Baccharus, however, remained Church and Ruth's link with the Tuatha De Danann, repaying, perhaps, the kindness they had shown him since their first meeting. He spoke about his people's thoughts and their strategy without going into too much detail, and he stressed, on behalf of Manannan, that neither Church nor Ruth were under suspicion. They both knew that state of affairs could change instantly; the gods had loyalty only to themselves.
The ship skimmed the waves with great speed, even when the wind was low and the enormous sails scarcely billowed, but Ruth and Church were more concerned than ever that time was running away from them. It didn't help when Baccharus told them Wave Sweeper would continue to make its scheduled stops throughout the Western Isles before it reached its ultimate destination.
"I can't bear this," Church said one morning as they leaned on the rail and watched what could have been dolphins rolling in the waves, but which made cries that sounded like shrieking women. "Anything could be happening back at home."
Ruth shielded her eyes against the glare of the sun off the water. "It would be good to have a despatch from the front. Just to know we're not wasting our time."
Activity further along the deck caught their attention. A strange contraption with a seat fixed at the end of a long, jointed arm was being dragged towards the side by a group of the plastic-faced younger gods. Once it was in place, the arm was manipulated over the side until the seat hovered mere inches above the water. With remarkable agility, one of the gods skipped up on to the rail then manoeuvred his way down the arm until he was precariously balanced on the seat, with no straps to restrain him and only providence keeping him from a ducking in the blue-green waves. A spear made from an intricately carved piece of enormous bone with an attached rope was lowered to him. He weighed it in his right hand, then poised to strike, concentrating on the depths.
"Do you think this is our sole reason for existing?" Church waited for something to happen, but the fisherman remained stock-still. "The life we had in London, everything leading up to this point, it's like a dream sometimes. Not quite real at all. But the only thing that keeps me going through all this struggle is the thought that at some point, I'll be able to return to that life. If I thought this was all there was…"
"A lot of religions say we have one purpose in life. We just have to find it."
"That's my worry. I don't want to have a life of nothing but sacrifice. When I used to read stories of the saints, and Gandhi, and Mother Theresa, I never found them uplifting. They always filled me with something like despair, because they were missing out on all the great things life had to offer: you know, fun and friendship and love and all that."
Ruth brushed a strand of hair from her face. Oddly, she felt closest to him during his brooding moments, when all his attention was turned inward; a usually hidden fragility was revealed that made her want to protect him. "Some people have to give up their lives so everyone else can enjoy theirs. I'm sure it's tough for the person in question, but that seems to be the way it works. Anyway, you know what Tom and Shavi would say-we can't ever see the big picture, so it's a waste of time for us trying to put something like that into perspective. Perhaps the reward is in the next world."
"This is the next world," Church said dismally.
"You know what I mean. There's always something higher."
"Well, I want my life back when all this is over. I don't think that's too much to ask. I'll have met my obligations, done everything expected of me. I don't want to die an old man, still fighting this stupid, nightmarish battle."
"Hmm, considering old age-that's optimistic of you. Me, I'm happy if I make it through to tomorrow."
The water exploded upwards in a spout, followed by thrashing tentacles and the glinting of teeth. The fisherman struck hard with his spear, his face as calm as if he were lazing on the banks of a river, and then he struck again several times in rapid succession. A gush of black liquid soured the water. One of the tentacles lashed around his calf, and when it retracted, the flesh was scoured. More tentacles shot up, folding around his legs like steel cables. Church gripped the railing. It was obvious the fisherman was going to be dragged off the seat, yet none of the other gods who hung over the rail above him were in the slightest concerned.
"Dog eat dog." The words at his left ear made him start. Standing just behind him was Taranis, Manannan's right-hand man, who oversaw the mysterious star charts by which the crew navigated. The face Church had chosen for him had a faint touch of cruelty, thin and sharp, with piercing eyes and a tightly clipped goatee. His presence made Church feel queasy. "Fish eat fish," he continued, by way of explanation for the scene they were observing. "Bird eat worm, cat eat mouse, wolf eat rabbit."
Church returned his attention to the fisherman and the crazed splashing that surrounded him. He was on the verge of slipping beneath the waves, clutching on to the seat with one hand while hacking mercilessly with the spear with the other. At the point when Church thought he would have to go, the spear bit into some vital point and he managed to wriggle his legs free and lever himself back up on to the seat. A few more choice hacks and an indescribable black bulk bobbed to the surface where it floated, motionless.
"Dinner?" Ruth asked distastefully.
Taranis gave a thin-lipped smile at the outcome. "The way of existence," he said.
"I'm heading back to my cabin for a bit," Ruth said, before turning to Taranis. She motioned to the collapsible telescope made of ivory and inlaid sable and gold that hung from his belt. "May I borrow this for a while?"
Taranis seemed taken aback by her request, and Church, too, was surprised by her forwardness, but the god acceded with a curt nod. Ruth weighed it in her palms, nodded thoughtfully, and headed towards the door that led beneath the deck.
Without Ruth to talk to, and with Niamh distracted, Church felt out of sorts. The other occupants of the ship made his skin crawl, even the ones that most closely resembled humans. There was nothing to see across the water, nothing to do in his cabin, little anywhere to occupy his time. He was reminded of Samuel Johnson's quotation: Going to sea is going to prison, with a chance of drowning besides.
As he made his way along the corridor towards his cabin, his nose wrinkled at an incongruous, sulphurous odour; it was powerful enough to sting his eyes and make the back of his throat burn. It appeared to be emanating from a branching corridor he had never seen before. In the back of his head an insistent alarm was warning him not to venture down it, but if there were a fire on board the alarm would need to be raised. He vacillated for the briefest moment before turning down the offshoot.
The corridor followed a serpentine route that made no sense, even doubling back on itself before ending at a double arched door made from seasoned wood. The handles were big enough to take two hands, made from blackened cast-iron. From behind it he could hear a thunderous pounding. The sulphurous stink was so potent now it almost made him choke.
Cautiously, he opened the door.
The room was stiflingly hot and the acrid smell hung heavily all around. His ears rebelled from the constant clashing of metal on metal, his teeth rang from the reverberations. It was almost impossible to tell the dimensions of the room, for it was as dark as night, with occasional pockets of brilliant light, ruddy and orange, or showering in golden stars. It was a foundry. On board a ship. Nothing in that vessel made sense at all.
The dull glow came from three separate furnaces. The sound of the bellows keeping them incandescent was like the turbulent breathing of a giant. He covered his mouth to keep out the fumes and prepared to back out, until his eyes grew accustomed to the dark and he realised he was not alone. Three huge figures worked insistently, pounding glowing shards of metal on anvils as big as a Shetland pony, plunging the worked piece into troughs of water, raising clouds of steam, moving hastily back to thrust tools into the red-hot coals.