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This faith can hardly fail to conquer among the races pledged to the Cartesian dualism, who call the incomprehensible clear, and abhor what is profound. Women also will always find local miracle more easy to understand than universal miracle, and the visible objective intervention of God more probable than his psychological and inward action. The Latin world by its mental form is doomed to petrify its abstractions, and to remain forever outside the inmost sanctuary of life, that central hearth where ideas are still undivided, without shape or determination. The Latin mind makes everything objective, because it remains outside things, and outside itself. It is like the eye which only perceives what is exterior to it, and which cannot see itself except artificially, and from a distance, by means of the reflecting surface of a mirror.

August 30, 1872.—A priori speculations weary me now as much as anybody. All the different scholasticisms make me doubtful of what they profess to demonstrate, because, instead of examining, they affirm from the beginning. Their object is to throw up entrenchments around a prejudice, and not to discover the truth. They accumulate that which darkens rather than that which enlightens. They are descended, all of them, from the Catholic procedure, which excludes comparison, information, and previous examination. Their object is to trick men into assent, to furnish faith with arguments, and to suppress free inquiry. But to persuade me, a man must have no parti pris, and must begin with showing a temper of critical sincerity; he must explain to me how the matter lies, point out to me the questions involved in it, their origin, their difficulties, the different solutions attempted, and their degree of probability. He must respect my reason, my conscience, and my liberty. All scholasticism is an attempt to take by storm; the authority pretends to explain itself, but only pretends, and its deference is merely illusory. The dice are loaded and the premises are pre-judged. The unknown is taken as known, and all the rest is deduced from it.

Philosophy means the complete liberty of the mind, and therefore independence of all social, political, or religious prejudice. It is to begin with neither Christian nor pagan, neither monarchical nor democratic, neither socialist nor individualist; it is critical and impartial; it loves one thing only—truth. If it disturbs the ready-made opinions of the church or the state—of the historical medium—in which the philosopher happens to have been born, so much the worse, but there is no help for it.

  “Est ut est aut non est,”

Philosophy means, first, doubt; and afterward the consciousness of what knowledge means, the consciousness of uncertainty and of ignorance, the consciousness of limit, shade, degree, possibility. The ordinary man doubts nothing and suspects nothing. The philosopher is more cautious, but he is thereby unfitted for action, because, although he sees the goal less dimly than others, he sees his own weakness too clearly, and has no illusions as to his chances of reaching it.

The philosopher is like a man fasting in the midst of universal intoxication. He alone perceives the illusion of which all creatures are the willing playthings; he is less duped than his neighbor by his own nature. He judges more sanely, he sees things as they are. It is in this that his liberty consists—in the ability to see clearly and soberly, in the power of mental record. Philosophy has for its foundation critical lucidity. The end and climax of it would be the intuition of the universal law, of the first principle and the final aim of the universe. Not to be deceived is its first desire; to understand, its second. Emancipation from error is the condition of real knowledge. The philosopher is a skeptic seeking a plausible hypothesis, which may explain to him the whole of his experiences. When he imagines that he has found such a key to life he offers it to, but does not force it on his fellow men.

October 9, 1872.—I have been taking tea at the M’s. These English homes are very attractive. They are the recompense and the result of a long-lived civilization, and of an ideal untiringly pursued. What ideal? That of a moral order, founded on respect for self and for others, and on reverence for duty—in a word, upon personal worth and dignity. The master shows consideration to his guests, the children are deferential to their parents, and every one and everything has its place. They understand both how to command and how to obey. The little world is well governed, and seems to go of itself; duty is the genius loci—but duty tinged with a reserve and self-control which is the English characteristic. The children are the great test of this domestic system; they are happy, smiling, trustful, and yet no trouble. One feels that they know themselves to be loved, but that they know also that they must obey. Our children behave like masters of the house, and when any definite order comes to limit their encroachments they see in it an abuse of power, an arbitrary act. Why? Because it is their principle to believe that everything turns round them. Our children may be gentle and affectionate, but they are not grateful, and they know nothing of self-control.

How do English mothers attain this result? By a rule which is impersonal, invariable, and firm; in other words, by law, which forms man for liberty, while arbitrary decree only leads to rebellion and attempts at emancipation. This method has the immense advantage of forming characters which are restive under arbitrary authority, and yet amenable to justice, conscious of what is due to them and what they owe to others, watchful over conscience, and practiced in self-government. In every English child one feels something of the national motto—“God and my right,” and in every English household one has a sense that the home is a citadel, or better still, a ship in which every one has his place. Naturally in such a world the value set on family life corresponds with the cost of producing it; it is sweet to those whose efforts maintain it.

October 14, 1872.—The man who gives himself to contemplation looks on at, rather than directs his life, is rather a spectator than an actor, seeks rather to understand than to achieve. Is this mode of existence illegitimate, immoral? Is one bound to act? Is such detachment an idiosyncrasy to be respected or a sin to be fought against? I have always hesitated on this point, and I have wasted years in futile self-reproach and useless fits of activity. My western conscience, penetrated as it is with Christian morality, has always persecuted my oriental quietism and Buddhist tendencies. I have not dared to approve myself, I have not known how to correct myself. In this, as in all else, I have remained divided, and perplexed, wavering between two extremes. So equilibrium is somehow preserved, but the crystallization of action or thought becomes impossible.

Having early a glimpse of the absolute, I have never had the indiscreet effrontery of individualism. What right have I to make a merit of a defect? I have never been able to see any necessity for imposing myself upon others, nor for succeeding. I have seen nothing clearly except my own deficiencies and the superiority of others. That is not the way to make a career. With varied aptitudes and a fair intelligence, I had no dominant tendency, no imperious faculty, so that while by virtue of capacity I felt myself free, yet when free I could not discover what was best. Equilibrium produced indecision, and indecision has rendered all my faculties barren.

November 8, 1872. (Friday).—I have been turning over the “Stoics” again. Poor Louisa Siefert! [Footnote: Louise Siefert, a modern French poetess, died 1879. In addition to “Les Stoïques,” she published “L’Année Républicaine,” Paris 1869, and other works.] Ah! we play the stoic, and all the while the poisoned arrow in the side pierces and wounds, lethalis arundo. What is it that, like all passionate souls, she really craves for? Two things which are contradictory—glory and happiness. She adores two incompatibles—the Reformation and the Revolution, France and the contrary of France; her talent itself is a combination of two opposing qualities, inwardness and brilliancy, noisy display and lyrical charm. She dislocates the rhythm of her verse, while at the same time she has a sensitive ear for rhyme. She is always wavering between Valmore and Baudelaire, between Leconte de Lisle and Sainte-Beuve—that is to say, her taste is a bringing together of extremes. She herself has described it: