‘This is not normal.’ Soledad nods.
The sky begins to brighten above them, and a ribbon of pale orange expands on the horizon, but it’s still twilight where the tracks meet the earth. There’s a handful of other migrants on top of the train, but it’s not nearly as crowded as yesterday, and although that fact might be explained by the earliness of the hour, it serves to underscore Lydia’s sense that Guadalajara has siphoned off some of their numbers. She feels her chest opening with something like relief as the train moves away from the city. A half hour north, the landscape is commandeered by miles of squat, spiky plants. They stretch into the distance along both sides of the tracks, their gray-green fronds like a million waving hands, and the train slows slightly at the outskirts of a town where the buildings are quaint and well kept. Lydia notes the sweet, sticky aroma of fermenting agave plants. Tequila. On the car behind them, two migrants climb down a side ladder and wait for a safe place to jump off. Luca tries to watch them, but the train turns, and the men disappear, and Luca has to content himself without proof that they landed safely. He has to create that truth with only the determination of his mind.
The train thunders on toward Tepic, toward Acaponeta, toward El Rosario. For a long time then, they pass nothing at all. Just grass and dirt and trees and sky. The occasional building, a rare cow. It’s pastoral, beautiful, and the morning air is fresh. Lydia feels a treacherous pang of smothered delight, a bewilderment of migrant as fleeting tourist, as if they’re on vacation looking out across some exotic landscape. It’s brief.
Despite the growing distance between herself and Lorenzo, the pique of his presence remains. It’s alarming that he found them so easily, so accidentally. He hadn’t even been looking. But Javier is looking, with all his considerable resources, with all his connections. Lydia turns her face to the south, ridiculously, as if she’ll see him standing there atop the train. As if he’ll push his glasses up the bridge of his nose and approach her. It won’t happen like that, she knows. When he comes for them, it won’t be him, wearing a smile and a cardigan, clutching a volume of poetry to his chest. It will be some faceless assassin, some boy in a hoodie, cold in the dispatch of her death. El sicario won’t feel anything when he delivers the bullet that murders her son. Lydia might be a hamster on a wheel. She knows their executioner might already be on this train, but she wills it to move faster regardless, that they might outrun that selfie of Lydia with Javier, as it pings its way from phone to phone, all the way across Mexico. Lydia shrinks between the sisters. She slips her finger inside Sebastián’s ring.
At a tiny village surrounded by mango orchards, La Bestia crosses without notice into Sinaloa. Soledad is stretched out, her pack tucked beneath her as a pillow and her fingers wrapped into the grating. Her face looks awash in a sickly gray.
‘How are you feeling?’ Lydia asks. The vocabulary of her former life is inadequate now, but it’s all she has.
Soledad opens her mouth, but then closes it again without answering and shakes her head.
‘When I was pregnant with Luca, olives helped with the nausea,’ she says quietly. Then her mind does a litany of counterarguments. When I was pregnant with Luca, I was not fifteen years old. When I was pregnant with Luca, I did not have to travel thousands of miles on top of a freight train. When I was pregnant with Luca, he was not conceived by rape.
‘Olives?’ Soledad grimaces, readjusts her chin on her backpack, and closes her eyes, but it’s no use. After two deep breaths, she lunges for the side of the train and vomits over the edge.
Rebeca watches, her eyes wide with worry. Then she hands her pack to Luca and crawls across to her sister. She rubs the small of Soledad’s back and waits for the retching to subside.
There’s a briny cut to the air as the tracks draw near the ocean. Mango groves give way to palm trees in sandy soil, and outside a tiny village, a couple dozen migrant men have made a large camp. They cheer when they see the train approaching, but the beast doesn’t slow, it’s moving too fast for them to board, so the men stand despondent, watching it thunder past. Luca waves, and a few wave back. Most reclaim their positions in the scanty shade to rest while they wait for the next train, but one man decides to try. He runs alongside the tracks while the others watch. They shout and whoop at him, a lot of competing noise, conflicting advice. He manages to get one hand up on a passing ladder, but his legs can’t keep up. His arm is snagged, but the legs hang down. The watching men yell louder and more frantically.
‘Luca.’ Mami tries to draw his attention away, but he’s leaning over to watch, transfixed by the dangling man. They all are.
It’s clear he won’t make it, that he can’t haul himself up from that position. One arm binds him to the velocity of La Bestia. They all hold their breath. The man’s face is tipped up so Luca can see his expression, the moment he shifts from determination to acceptance. For a moment beyond that, he delays letting go, so Luca has the impression the man is savoring it, these final seconds when his life is intact. When at last his grip fails and he falls, there’s still a hope, briefly, that he’ll land clear of the tracks. That happens sometimes. A fluke of lucky physics and biology. But no. This man is sucked instantly beneath the wheels of the beast.
His mangled screams can be heard above the sounds of the churning train. Luca looks back and sees the migrants gathering in a knot on the tracks behind them, assessing the pieces of the severed man. Lydia does not cry for that wounded man, but she does pray for him. She prays that he won’t survive his mutilation, that merciful death comes quickly for him. More fervently, she prays that whatever impression the incident has on Luca, it won’t cause him any further harm. Surely her son may soon reach a limit of what a resilient child might endure without triggering some permanent internal decay.
‘Don’t worry, amorcito,’ she tells him. ‘That man will be fine.’
Luca protests. ‘He was in two pieces, Mami.’
Her voice is light. ‘That’s what doctors are for.’ She feigns confidence in the way all mothers know how to do in front of their children. She wears the fierce maternal armor of deceit. She allows only a moment to pass before she changes the subject, turning to Rebeca. ‘So what will you girls do when you get to the border? You have a plan, how to cross?’
‘Yes, our primo went last year, into Arizona, and then he got a ride from there to Maryland. That’s where he lives, and we’re going to stay with him. We’re using the same route, the same coyote.’
‘How’d he find the coyote?’ Lydia is constantly reminded that her education has no purchase here, that she has no access to the kind of information that has real currency on this journey. Among migrants, everyone knows more than she does. How do you find a coyote, make sure he’s reputable, pay for your crossing, all without getting ripped off?
Thankfully, Rebeca is flush with insight. ‘Loads of people from our village used him before. He was recommended. Because you can’t just pick any coyote. A lot of them will steal your money and then sell you to the cartel, you know?’
Lydia has never met a coyote. It’s possible she’s never even met anyone who’s met a coyote.
‘You should use our guy,’ Rebeca says. ‘Unless you already have one lined up.’
Lydia shakes her head. ‘We don’t.’
Rebeca smiles. ‘So we can go together. Mi primo César – he says this guy is the best. It took them only two days of walking and then somebody picked them up in a camper van on the other side and drove them to Phoenix. Gave ’em bus tickets from there to wherever they were going. It’s a lot of money, but he’s safe.’