I never tried to hurry anything all summer. Not in the porch swing, or in the pine woods, or on the float at night when we swam out, or in the roadster. Everything that happened came to happen as simply and as naturally and as a gradually as a season coming on or a plant unrolling a leaf or a kitten waking up. And there was a kind of luxuriousness in not rushing things, in not driving toward the hot grip and awkward tussle and the leer for the boys back in the dormitory when you got in, a new sensuality in waiting for the massive current to take you where you belonged and would go in the end. She was young–she seemed younger to me then than she did later on looking back, for that summer I was so sure that I was old and jaded–and she was timid and sensitive and shy, but it wasn't any squealing, squeaking, pullet-squawking, teasing, twitching, oh-that's-not-nice-and-I-never-let-anybody-do-that-before-oh kind of shyness. Perhaps shyness is the wrong word for it, after all. Certainly it is wrong if back behind that word there is any implication or color of shame or fear or desire to be "nice." For in one way, she seemed to be detached from her very slender, compactly made, tight-muscled, soft-fleshed, golden-shouldered body, as though it were an elaborate and cunning mechanism in which she and I shared ownership, which had suddenly dropped to us out of the blue, and which, in our ignorance, we had to study with the greatest patience and most reverent attention lest we miss some minute, scholarly detail without knowledge would be wasted. So it was a period of the most delicate discrimination and subtle investigations, with her seriousness mixed with a graceful gaiety ("Oh, Jackie-Boy, oh, Jackie-Bird, it's a wonderful night, a wonderful night, his eyes are not bad but his nose is a fright"), a gaiety to which the word didn't mean much but the tune meant everything, a tune which seemed to come from the very air as though it were full of invisible strings and she simply reached out at random in the dark to pluck them with an idle familiar finger. And beyond the serious investigations was a kind of level-eyed affection, as natural and simple as the air you breathe, which sometimes didn't seem to belong with our hot-lipped and shallow-breathed occupations, which seemed to be something I had always had and not something connected with the new, mysterious body which now fascinated both her and me. She would sit and cup my head in both her hands and press it against her breast and sing, with the words just a whisper, the rhymes she made up as she went along ("Poor Jackie-Bird, he is a pest, but I'll rock him to sleep in a soft warm nest, and I'll sing a song to Jackie-Bird, the sweetest song he ever heard, poor Jackie-Bird, poor Jackie-Bird"), and after a while the words would just die away until there was only the little crooning sound, with the whisper now and then, "Poor Jackie-Bird, I'll never let anything hurt poor Jackie-Bird." Then after a while I would turn my face a little, toward her body, and kiss it through the light summer cloth and breathe through the cloth, upon it.
We went quite a long way, that summer, and there were times when I was perfectly sure I could have gone farther. When I could have gone the limit. For that fine, slender, compactly made, tight-muscled, soft-fleshed, golden-shouldered mechanism which fascinated Anne Stanton and me, which had dropped to us out of the blue, was a very sensitive and beautifully tuned-up contraption. But maybe I was wrong in that surmise, and maybe I could not have hurried the massive deliberation of that current in which we were caught and suspended, or hurried Anne Stanton's pensive and scholarly assimilation of each minute variation which had to be slowly absorbed into the body of our experience before another could be permitted. It was as though she was aware of a rhythm, a tune, a compulsion, outside of herself, and devoutly followed it in its subtle and winding progression. But wrong or not, I did not put my surmise to the test, for if I myself was not truly aware of that rhythm and compulsion which bemused her, I was aware of her devotion to it, and could find every moment with her full enough. Paradoxically enough, it was when I was away from her, when I was withdrawn from her context, back in my room at night or in the hot early afternoon, after lunch, that I was savagely impatient of the delays and discriminations. This would be especially true at those times when she wouldn't see me for a day, the times which seemed to mark, I came to understand, some stage, some milepost, we had passed. She would simply withdraw herself from me, as she had done that night after we first kissed, and leave me, at first, confused and guilty, but later, as I came to grasp the pattern of things, merely impatient for the next day when she would appear at the court, swinging her racket, her face so smooth, young, healthy and apparently disinterested, though comradely, that I could not equate it with the face I remembered with the eyelids drooping and the damp, starlight-or-moonlight-glistening lips parted for the quick, shallow breath or the unashamed sigh.
But once, late in the summer, I didn't see her for two days. The night before, which was windless, with a full moon and an atmosphere that scarcely cooled or stirred with the coming on of evening, Anne and I had swum down to the hotel diving tower, late enough for everybody else to be out of the water. We lay on the big float for a while, not doing any talking, not touching each other, just lying on our backs and looking up at the sky. After a while she got up and began to climb the tower. I rolled over on my side to watch her. She went up to the twenty-foot board, poised a moment, and did a swan dive, a nice one. Then she went up to the next board. I don't know how many dives she made, but it was a lot. I drowsily watched them, watched her climb up, very slow, rung by rung, the moonlight on the wet fabric of the dark bathing suit making it look like metal, or lacquer, watched her poise at the verge, lift her arms out to the tingling extreme, rise on her toes, leave the board, and seem to hang there an instant, a dully gleaming form so slender and high up it blotted out only a star or two, just an instant before the heady swoop and the clean swishing rip into the water as though she had dived through a great circus hoop covered with black silk spangled with silver.
It happened when she took the highest dive I had ever seen her take, perhaps the highest she was ever to take in her life. I saw her climbing up, slow, then pass the board she had been using, the twenty-foot board, and go on up. I called to her, but she didn't even look at me. I knew she had heard me. I also knew that she would go on where she was going, no matter what I said now, now that she had started. I didn't call again.
She made the dive. I knew it was a good one from the very instant she left the board, but I jumped to my feet, just the same, and stood at the edge of the float, holding my breath, my eyes fixed on her flight. Just as she entered the water, clean as a whistle, I plunged in, too, diving deep and drawing down with my stroke. I saw the silvery tangle and trail of bubbles and the glimmer of her legs and arms in the dark water when she turned. She had gone down deep. Now that she had to go down deep, for she could whisk out shallow if she wanted. But that time–and other times–she went in deep, as if to continue the flight as long as possible through the denser medium. I pulled deep and met her as she began to rise. I put my arms around her waist and drew her to me and put our lips together. She let her arms trail down, loose, not making a motion, while I held her body to me and pressed her face back and our legs trailed down together as we rose slowly and waveringly through the blackness of the water and the silver of ascending bubbles. We rose very slowly, or at least it seemed very slowly, and I was holding my breath so long there was a pain in my chest and a whirling dizziness in my head, but the pain and dizziness had passed the line over into a rapture like that I had had in my room the night I had first taken her to a movie and had stopped on the way home. I thought we would never reach the surface, we rose so slowly.