A half hour later Tom came out, slamming the door so that the heavy gold-framed paintings of the former governors hung around the paneled walls of the big reception room shivered like autumn leaves in a blast. He stalked across the room, not even giving a look in the direction of my open door, and went out. At first, he had, the Boss told me later, denied everything. Then he had admitted everything, looking the Boss in the eye, with a what-the-hell's-it-to-you expression. The Boss was fit to be tied when I saw him a few minutes after Tom's departure. He had only a small comfort–that from the legal point of view, Tom had been just one of a platoon of Sibyl's friends, according to Tom himself. But, aside from the legal point of view, that fact just made the Boss madder, Tom's being one of a platoon. It would be convenient in any discussion of the paternity of Sibyl's alleged child, but it seemed to hurt the Boss's pride.
I had found Tom and brought him in as one of my assignments. The second one took a little longer. Finding out about Marvin Frey. There wasn't much to find out, it appeared. He was a barber in the only hotel in a fair-sized town, Duboisville, over in the Fourth District. He was a sporting barber, with knifeedged creases in his striped pants, ointment on his thinning hair, hands like inflated white rubber gloves, a _Racing Form__ in his hip pocket, the shapeless soft nose with the broken veins like tiny purple vines, and breath sweetly flavored with Sen-Sen and red-eye. He was a widower, living with his two daughters. You don't have to find out much about a fellow like that. You know it all already. Sure, he has an immortal soul which is individual and precious in God's eye, and he is that unique agglomeration of atomic energy known as Marvin Frey, bur you know all about him. You know his jokes, you know the insinuative _hee-hee__ through his nose with which he prefaces them, you know how the gray tongue licks luxuriously over his lips at the conclusion, you know how he fawns and drools over the inert mass with the face covered with steaming towels which happens to be the local banker or the local gambling-house proprietor or the local congressman, you know how he kids the hotel chippies and tries to talk them out of something, you know how he gets in debt because of his bad hunches on the horses and bad luck with the dice, you know how he wakes up in the morning and sits on the edge of the bed with his bare feet on the cold floor and a taste like brass on the back of his tongue and experiences his nameless despair. You know that, with the combination of poverty, fear, and vanity, he is perfectly designed to be robbed of his last pride and last shame and be used by MacMurfee. Or by somebody else.
But it happened to be MacMurfee. This angle had not appeared in Marvin's first interview. It appeared a few days later. One of the MacMurfee's boys called on the Boss, said MacMurfee had heard how a fellow named Frey had a daughter named Sibyl who had something on Tom Stark, but MacMurfee had always liked football and sure liked the way Tom carried the ball, and didn't want to see the boy get mixed up in anything unpleasant. Frey, the fellow said, was not in any frame of mind to be reasonable. He was going to make Tom marry the daughter. (The Boss's face must have been something to see at that point.) But Frey lived over in MacMurfee's district, and MacMurfee knew him a little, and maybe MacMurfee could put some reasonableness into Frey's head. It would cost something, of course, to do it that way, but there wouldn't be any publicity, and Tom would still be a bachelor.
What would it cost? Well, some money for Sibyl. Folding money.
But this meant that MacMurfee was simply acting out of deep heart and generous nature.
What would it cost? Well, MacMurfee was thinking he might run for Senator.
So that was it.
But the Boss, as Anne Stanton had told me, was figuring on going to the Senate himself. He had it in the sack. He had the state in a sack. Except for MacMurfee. MacMurfee and Marvin Frey. But still, he wasn't in any mood to dicker with MacMurfee. He didn't dicker, but he stalled.
There was one reason he could take the chance and stall. If Marvin and MacMurfee had had it sewed up absolutely tight, and could have ruined the Boss, they would have done it without further ado. They wouldn't have bothered to dicker. They had some cards, all right, but it wasn't necessarily a straight flush, and they had to take their gamble, too. They had to wait, while the Boss did his thinking, and hope that he wouldn't think up anything unpleasant in his turn.
While the Boss did his thinking, I saw Lucy Stark. She wrote me a note and asked me to come to see her. I knew what she wanted. She wanted to talk about Tom. Obviously, she wasn't finding out anything from Tom himself, or at least, what she considered to be the truth and the whole truth, and she wasn't talking it over with the Boss for on the matter of Tom she and the Boss had never agreed. So she was going to ask me questions, and I was going to sit and sweat on the red plush upholstery in the parlor of the farmhouse where she was living. But that had to be. Long back, I had made up my mind that when Lucy Stark asked me to do something I was going to do it. It was not exactly that I felt I owed Lucy Stark a debt, or had to make restitution, or do penance. At least, if there was a debt, it was not to Lucy Stark, and if there was restitution to be made it was not to be made to her. If there was a debt, it was, perhaps, due to me, from me. And if restitution was to be made, it was to be made to me, by me. And as for penance, there had been no crime for which I should do it. My only crime was being a man and living in the world of men, and you don't have to do special penance for that. The crime and the penance, in that case, coincide perfectly. They are identical.
If you have ever been down toward the Gulf, you know the kind of house. White frame, but with the glitter long gone. One story, a wide gallery across the front with spindly posts supporting the shed over it. A tin roof, with faint streaks of rust showing red in the channel joints. The whole thing set high on brick pillars, to make a cool cobweb-draped cloister underneath, screened on the front side by rank ligustrums and canna beds, for hens to congregate and fluff in the dust and an old shepherd dog to lie and pant in the hot days. It sits pretty well back from the road, in a lawn gone sparse and rusty in the late season. On each side of an anachronistic patch of concrete walk, which dies blankly at the gate where the earth of the highway shoulder shows raw, there are two round flower beds made by lying an old automobile tire on the ground and filling it with wood earth. There are few zinnias in each, hairy like an animal, brilliant in the dazzling sun. At each end of the house is a live oak, not grand ones. Beyond the house, flanking it on each side are the chicken houses and barns, unpainted. But the faded-white decent house itself, sitting there in the middle of the late-summer afternoon, in the absolute quiet of that time of day and year, with the sparse lawn and tidy flower beds and the prideful patch of concrete walk in front, the oaks at each side, is like nothing so much as a respectable, middle-aged woman, in a clean gray gingham dress, with white stockings and black kid shoes, the pepper-and-salt hair coiled on her head, sitting in her rocker with her hands folded across her stomach to take a little ease, now the day's work is done and the menfolks are in the field and it's not yet time to think about supper and strain the evening milk.
I stepped gingerly up that patch of concrete walk, as though I were treading on dozens of eggs laid by all those white leghorns back in the chicken run.
Lucy led me into the parlor, which was just the place I had known it would be, the carved black-walnut furniture upholstered in red plush, with a few tassels still left hanging here and there, the Bible and the stereoscope and the neat pile of cards for the stereoscope on the carved black-walnut table, a flowered carpet, with little rag rugs laid over the places most worn, the big walnut and gilt frames on the wall enclosing the stern, malarial, Calvinistic faces whose eyes fixed you with little sympathy. The windows of the room were closed, and the curtains drawn to give a shadowy, aqueous light in which we sat silently for a minute as though at a funeral. The palm of my hand laid down on the plush prickled drily.