I am overpowered with melancholy, languor, lassitude. A longing for the last great sleep has taken possession of me, combated, however, by a thirst for sacrifice—sacrifice heroic and long-sustained. Are not both simply ways of escape from one’s self? “Sleep, or self-surrender, that I may die to self!”—such is the cry of the heart. Poor heart!
April 17, 1867.—Awake, thou that sleepest, and rise from the dead.
What needs perpetually refreshing and renewing in me is my store of courage. By nature I am so easily disgusted with life, I fall a prey so readily to despair and pessimism.
“The happy man, as this century is able to produce him,” according to Madame –, is a Weltmüde, one who keeps a brave face before the world, and distracts himself as best he can from dwelling upon the thought which is hidden at his heart—a thought which has in it the sadness of death—the thought of the irreparable. The outward peace of such a man is but despair well masked; his gayety is the carelessness of a heart which has lost all its illusions, and has learned to acquiesce in an indefinite putting off of happiness. His wisdom is really acclimatization to sacrifice, his gentleness should be taken to mean privation patiently borne rather than resignation. In a word, he submits to an existence in which he feels no joy, and he cannot hide from himself that all the alleviations with which it is strewn cannot satisfy the soul. The thirst for the infinite is never appeased. God is wanting.
To win true peace, a man needs to feel himself directed, pardoned, and sustained by a supreme power, to feel himself in the right road, at the point where God would have him be—in order with God and the universe. This faith gives strength and calm. I have not got it. All that is, seems to me arbitrary and fortuitous. It may as well not be, as be. Nothing in my own circumstances seems to me providential. All appears to me left to my own responsibility, and it is this thought which disgusts me with the government of my own life. I longed to give myself up wholly to some great love, some noble end; I would willingly have lived and died for the ideal—that is to say, for a holy cause. But once the impossibility of this made clear to me, I have never since taken a serious interest in anything, and have, as it were, but amused myself with a destiny of which I was no longer the dupe.
Sybarite and dreamer, will you go on like this to the end—forever tossed backward and forward between duty and happiness, incapable of choice, of action? Is not life the test of our moral force, and all these inward waverings, are they not temptations of the soul?
September 6, 1867, Weissenstein. [Footnote: Weissenstein is a high point in the Jura, above Soleure.] (Ten o’clock in the morning).—A marvelous view of blinding and bewildering beauty. Above a milky sea of cloud, flooded with morning light, the rolling waves of which are beating up against the base of the wooded steeps of the Weissenstein, the vast circle of the Alps soars to a sublime height. The eastern side of the horizon is drowned in the splendors of the rising mists; but from the Tödi westward, the whole chain floats pure and clear between the milky plain and the pale blue sky. The giant assembly is sitting in council above the valleys and the lakes still submerged in vapor. The Clariden, the Spannörter, the Titlis, then the Bernese colossi from the Wetterhorn to the Diablerets, then the peaks of Vaud, Valais, and Fribourg, and beyond these high chains the two kings of the Alps, Mont Blanc, of a pale pink, and the bluish point of Monte Rosa, peering out through a cleft in the Doldenhorn—such is the composition of the great snowy amphitheatre. The outline of the horizon takes all possible forms: needles, ridges, battlements, pyramids, obelisks, teeth, fangs, pincers, horns, cupolas; the mountain profile sinks, rises again, twists and sharpens itself in a thousand ways, but always so as to maintain an angular and serrated line. Only the inferior and secondary groups of mountains show any large curves or sweeping undulations of form. The Alps are more than an upheaval; they are a tearing and gashing of the earth’s surface. Their granite peaks bite into the sky instead of caressing it. The Jura, on the contrary, spreads its broad back complacently under the blue dome of air.
Eleven o’clock.—The sea of vapor has risen and attacked the mountains, which for a long time overlooked it like so many huge reefs. For awhile it surged in vain over the lower slopes of the Alps. Then rolling back upon itself, it made a more successful onslaught upon the Jura, and now we are enveloped in its moving waves. The milky sea has become one vast cloud, which has swallowed up the plain and the mountains, observatory and observer. Within this cloud one may hear the sheep-bells ringing, and see the sunlight darting hither and thither. Strange and fanciful sight!
The Hanoverian pianist has gone; the family from Colmar has gone; a young girl and her brother have arrived. The girl is very pretty, and particularly dainty and elegant in all her ways; she seems to touch things only with the tips of her fingers; one compares her to an ermine, a gazelle. But at the same time she has no interests, does not know how to admire, and thinks of herself more than of anything else. This perhaps is a drawback inseparable from a beauty and a figure which attract all eyes. She is, besides, a townswoman to the core, and feels herself out of place in this great nature, which probably seems to her barbarous and ill-bred. At any rate she does not let it interfere with her in any way, and parades herself on the mountains with her little bonnet and her scarcely perceptible sunshade, as though she were on the boulevard. She belongs to that class of tourists so amusingly drawn by Töpffer. Character: naïve conceit. Country: France. Standard of life: fashion. Some cleverness but no sense of reality, no understanding of nature, no consciousness of the manifold diversities of the world and of the right of life to be what it is, and to follow its own way and not ours.
This ridiculous element in her is connected with the same national prejudice which holds France to be the center point of the world, and leads Frenchmen to neglect geography and languages. The ordinary French townsman is really deliciously stupid in spite of all his natural cleverness, for he understands nothing but himself. His pole, his axis, his center, his all is Paris—or even less—Parisian manners, the taste of the day, fashion. Thanks to this organized fetishism, we have millions of copies of one single original pattern; a whole people moving together like bobbins in the same machine, or the legs of a single corps d’armée. The result is wonderful but wearisome; wonderful in point of material strength, wearisome psychologically. A hundred thousand sheep are not more instructive than one sheep, but they furnish a hundred thousand times more wool, meat, and manure. This is all, you may say, that the shepherd—that is, the master—requires. Very well, but one can only maintain breeding-farms or monarchies on these principles. For a republic you must have men: it cannot get on without individualities.
Noon.—An exquisite effect. A great herd of cattle are running across the meadows under my window, which is just illuminated by a furtive ray of sunshine. The picture has a ghostly suddenness and brilliancy; it pierces the mists which close upon it, like the slide of a magic lantern.
What a pity I must leave this place now that everything is so bright!
The calm sea says more to the thoughtful soul than the same sea in storm and tumult. But we need the understanding of eternal things and the sentiment of the infinite to be able to feel this. The divine state par excellence is that of silence and repose, because all speech and all action are in themselves limited and fugitive. Napoleon with his arms crossed over his breast is more expressive than the furious Hercules beating the air with his athlete’s fists. People of passionate temperament never understand this. They are only sensitive to the energy of succession; they know nothing of the energy of condensation. They can only be impressed by acts and effects, by noise and effort. They have no instinct of contemplation, no sense of the pure cause, the fixed source of all movement, the principle of all effects, the center of all light, which does not need to spend itself in order to be sure of its own wealth, nor to throw itself into violent motion to be certain of its own power. The art of passion is sure to please, but it is not the highest art; it is true, indeed, that under the rule of democracy, the serener and calmer forms of art become more and more difficult; the turbulent herd no longer knows the gods.