. When I last had word of her, she was heading away from the Riva degli Schiavoni, walking back in the general direction of your apartment.’

‘Then you don’t have her?’

He laughed outright. ‘Of course I don’t have her, Dottoressa. I never did. There’s no need to involve Signora Petrelli in this matter. Besides, I would never forgive myself if anything happened to her voice. Mind you, I don’t like some of the music she sings,’ he said with the tolerance of those who have more elevated tastes, ‘but I have nothing but the healthiest respect for her talent.’

Brett turned abruptly and walked towards the door. She took the handle and pressed it down, but the door didn’t open. She tried again, harder, but it still wouldn’t move. While she was doing this, the man had moved back across the room until he stood in front of one of the lighted cases. When she turned from the door, she saw him standing there, looking at the small pieces that stood inside the case, almost unaware of her presence.

‘Will you let me out of here?’ she asked.

‘Would you like to see my collection, Dottoressa?’ he asked, as if she hadn’t spoken or he hadn’t heard her.