11. THE TESTIMONY OF MR. HOME'S BOOTS
"The lady of the house turned to me and said abruptly, 'Why, you are sitting in the air'; and on looking, we found that the chair remained in its place, but that I was elevated two or three inches above it, and my feet not touching the floor. This may show how utterly unconscious I am at times to the sensation of levitation. As is usual, when I had not got above the level of the heads of those about me, and when they change their position much — as they frequently do in looking wistfully at such a phenomenon — I came down again, but not till I had remained so raised about half a minute from the time of its being first seen. I was now impressed to leave the table, and was soon carried to the lofty ceiling. The Count de B– left his place at the table, and coming under where I was, said, 'Now, young Home, come and let me touch your feet.' I told him I had no volition in the matter, but perhaps the spirits would kindly allow me to come down to him. They did so, by floating me down to him, and my feet were soon in his outstretched hands. He seized my boots, and now I was again elevated, he holding tightly, and pulling at my feet, till the boots I wore, which had elastic sides, came off and remained in his hands."
12. THE UNCOMBATIVE NATURE OF MR. HOME
As there is a maudlin complaint in this book, about men of Science being hard upon "the 'Orphan' Home", and as the "gentle and uncombative nature" of this Medium in a martyred point of view is pathetically commented on by the anonymous literary friend who supplies him with an introduction and appendix — rather at odds with Mr. Howitt, who is so mightily triumphant about the same Martyr's reception by crowned heads, and about the competence he has become endowed with — we cull from Mr. Home's book one or two little illustrative flowers. Sir David Brewster (a pestilent unbeliever) "has come before the public in few matters which have brought more shame upon him than his conduct and assertions on this occasion, in which he manifested not only a disregard for truth, but also a disloyalty to scientific observation, and to the use of his own eyesight and natural faculties". The same unhappy Sir David Brewster's "character may be the better known, not only for his untruthful dealing with this subject, but also in his own domain of science in which the same unfaithfulness to truth will be seen to be the characteristic of his mind". Again, he "is really not a man over whom victory is any honour". Again, "not only he, but Professor Faraday have had time and ample leisure to regret that they should have so foolishly pledged themselves", etc. A Faraday a fool in the sight of a Home! That unjust judge and whited wall, Lord Brougham, has his share of this Martyr Medium's uncombativeness. "In order that he might not be compelled to deny Sir David's statements, he found it necessary that he should be silent, and I have some reason to complain that his Lordship preferred sacrificing me to his desire not to immolate his friend." M. Arago also came off with very doubtful honours from a wrestle with the uncombative Martyr; who is perfectly clear (and so are we, let us add) that scientific men are not the men for his purpose. Of course, he is the butt of "utter and acknowledged ignorance", and of "the most gross and foolish statements", and of "the unjust and dishonest", and of "the press-gang", and of crowds of other alien and combative adjectives, participles, and substantives.
Nothing is without its use, and even this odious book may do some service. Not because it coolly claims for the writer and his disciples such powers as were wielded by the Saviour and the Apostles; not because it sees no difference between twelve table rappers in these days, and "twelve fishermen" in those; not because it appeals for precedents to statements extracted from the most ignorant and wretched of mankind, by cruel torture, and constantly withdrawn when the torture was withdrawn; not because it sets forth such a strange confusion of ideas as is presented by one of the faithful when, writing of a certain sprig of geranium handed by an invisible hand, he adds in ecstasies, "WHICH WE HAVE PLANTED AND IT IS GROWING, SO THAT IT IS NO DELUSION, NO FAIRY MONEY TURNED INTO DROSS OR LEAVES" — as if it followed that the conjuror's half-crowns really did become invisible and in that state fly, because he afterwards cuts them out of a real orange; or as if the conjuror's pigeon, being after the discharge of his gun, a real live pigeon fluttering on the target, must therefore conclusively be a pigeon, fired, whole, living and unshattered, out of the gun! — not because of the exposure of any of these weaknesses, or a thousand such, are these moving incidents in the life of the Martyr Medium, and similar productions, likely to prove useful, but because of their uniform abuse of those who go to test the reality of these alleged phenomena, and who come away incredulous. There is an old homely proverb concerning pitch and its adhesive character, which we hope this significant circumstance may impress on many minds. The writer of these lines has lately heard overmuch touching young men of promise in the imaginative arts, "towards whom" Martyr Mediums assisting at evening parties feel themselves "drawn". It may be a hint to such young men to stick to their own drawing, as being of a much better kind, and to leave Martyr Mediums alone in their glory.
As there is a good deal in these books about "lying spirits", we will conclude by putting a hypothetical case. Supposing that a Medium (Martyr or otherwise) were established for a time in the house of an English gentleman abroad; say, somewhere in Italy. Supposing that the more marvellous the Medium became, the more suspicious of him the lady of the house became. Supposing that the lady, her distrust once aroused, were particularly struck by the Medium's exhibiting a persistent desire to commit her, somehow or other, to the disclosure of the manner of the death, to him unknown, of a certain person. Supposing that she at length resolved to test the Medium on this head, and, therefore, on a certain evening mentioned a wholly supposititious manner of death (which was not the real manner of death, nor anything at all like it) within the range of his listening ears. And supposing that a spirit presently afterwards rapped out its presence, claiming to be the spirit of that deceased person, and claiming to have departed this life in that supposititious way. Would that be a lying spirit? Or would it he a something else, tainting all that Medium's statements and suppressions, even if they were not in themselves of a manifestly outrageous character?
Chapter X
The Late Mr. Stanfield
Every Artist, be he writer, painter, musician, or actor, must bear his private sorrows as he best can, and must separate them from the exercise of his public pursuit. But it sometimes happens, in compensation, that his private loss of a dear friend represents a loss on the part of the whole community. Then he may, without obtrusion of his individuality, step forth to lay his little wreath upon that dear friend's grave.
On Saturday, the eighteenth of this present month, Clarkson Stanfield died. On the afternoon of that day, England lost the great marine painter of whom she will be boastful ages hence; the National Historian of her speciality, the Sea; the man famous in all countries for his marvellous rendering of the waves that break upon her shores, of her ships and seamen, of her coasts and skies, of her storms and sunshine, of the many marvels of the deep. He who holds the oceans in the hollow of His hand had given, associated with them, wonderful gifts into his keeping; he had used them well through threescore and fourteen years; and, on the afternoon of that spring day, relinquished them for ever.
It is superfluous to record that the painter of "The Battle of Trafalgar", of the "Victory being towed into Gibraltar with the body of Nelson on Board", of "The Morning after the Wreck", of "The Abandoned", of fifty more such works, died in his seventy-fourth year, "Mr." Stanfield. — He was an Englishman.