On the floor beneath Mami’s feet, Luca’s eyes gape and his mouth stays clamped shut. He doesn’t even breathe. He’s become an expert at hiding, perfectly still inside his body.
‘All the boys are in the van behind,’ Carlos says.
The boy taps on the open window with the flat of his hand. Carlos hands him a thin fold of bills.
‘Ten cuidado, y que Dios te bendiga,’ Carlos says.
The boy nods, folds the bills into the back pocket of his jeans, and trots past Lydia’s window to the van behind. As he passes her window, Lydia sees the small, uncomplicated tattoo of a machete high on his neck behind his left ear. Confirmation: these are Javier’s boys, Los Jardineros. There’s the collective sound of breath being released into the van, but not Lydia’s. She allows her eyes to travel briefly to Luca’s little upturned face. The eyes are closed now, and she presses hers closed as well, for a moment of suspended relief. She can feel her pulse in her eyelids.
‘Everybody good?’ Carlos asks in English, turning in his seat to look each of the girls in the face.
They giggle their replies. Lydia nods, dropping her hand back to her lap. It feels like a very long time before the boy completes his interview at the window of the third van. He waves when he passes again to rejoin his compatriot at the front of the queue. Both boys let go of their guns long enough to sling them onto their backs so they can lug the large log of their makeshift gate off the roadway. They open just enough space to allow the cavalcade of missionary vans to pass through.
A half hour later as they cross over el puente Mezcala Solidaridad above el río Balsas, the girls gasp and point their cameras out the windows and into the lush green canyons below. When Luca climbs out from his nest to snuggle in beneath her arm, Lydia finally begins to breathe.
CHAPTER TEN
They’ve survived long enough to see the sun-clogged streets and throttling colors of Mexico City. That is no small thing. They are now four days and 236 miles removed from their doom. But it’s more than that, Lydia knows. Because the anonymity of the capital represents the fragile passage to their future. From here, she can feel a measure of hope; it may be possible to disappear. Lydia has determined that the least harrowing of their options is to fly. Something like superstition caused her to delay selecting a destination, but she did research all the northern border cities and compile a short list of the leading possibilities. From west to east: Tijuana, Mexicali, Nogales, Ciudad Juárez, Nuevo Laredo. Any one of those airports will do, like a back-porch screen door, hidden and intimate. From any one of those cities you can smell the fresh-baked pies on the windowsills of el norte.
When Carlos rolls open the back door of that church passenger van and the braided girls and their crammed backpacks spill out onto the bright tarmac, Luca and Lydia follow.
Beside the open back door of the van, Carlos grips Lydia’s hands and whispers intensely into her ear. ‘He’s still with you,’ he says. ‘I can feel it. He’ll watch over you and your son. You will be okay.’
Lydia envies his certainty. They embrace without tears while the braided girls and their adolescent male counterparts from the other vans avert their scandalized faces. Meredith stands beside Luca, awkwardly trying to adjust his backpack for him while he subtly dodges her efforts. When Carlos lets go of Lydia, Meredith steps forward to hug her, too, but whatever warmth once existed between the two women, mostly because of their husbands’ bond, has been extinguished. Still, Lydia’s gratitude is authentic. She looks Meredith in the eye.
‘I know how problematic this was for you,’ she says. ‘To undertake this risk for us.’ Meredith shakes her head, but as a gesture of repudiation it’s feeble. ‘I’m very grateful, Meredith. You probably saved our lives. Thank you.’
‘God be with you,’ Meredith says, and then the swell of noisy jabber from the gathered teenagers comparing roadblock stories consumes all other conversation, and both women are relieved to part ways. The automatic terminal doors yawn open with a rumble as the first few teenage missionaries amble through. While Carlos and Meredith say their goodbyes to the Indiana pastor-and-wife team, Lydia and Luca duck beneath the shade of an awning and make their way toward the tram that will deliver them to the terminal for domestic flights.
Luca has never been on a tram before. He tries not to feel interested in it, but it’s amazing the way the slick, glassy thing arrives soundlessly and disgorges its people onto the platform. Luca grips his mother’s hand, and steps out of the way while the people and their luggage jostle past them. He watches his feet as he and his mother navigate the tiny gap between fixed and moveable. Mami pulls him onto the tram without resistance, and they’re in the front car, so how can Luca help but press his hands and forehead against the angled glass? Any kid would feel a little thrill in his tummy, watching the increasing speed of the track slip beneath his feet and vanish. It’s like a roller coaster, gliding silently above the crisscrossing cars and buses, the taxis and lampposts, the aprons of runway dotted with waiting aircrafts, and trucks with crazy staircases on their backs. A plane swoops down in front of them, huge in the window, and Luca springs back from the glass with a gasp.
‘Mami!’ he says.
It’s the first word he’s spoken in three days, and he immediately regrets the sound of it, the plain, disloyal happiness of it. Mami smiles at him, but it’s not her regular smile, and there’s no mistaking the endeavor of it for actual joy. So why isn’t he broken like that? What’s wrong with him, that he can behave so normally? Mami runs her fingers across the top of his head and he pushes his face back toward the glass. He watches the tram swallow the track beneath them.
Inside the terminal, the mechanical hum of air-conditioning is like a sheen behind all the other noises: a little girl holds her mother’s hand and rolls her dog-shaped suitcase behind her by the leash, a man shouts into his cell phone in a throaty, unfamiliar language, a woman clacks hurriedly along on her angry heels. There is the smell of lemon and freon. Luca follows Mami to a little kiosk with a screen on it, and he watches while she clicks around on there for a few minutes. Then he thinks he shouldn’t be watching her, but he should be watching other people, to make sure nobody’s noticing them, so he turns and looks, and no one is watching them except that little girl with the dog-shaped suitcase. She’s standing in line with her mother, or rather sitting on the back of her suitcase. When her mother moves forward, she pushes with her feet to keep up. Luca would like a suitcase like that.
‘We can’t book from here.’ Mami interrupts his thoughts. ‘It won’t let you buy a same-day ticket. We have to get in line.’ Mami picks up her backpack, which she’d set down on top of her feet, and Luca follows her over to get in line. He’s happy to have a closer look at the dog suitcase, which, he can now see, also has a furry tail and ears.
The girl sees him admiring it and she smiles. She’s about the same age as Luca, maybe a year younger. ‘You can pet him if you want to,’ she says. ‘He doesn’t bite.’
Luca takes a step back and hides his face behind Mami. But then a moment later, he reaches out and brushes the tip of the dog’s tail with his fingers. The girl laughs and then her mother says, ‘Let’s go, Naya,’ and the girl waves, pushing with her sneakers, all the way up to the ticket counter.
Luca and Mami are next, and soon they’re standing in front of a lady wearing a blue suit and a red silk scarf. Her round face is repeated in miniature on the plastic name tag hanging from her neck. She smiles at Luca.