But it did not come now. I saw the face. Enormous. Bigger than a billboard. The forelock shagged down like a mane. The big jaw. The heavy lips laid together like masonry. The eyes burning and bulging powerfully.
Funny, I had never seen it before. Not really.
That night I telephoned the Boss, told him what had happened and how Anne had told me, and made my suggestion about getting Adam to swear out a warrant for Coffee. He said to do it. To do anything that would nail Adam. So I went to the hotel, where I lat on my bed under the electric fan until the desk called me to get up at about six o'clock. Then by seven I was on Adam's doorstep, with a single cup of java sloshing about in my insides and a fresh razor cut on my chin and sleep like sand under my eyelids.
I worked it. It was a hard little job I had cut out for me. First, I had to enlist Adam on the side of righteousness by getting him to agree to swear out a warrant for Coffee. My method was to assume, of course, that he was aching for the opportunity to nail Coffee, and to indicate that the Boss was cheering on the glorious exploit. Then I had to lead him to the discovery, which had to be all his own, that this would involve Anne as a witness. Then I had played the half-wit and imply that this had never occurred to me before. The danger was, with a fellow like Adam, that he would get so set on seeing justice done that he would let Anne testify, hell and high water. He almost did that, but I painted a gory picture of the courtroom scene (but not as gory by half as it would have been in truth), refused to be party to the business, hinted that he was an unnatural brother, and wound up with a vague notion of another way to get Coffee for a similar attempt in another quarter–a vague notion of laying myself open for Coffee to approach me. I could put out a feeler for him, and all that. So Adam dropped the idea of the charge, but retained the implied idea that he and the Boss had teamed up to keep things clean for the hospital.
Just as we were ready to walk out of the apartment, he stepped to the mantelpiece and picked up the stamped letters waiting there to be mailed. I had spotted the top envelope already, the one address to the Boss. So as he turned around with the letters in his hand, I simply lifted that one out of his grasp, said with my best smile, "Hell, you haven't got any use for this in the daylight," and tore it across and put the pieces into my pocket.
Then we went out back and got into his car. I rode with him all the way to his office. I would have sat with him all day to keep an eye on him if it had been possible. Anyway, I chatted briskly all the way down-town to keep his mind clear. My chatter was as gay and sprightly as bird song.
So the summer moved on, swelling slowly like a great fruit, and everything was as it had been before. I went to my office. I went back to my hotel and sometimes ate a meal and sometimes did not and lay under the fan and read till late. I saw the same faces, Duffy, the Boss, Sadie Burke, all the faces I had known for a long time and saw so often I didn't notice the changes in them. But I did not see Adam and Anne for a while. And I had not seen Lucy Stark for a long time. She was living out in the country now. The Boss would still go out to see her now and then, to keep up appearances, and have his picture taken among the white leghorns. Sometimes Tom Stark would stand there with him and, perhaps, Lucy, with the white leghorns in the foreground and a wire fence behind. _Governor Willie Stark and Family__, the caption would read.
Yes, those pictures were an asset to the Boss. Half the people in the state knew that the Boss had been tom-catting around for years, but he pictures of the family and the white leghorns gave the voters a nice warm glow, it made them feel solid, substantial, and virtuous, it made them think of gingerbread and nice cold buttermilk, and if somewhere not too far in the wings there was a flicker of a black-lace negligee and a whiff of musky perfume, then, "Well, you can't blame him a-taken hit, they put hit up to him." It only meant that the Boss was having it both ways, and that seemed a mark of the chosen and superior. It was what the voter did when he shook loose and came up to town to the furniture dealers' convention and gave the bellhop a couple of bucks to get him a girl up to the room. Or if he wasn't doing it classy, he rode into town with his truckload of hogs and for two bucks got the whole works down at a crib. But either way, classy or crib, the voter knew what it meant, and he wanted both Mom's gingerbread and the black-lace negligee and didn't hold it against the Boss for having both. What he would have held against the Boss was a divorce. Anne was right about that. It would have hurt even the Boss. That would have been very different, and would have robbed the voter of something he valued, the nice warm glow of complacency, the picture that flattered him and his own fat or thin wife standing in front of the henhouse.
Meanwhile, if the voter knew that the Boss had been tom-catting for years, and could name the names of half of the ladies involved, he didn't know about Anne Stanton. Sadie had found out, but that was no miracle. But as far as I could detect, nobody else knew, not even Duffy with his wheezing, elephantine with and leer. Maybe Sugar-Boy knew, but he could be depended upon. He knew everything. The Boss didn't mind telling anything in front of Sugar-Boy, or close to it–anything, that is, that he would tell. Which probably left a lot untold, at that. Once Congressman Randall was in the Boss's library with him, Sugar-Boy, and me, pacing up and down the floor, and the Boss was giving him play-by-play instructions on how to conduct himself when the Milton-Broderick Bill was presented to Congress. Te instructions were pretty frank, and the Congressman kept looking nervously at Sugar-Boy. The Boss noticed him. "God damn it," the Boss said, "you afraid Sugar-Boy's finding out something? Well, you're right, he's finding out something. Well, Sugar-Boy has found out plenty. He knows more about this state than you do. And I trust him a hell of a lot farther than I'd trust you. You're my pal, ain't you, Sugar-Boy?"
Sugar-Boy's face darkened with the rush of pleasurable, embarrassed blood and his lips began to work and the spit to fly as he prepared to speak.
"Yeah, Sugar's my pal, ain't you, Sugar-Boy?" he said, and slapped Sugar-Boy on the shoulder, and then swung again toward the Congressman while Sugar-Boy finally was managing to say, "I'm–y-y-y-your pal–and_–__I–ain't ta-ta-ta-talking–none."
Yes, Sugar-Boy probably knew, but he was dependable.
And Sadie was dependable, too. She had told me, but that was in the flush of her first fine rage and I (I thought of this with a certain grim humor) was, you might say, in the family. She wouldn't tell anybody else. Sadie Burke didn't have any confidant, for she didn't trust anybody. She didn't ask any sympathy, for the world she had grown up in didn't have any. So she would keep her mouth shut. And she had plenty of patience. She knew he'd come back. Meanwhile, she could hack him into a rage, or could try to for it was hard to do, and she herself would get into one, and you would think that they would be ready to fly at each other in the frenzy they could build up. By that time, too, you wouldn't be able to tell whether it was a frenzy of love or hate that coiled and tangled them together. And after all the years it had been going on, it probably didn't matter which it was. Her eyes would blaze black out of her chalk-white, pocked face and her wild black hair would seem to lift electrically off her scalp and her hands would fly out in a gesture of rending and tearing. While the flood of her language poured over him, his head would rock massively but almost imperceptibly from side to side and his eyes would follow her every motion, at first drowsily, then raptly, until he would heave himself up, the big veins in his temples pumping and his right fist raised. Then the raised fist would crash into the palm of the other hand, and he would burst out, "God damn, God damn it, Sadie!"