"Bateman, you are some kind of morose bastard," Preston says. "You should stop reading all those Ted Bundy biographies." Preston stands up and checks his Rolex. "Listen men, I'm off. Will see you tomorrow."
"Yeah. Same Bat Time, same Bat Channel," Van Patten says, nudging me.
Preston leans forward before leaving. "Because the last time I fucked a nigger she stole my wallet."
"I get it. I get it," I say, pushing him away.
"Remember this, guys: Few things perform in life as well as a Kenwood." He exits.
"Yabba-dabba-do," Van Patten says.
"Hey, did anyone know cavemen got more fiber than we get?" McDermott asks.
Pastels
I'm on the verge of tears by the time we arrive at Pastels since I'm positive we won't get seated but the table is good, and relief that is almost tidal in scope washes over me in an awesome wave. At Pastels McDermott knows the maître d' and though we made our reservations from a cab only minutes ago we're immediately led past the overcrowded bar into the pink, brightly lit main dining room and seated at an excellent booth for four, up front. It's really impossible to get a reservation at Pastels and I think Van Patter, myself, even Price, are impressed by, maybe even envious of, McDermott's prowess in securing a table. After we piled into a cab on Water Street we realized that no one had made reservations anywhere and while debating the merits of a new Californian-Sicilian bistro on the Upper East Side – my panic so great I almost ripped Zagat in two – the consensus seemed to emerge. Price had the only dissenting voice but he finally shrugged and said, "I don't give a shit," and we used his portaphone to make the reservation. He slipped his Walkman on and turned the volume up so loud that the sound of Vivaldi was audible even with the windows halfway open and the noise of the uptown traffic blasting into the taxi. Van Patter and McDermott made rude jokes about the size of Tim's dick and I did too. Outside Pastels Tim grabbed the napkin with Van Patter's final version of his carefully phrased question for GQ on it and tossed it at a bum huddling outside the restaurant feebly holding up a sloppy cardboard sign: I AM HUNGRY AND HOMELESS PLEASE HELP ME.
Things seem to be going smoothly. The maître d' has sent over four complimentary Bellinis but we order drinks anyway. The Ronettes are singing "Then He Kissed Me," our waitress is a little hardbody and even Price seems relaxed though he hates the place. Plus there are four women at the table opposite ours, all great-looking – blond, big tits: one is wearing a chemise dress in double-faced wool by Calvin Klein, another is wearing a wool knit dress and jacket with silk faille bonding by Geoffrey Beene, another is wearing a symmetrical skirt of pleated tulle and an embroidered velvet bustier by, I think, Christian Lacroix plus high-heeled shoes by Sidonie Larizzi, and the last one is wearing a black strapless sequined gown under a wool crepe tailored jacket by Bill Blass. Now the Shirelles are coming out of the speakers, "Dancing in the Street," and the sound system plus the acoustics, because of the restaurant's high ceiling, are so loud that we have to practically scream out our order to the hardbody waitress – who is wearing a bicolored suit of wool grain with passementerie trim by Myrone de Prémonville and velvet ankle boots and who, I'm fairly sure, is flirting with me: laughs sexily when I order, as an appetizer, the monkfish and squid ceviche with golden caviar; gives me a stare so steamy, so penetrating when I order the gravlax potpie with green tomatillo sauce I have to look back at the pink Bellini in the tall champagne flute with a concerned, deadly serious expression so as not to let her think I'm too interested. Price orders the tapas and then the venison with yogurt sauce and fiddlehead ferns with mango slices. McDermott orders the sashimi with goat cheese and then the smoked duck with endive and maple syrup. Van Patten has the scallop sausage and the grilled salmon with raspberry vinegar and guacamole. The air-conditioning in the restaurant is on full blast and I'm beginning to feel bad that I'm not wearing the new Versace pullover I bought last week at Bergdorfs. It would look good with the suit I'm wearing.
"Could you please get rid of these things," Price tells the busboy as he gestures toward the Bellinis.
"Wait, Tim," Van Patten says. "Cool out. I'll drink them."
"Eurotrash, David," Price explains. "Eurotrash."
"You can have mine, Van Patten," I say.
"Wait," McDermott says, holding the busboy back. "I'm keeping mine too."
"Why?" Price asks. "Are you trying to entice that Armenian chick over by the bar?"
"What Armenian chick?" Van Patten is suddenly craning his neck, interested.
"Just take them all," Price says, practically seething.
The busboy humbly removes the glasses, nodding to no one as he walks away.
"Who made you boss?" McDermott whines.
"Look, guys. Look who just came in." Van Patten whistles. "Oh boy."
"Oh for Christ sakes, not fucking Preston," Price sighs.
"No. Oh no," Van Patten says ominously. "He hasn't spotted us yet."
"Victor Powell? Paul Owen?" I say, suddenly scared.
"He's twenty-four and worth, oh, let's say, a repulsive amount of dough," Van Patten hints, grinning. He has obviously been spotted by the person and flashes a bright, toothy smile. "A veritable shitload."
I crane my neck but can't figure out who's doing anything.
"It's Scott Montgomery," Price says. "Isn't it? It's Scott Montgomery."
"Perhaps," Van Patten teases.
"It's that dwarf Scott Montgomery," says Price.
"Price," Van Patten says. "You're priceless."
"Watch me act thrilled," Price says, turning around. "Well, as thrilled as I can get meeting someone from Georgia."
"Whoa," McDermott says. "And he's dressed to impress."
"Hey," Price says. "I'm depressed, I mean impressed."
"Wow," I say, spotting Montgomery. "Elegant navies."
"Subtle plaids," Van Patten whispers.
"Lotsa beige," Price says. "You know."
"Here he comes," I say, bracing myself.
Scott Montgomery walks over to our booth wearing a double-breasted navy blue blazer with mock-tortoiseshell buttons, a prewashed wrinkled-cotton striped dress shirt with red accent stitching, a red, white and blue fireworks-print silk tie by Hugo Boss and plum washed-wool trousers with a quadruple-pleated front and slashed pockets by Lazo. He's holding a glass of champagne and hands it to the girl he's with – definite model type, thin, okay tits, no ass, high heels – and she's wearing a wool-crepe skirt and a wool and cashmere velour jacket and draped over her arm is a wool and cashmere velour coat, all by Louis Dell'OliO. High-heeled shoes by Susan Bennis Warren Edwards. Sunglasses by Alain Mikli. Pressed-leather bag from Hermès.
"Hey fellas. How y'all doin?" Montgomery speaks in a thick Georgia twang. "This is Nicki. Nicki, this is McDonald, Van Buren, Bateman – nice tan – and Mr. Price." He shakes only Timothy's hand and then takes the champagne glass from Nicki. Nicki smiles, politely, like a robot, probably doesn't speak English.
"Montgomery," Price says in a kindly, conversational tone, staring at Nicki. "How have things been?"
"Well, fellas," Montgomery says. "See y'all got the primo table. Get the check yet? Just kidding."
"Listen, Montgomery," Price says, staring at Nicki but still being unusually kind to someone I thought was a stranger. "Squash?"
"Call me," Montgomery says absently, looking over the room. "Is that Tyson? Here's my card."
"Great," Price says, pocketing it. "Thursday?"
"Can't. Going to Dallas tomorrow but…" Montgomery is already moving away from the table, hurrying toward someone else, snapping for Nicki. "Yeah, next week."
Nicki smiles at me, then looks at the floor – pink, blue, lime green tiles crisscrossing each other in triangular patterns – as if it had some kind of answer, held some sort of clue, offered a coherent reason as to why she was stuck with Montgomery. Idly I wonder if she's older than him, and then if she's flirting with me.