Irrepressible mischief, indefatigable elasticity, a power of luminous mockery, delight in the perpetual discharge of innumerable arrows from an inexhaustible quiver, the unquenchable laughter of some little earth-born demon, perpetual gayety, and a radiant force of epigram—there are all these in the true humorist. Stulti sunt innumerabiles, said Erasmus, the patron of all these dainty mockers. Folly, conceit, foppery, silliness, affectation, hypocrisy, attitudinizing and pedantry of all shades, and in all forms, everything that poses, prances, bridles, struts, bedizens, and plumes itself, everything that takes itself seriously and tries to impose itself on mankind—all this is the natural prey of the satirist, so many targets ready for his arrows, so many victims offered to his attack. And we all know how rich the world is in prey of this kind! An alderman’s feast of folly is served up to him in perpetuity; the spectacle of society offers him an endless noce de Gamache. [Footnote: Noce de Gamache—“repas très somptueux.”—Littré. The allusion, of course, is to Don Quixote, Part II. chap. xx.—“Donde se cuentan las bodas de Bamacho el rico, con el suceso de Basilio el pobre.”] With what glee he raids through his domains, and what signs of destruction and massacre mark the path of the sportsman! His hand is infallible like his glance. The spirit of sarcasm lives and thrives in the midst of universal wreck; its balls are enchanted and itself invulnerable, and it braves retaliations and reprisals because itself is a mere flash, a bodiless and magical nothing.
Clever men will recognize and tolerate nothing but cleverness; every authority rouses their ridicule, every superstition amuses them, every convention moves them to contradiction. Only force finds favor in their eyes, and they have no toleration for anything that is not purely natural and spontaneous. And yet ten clever men are not worth one man of talent, nor ten men of talent worth one man of genius. And in the individual, feeling is more than cleverness, reason is worth as much as feeling, and conscience has it over reason. If, then, the clever man is not mockable, he may at least be neither loved, nor considered, nor esteemed. He may make himself feared, it is true, and force others to respect his independence; but this negative advantage, which is the result of a negative superiority, brings no happiness with it. Cleverness is serviceable for everything, sufficient for nothing.
March 8, 1868.—Madame–kept me to have tea with three young friends of hers—three sisters, I think. The two youngest are extremely pretty, the dark one as pretty as the blonde. Their fresh faces, radiant with the bloom of youth, were a perpetual delight to the eye. This electric force of beauty has a beneficent effect upon the man of letters; it acts as a real restorative. Sensitive, impressionable, absorbent as I am, the neighborhood of health, of beauty, of intelligence and of goodness, exercises a powerful influence upon my whole being; and in the same way I am troubled and affected just as easily by the presence near me of troubled lives or diseased souls. Madame – said of me that I must be “superlatively feminine” in all my perceptions. This ready sympathy and sensitiveness is the reason of it. If I had but desired it ever so little, I should have had the magical clairvoyance of the somnambulist, and could have reproduced in myself a number of strange phenomena. I know it, but I have always been on my guard against it, whether from indifference or from prudence. When I think of the intuitions of every kind which have come to me since my youth, it seems to me that I have lived a multitude of lives. Every characteristic individuality shapes itself ideally in me, or rather molds me for the moment into its own image; and I have only to turn my attention upon myself at such a time to be able to understand a new mode of being, a new phase of human nature. In this way I have been, turn by turn, mathematician, musician, savant, monk, child, or mother. In these states of universal sympathy I have even seemed to myself sometimes to enter into the condition of the animal or the plant, and even of an individual animal, of a given plant. This faculty of ascending and descending metamorphosis, this power of simplifying or of adding to one’s individuality, has sometimes astounded my friends, even the most subtle of them. It has to do no doubt with the extreme facility which I have for impersonal and objective thought, and this again accounts for the difficulty which I feel in realizing my own individuality, in being simply one man having his proper number and ticket. To withdraw within my own individual limits has always seemed to me a strange, arbitrary, and conventional process. I seem to myself to be a mere conjuror’s apparatus, an instrument of vision and perception, a person without personality, a subject without any determined individuality—an instance, to speak technically, of pure “determinability” and “formability,” and therefore I can only resign myself with difficulty to play the purely arbitrary part of a private citizen, inscribed upon the roll of a particular town or a particular country. In action I feel myself out of place; my true milieu is contemplation. Pure virtuality and perfect equilibrium—in these I am most at home. There I feel myself free, disinterested, and sovereign. Is it a call or a temptation?
It represents perhaps the oscillation between the two geniuses, the Greek and the Roman, the eastern and the western, the ancient and the Christian, or the struggle between the two ideals, that of liberty and that of holiness. Liberty raises us to the gods; holiness prostrates us on the ground. Action limits us; whereas in the state of contemplation we are endlessly expansive. Will localizes us; thought universalizes us. My soul wavers between half a dozen antagonistic general conceptions, because it is responsive to all the great instincts of human nature, and its aspiration is to the absolute, which is only to be reached through a succession of contraries. It has taken me a great deal of time to understand myself, and I frequently find myself beginning over again the study of the oft-solved problem, so difficult is it for us to maintain any fixed point within us. I love everything, and detest one thing only—the hopeless imprisonment of my being within a single arbitrary form, even were it chosen by myself. Liberty for the inner man is then the strongest of my passions—perhaps my only passion. Is such a passion lawful? It has been my habit to think so, but intermittently, by fits and starts. I am not perfectly sure of it.
March 17, 1868.—Women wish to be loved without a why or a wherefore; not because they are pretty, or good, or well bred, or graceful, or intelligent, but because they are themselves. All analysis seems to them to imply a loss of consideration, a subordination of their personality to something which dominates and measures it. They will have none of it; and their instinct is just. As soon as we can give a reason for a feeling we are no longer under the spell of it; we appreciate, we weigh, we are free, at least in principle. Love must always remain a fascination, a witchery, if the empire of woman is to endure. Once the mystery gone, the power goes with it. Love must always seem to us indivisible, insoluble, superior to all analysis, if it is to preserve that appearance of infinity, of something supernatural and miraculous, which makes its chief beauty. The majority of beings despise what they understand, and bow only before the inexplicable. The feminine triumph par excellence is to convict of obscurity that virile intelligence which makes so much pretense to enlightenment. And when a woman inspires love, it is then especially that she enjoys this proud triumph. I admit that her exultation has its grounds. Still, it seems to me that love—true and profound love—should be a source of light and calm, a religion and a revelation, in which there is no place left for the lower victories of vanity. Great souls care only for what is great, and to the spirit which hovers in the sight of the Infinite, any sort of artifice seems a disgraceful puerility.