“What does that mean, the spell will be broken?” Binnie asked. “What happens when it’s midnight?”
“I’ll wager Cinderella blows up,” Alf said. “Boom!”
“Go on to bed, Polly,” Eileen said. “You look done in.”
I am, she thought. We all are. And midnight’s coming.
She went to bed, but sleep was out of the question, and when she heard Mr. Dunworthy coughing in the night, she got up quietly, fetched a glass of water, and took it and the aspirin in to him.
He was sitting up in bed. “Oh, good, it’s you,” he said when she switched on the lamp beside the bed. “I need to tell you something.” And whatever it was, it was more bad news, because he had the same hopeless look he’d had in St. Paul’s and in the pub.
“First, you need to take these,” she said, and while he downed them, she felt his forehead. It was still hot. “You’re still feverish. You need to try to sleep. Whatever it is, you can tell me in the morning.”
“No,” he said. “Now.”
“All right,” she said, and sat down on the edge of the bed.
He took a deep, ragged breath. “The continuum will go on attempting to correct itself whether it can succeed or not.”
Like a vanquished army fighting bravely on, Polly thought.
“And since we’re the source of the damage,” he said, “and since access to the future is no longer available—”
“It will have to kill us to stop us doing any more damage.”
Mr. Dunworthy nodded.
“You think that’s why Mike—Michael—was killed, to stop him from altering any more events?”
“Yes.”
“And it will do the same to us,” Polly said. “Including Eileen.”
He nodded.
“When?”
“I don’t know. Before the end of the Blitz, I would say. That’s its best opportunity. There are a number of large raids between now and the tenth of May.”
“But you know where the raids are and where and when the bombs hit, and we can make certain we’re in Notting Hill Gate on those nights. It’s safe!” she insisted, but even as she said it, she could hear Mrs. Brightford reading Sleeping Beauty to Trot, could hear her reading about the king destroying every spinning wheel in the kingdom, vainly attempting to stop the inevitable.
“Isn’t there anything that can be done?” she asked.
He was silent, and she thought, appalled, He still hasn’t finished. There’s more bad news to come. And how could anything be worse than a death sentence for Eileen?
“What is it?” she asked, but she already knew. Their actions hadn’t just affected the course of the war. They’d affected Theodore and Stephen and Paige and Mr.
Humphreys. Eileen had kept Alf and Binnie from going on the City of Benares, and Mike had kept Hardy from being killed at Dunkirk. Those alterations would have to be corrected, too.
And how many others? Marjorie? Major Denewell? Miss Laburnum and the rest of the troupe? If she hadn’t done that reading of The Tempest with Sir Godfrey, they wouldn’t have formed the troupe. They wouldn’t have been safely in Notting Hill Gate every night instead of at home being killed, like they were supposed to be.
“It’s not just going to kill us, is it?” Polly asked, her throat dry with fear. “It’s going to kill everyone we’ve come into contact with, isn’t it?”
“Yes,” Mr. Dunworthy said.
Are these the shadows of the things that will be, or are they shadows of things that may be, only?
—CHARLES DICKENS, A CHRISTMAS CAROL
London—Winter 1941
FOR SEVERAL LONG MINUTES AFTER MR. DUNWORTHY TOLD her, Polly simply sat there next to his bed. In the long nights lying awake on the platform, in the emergency stairway, she’d thought that she’d imagined every possible explanation for their plight, every possible dreadful outcome, but this was unimaginably more terrible. Not only were they going to die, but they would be responsible for the deaths of everyone who’d befriended them, everyone who’d helped them and been kind to them—Marjorie and Eileen’s vicar and Daphne and Miss Laburnum and Sir Godfrey. Everyone they cared about.
“So that’s that?” she said finally.
“I’m so sorry,” Mr. Dunworthy said, and she could only nod, her eyes full of tears for him, for them. And for all the people they had killed.
Would kill. She must have made some sort of sound because Mr. Dunworthy reached out a hand to her and said, beseechingly, “Polly—”
She stood up and took the glass from him. “Try to rest,” she said, and switched off the lamp. “Put out the light, and then put out the light.”
She took the glass out to the dark kitchen and set it on the table, closed Binnie’s fairy-tale book, and then went down to the cellar and sat at the bottom of the stairs, staring into darkness.
She had thought she’d given up hoping that they’d somehow be rescued even before Mike died, even before they’d failed to get a message to John Bartholomew, but she realized now that some part of her had gone on hoping. Gone on believing that there was some other, magical explanation which, as Eileen said, accounted for everything. Which fit all the facts and was right there in front of you all the time, only you couldn’t see it. But this wasn’t an Agatha Christie murder mystery, with a tidy solution and a happy ending. There was no happy ending. And she was the murderer.
They were all murderers. Mr. Dunworthy had killed a Wren, and Mike had killed Commander Harold and Jonathan, Eileen had been responsible for the vicar’s joining up, and she had been responsible for Marjorie’s enlisting in the Royal Army Nursing Service.
Were they next? Or would it be Private Hardy or Alf and Binnie or Sir Godfrey? Or Mrs. Sentry, or the FANYs at Woolwich and Croydon whom Polly had wangled supplies from, or the little boy who’d shhed her at the pantomime? Or the strangers who had the misfortune of being next to them in Townsend Brothers or the tube station or Trafalgar Square when the continuum—flailing, sparking, melting down like an incendiary and burning through space and time—killed her or Mr.
Dunworthy or Eileen?
She thought suddenly of Ethel in the book department at Townsend Brothers who had been killed by shrapnel. Had Polly killed her by talking to her about ABCs and planespotting?
She sat there in the cellar all night, till Alf opened the door and shouted, “Polly’s down ’ere!”
She went upstairs. Eileen was cooking breakfast, and Binnie was setting the table. “What was you doin’ down there?” Alf asked. “I didn’t hear no raid.”
“I was thinking,” Polly said.
“Thinkin’!” he hooted.
“Hush,” Eileen said, and to Polly, “You mustn’t worry. Mr. Hobbe’s going to be all right. His fever’s down.”
She sent the children to their room to get dressed. “You didn’t get taken on as an air-raid warden, did you? Or with a rescue crew? Things were so muddled last night, I forgot to ask.”
Muddled.
“No,” she said.
“Are you going to try again today?” Eileen asked.
You don’t understand, Polly thought. I’m the last person anyone would want on a rescue squad, pulling people out of the rubble, administering first aid.
She thought suddenly of the man in Croydon whose legs she’d tourniqueted. She’d been afraid he’d died, but what if he should have died there in the rubble, and her saving him had only doomed him to a worse, lingering death in hospital? And what if the tying of that tourniquet had been the act that had tipped the balance and brought about all their downfalls?
No, it couldn’t have been because her drop had still opened, had still let her go back to Oxford and come through again to finish the deed. But it might have helped, might have jostled the china ever closer to the edge.