"She is doing as well as ever. Her teachers give her very good reports, but she often goes to the nurse with headaches."
"She comes up to sleep in her frees."
Sleeping or not sleeping, apparently, was part of the story.
Mrs. Forestal said, "I see Carlotta coming out of her bedroom every morning." Her voice washed out as if she weren't sure of this fact as she sat in a room, conspiratorially well-intentioned. "I've seen Carlotta eat dinner." She sniffed at her coat sleeve again and reconsidered. "Well, maybe it's just playing with dinner. She eats with her baby pusher and fork, I'm ashamed to say."
The nurse was making little sounds again.
"I'm thin," Mrs. Forestal said.
A generally uttered, quiet "Yes" from the nurse, the English teacher, the head of school, then Mrs. Forestal heard the rustle of her own slip against her wool suit, heard the shush of her arms as she drew up her sable. She was thankful to be rich. "Yes," she said, accepting recommendations, some telephone numbers.
"Thank you," Mrs. Forestal said as she straightened and looked at the story — her daughter's — in her hands. The title was "Good Night."
Fathers
Mr. Dell did not understand what Dr. Byron had said except that it meant Astra would be off-limits to him; the radioactive rod to be sewn in her arm meant even to approach his daughter was dangerous. The nurses would attend to her masked. A rare cancer. Rare. Rare meant fatal, didn't it?
Mr. Dell missed his wife, and he resented the passing of time that took her further away from him. He wanted to look behind him and see her sitting on the edge of her chair but in no hurry to get up. Grace asking questions or telling little stories about her day. Walking tours, book clubs, social book clubs and church book clubs, Grace belonged, enrolled, was always a student. The way Grace laughed when she lifted off the pot lid and scared the cat with steam. "Serves you right!" Grace. To think of all the ways he missed her. The light adjustments she would make to his collar, his scarf, his tie, her hand's appraising caress as though she were attending to herself. The gift of this daughter, their only; after childless years, years of christenings and birthdays and the paper weight of someone else's child in his arms, the arrival of Astra did not surprise Grace. She simply took it as timely, a timely birth, but a birth she had nonetheless always expected. Her attitude was: We are graceful, handsome, philanthropic people of some small means, the Dells, and of course to us would come such a daughter.
Tomorrow that daughter would be off-limits. He could stand at Astra's door in a paper costume; he could look in; he could speak, but what could he say? Such suffering as hers could not be distracted except with drugs. Drugs on top of drugs. Wasn't his daughter too slight to withstand them? Morphine. Wouldn't it kill her?
Mr. Dell was a tall man with a kind face and little imagination, or so he looked to himself in the mirror of the window in his daughter's room. Most everyone he knew sometime got around to telling him that he was handsome, but he didn't see it. His eyebrows were too thick. And his interests? They were simple. He loved dogs and making breakfasts on Sundays. He rode horses. All of the Dells rode horses when they were on their farm in Virginia. They rode in Montana, too, and skied in Utah. Grace's legacy — a love of literature and decorative arts — was already in place in this girl of theirs. A lot of what he knew about art he knew from his wife; from his daughter he knew about modern dance. Last spring he had watched Astra alone onstage. He had seen her breastless dancer's body leap. She wore a tulle skirt in one dance, and in another she played in farmer's jeans. Whatever she wore, there was no way to hide her beauty. This was a fact he heard in the murmurs beside him. The point of her foot when extended, her ease and her arch and her surety, the prop of her red hair — a torch, a veil, a rag, a whip — contrastive accessories to the serenity of her wide-apart, beautiful face. By her bedside, befogged with so much feeling, unable to speak except to say good night, to pet what tomorrow he could not touch. He said, "Mommy is here," and then, because Grace would have liked it, they prayed, Astra and her father. He got up from his knees, a tall man, looking down at his daughter. "I'll be back in the morning," he said. "I can stand at the door. We'll sign to each other."
To see the girls moving broadly down the avenue laughing was to see girls in love, or that was what Wendell Bliss (father to the handsome Will) thought walking on the other side of Park with Marion's dog, Peanut. The girls looked familiar in their black short coats, black jeans, tottering boots. Where were they off to? Where were they all, the girls, all those girls Wendell Bliss had seen with his son at their apartment? Abundant hair and skinny feet. Where were they? And the girls he hadn't met who stayed at home on Saturdays. Were they baking cookies? That is what girls at home used to do, but this was New York. In New York a lot of girls found their way into his son's room. Marion Bliss asked that Will's door be kept open, but the door to his son's room was often shut. Home from boarding school, Will often squeaked past his parents' bedroom door in the predawn blue, and Will was not alone. Wendell Bliss never told his wife. He might tell her now if she were here or tell her how surprised he was to be old, but Marion was not here; she was still with her mother in Florida. She was in Florida and Will was on his way to Florida and he would follow without Peanut. ("Marion, the dog will upset your mother.") Marion's mother. This would surely be the last Thanksgiving in Palm Beach. Marion's mother had cancer. Cancer. Cancer everywhere you looked. Poor little girl, the one his son knew, the one in the play. There wasn't any question where that girl was tonight so close to Thanksgiving.
Marlene
Marlene Kovack was in Miss F's math class and going over the last test. Marlene had failed. Was she then a dummy? (Well, maybe in math.) But was she the dumbest in the dummy class? Was Marlene really a C student, or was she a C because of a ripe, damp quality she had? The pocket of skin beneath her eyes, a kind of blister, was discolored and sweaty as if the school air were tropical, and she, overheated from the exertion of changing classrooms and doodling in class. Marlene might not be a C if she were pretty and thin. She wouldn't be a C if she paid attention, surely, but Marlene stood up and walked out of Miss F's class — Marlene never asked permission but took advantage of her teacher's size and wore a certain malevolent expression she knew was a threat — and she dawdled in the hall. By the time Marlene returned, the problem was solved; the class was nearly over.
Now Marlene was lingering near the college office again, yawning in the face of yet another free and knocking around the hallway, showing herself to Mrs. Quirk. She asked the college counselor, "Mrs. Quirk, do you know who I am?"
Mrs. Quirk, a tall woman, tailored pants, pretended indignation. "Of course, I do," she said. "Aren't you…" and she laughed. "I'm kidding, Marlene."
Lisa Van de Ven went into Mrs. Quirk's office. Marlene had noticed Lisa was often stopping by Mrs. Quirk's office. Probably no teacher, Marlene thought, really knew who Lisa was, but Marlene did. She knew Lisa was not the nice girl she played at being with the teachers. Does Marlene own a brush, or did she forget how to wash her hair? Marlene remembered the Lisa Van de Ven of eighth grade, and that Lisa had not really changed.
Does she own a brush?
She always copies us.