"That much I think we can manage," said Diana, and then realized how snappish she sounded. "But thank you." She smiled sincerely at the other woman. Sonia smiled back. Sakhalin did not smile. The two women took their leave.
Diana let the tent flap fall back into place, leaving her in the gloom of the tent. She sat down, then threw herself out along the pillows, and sighed. What was she doing here, anyway? What did she think she was doing? And here she was, stuck in the tent with nothing to do. Of course, she could walk out any time she wanted. She did not have to go through with the marriage. Everyone said as much; she knew as much. But when it came right down to it, she could not bring herself to hurt Anatoly by publicly repudiating the marriage in such a fashion, not when Sonia had just said that he still desired it. And she absolutely refused to give Marco Burckhardt the satisfaction of knowing that he was right.
"Diana?" It was Joseph. "I brought some of your things. And a camplight for the tent. And some food." The tent flap rustled aside and he stuck his head in. "Here you are."
"Bless you, Joseph. How kind you are."
He grinned. "I'll send Anahita by later to help you with your makeup and costume."
"Monster." She laughed, feeling suddenly heartened. "Don't you dare. Go on, you must be busy back at camp."
" 'I go, I go; look how I go; Swifter than arrow from the Tartar's bow.' Lady knows, I've heard that line enough times." He retreated to her applause.
She ate a little and then took out her journal and wrote. "My dear Nana, I'm not sure how to explain this to you…"
Quinn interrupted some time later. "Diana." She crawled in. "What a gorgeous piece of weaving. Where did you get this? Oh, from his grandmother. My, my. Now there's a formidable woman, even though she barely comes up to my shoulder. You must have charmed her.''
"She doesn't like me."
"Surely not."
"Well, I don't know whether she likes me, but she certainly doesn't approve of me. Did you bring everything?"
"Mirror. Kit. Gown. Seshat sent baubles, for afterward-after the performance, for whatever they do for a ceremony. She thought you ought to sparkle, even though we don't have the kind of gold they do. Those women do weight themselves down with it, don't they?"
Diana fingered the gold bead necklace that Anatoly had given her. "I suppose it's a marker of status." Which she sorely lacked. "Oh, well. Let's get ready."
They were old hands at putting on makeup. That accomplished, they changed into the simple gowns that Joseph had designed to fit the greatest range of plays, using smaller accessories to give them character and place. It was dusk when they emerged from the tent and walked over to the encampment where the others had gathered.
Yomi counted them off. "In two more minutes, Hyacinth will be late," she proclaimed. One minute and fifty five seconds later, Hyacinth appeared. He had highlighted his eyes with black pencil and tied various odds and ends-scraps of material, beads, bracelets strung together-to his tunic to lend him an air of being subtly different from the rest, of being a spirit from that parallel world that intersects our own.
Owen looked them over and nodded, satisfied. "I hope you are ready, because now we see."
"Where's Ginny?"
"She's at the house already, helping the audience settle in."
They marched, a ragtag troop, through the quiet dusk of the jaran camp. The walk seemed to last forever to Diana, past the dark hulking tents, past smoldering campfires, toward the murmur of voices, toward the people gathered on the ring of empty ground in front of which their stage sat. She caught a glimpse of the audience as they came up behind the screens: a huge mass of bodies, uncountable, waiting for them rather like a predator waits for its prey. She recognized no individual faces; it was too dim for that. The stage was lit by lanterns. One screen without its fabric center had been set on stage, to form a doorway through which the players could pass from one scene, or one world, to the next. No other scenery existed, only the players and what they gave to their audience.
Yomi called the five minute warning. Gwyn and Anahita shook out their tunics, preparing to enter. Joseph stood ready at stage left with their changes of costume, since they were doubling parts. Owen vanished around the stage to go sit in the house. The play began.
Diana was aware of the audience only as an intent, listening beast, but the beast was theirs. The force of its concentration was like a pressure on them, faltering here and there when the scene passed its understanding, then snapping back, fixed and tangible.
Though the night was cool, Gwyn was sweating from the exertion of playing two major roles. But he was magnificent, as always: his Theseus was martial and strong, his Oberon utterly unlike, ethereal and just slightly spiteful. Even the audience could not confuse the two, though they were played by the same man. As for Anahita-well-Diana had always thought she played Hippolyta too stridently and Titania as a hair-brained twit, but she was powerful, nevertheless.
The lovers fled to another part of the forest. Love became confused, and then was righted at last. The audience did not laugh once, but their attention did not waver.
Puck gave his final speech and extinguished half of the lanterns. Exit.
Dead silence.
Behind the screens, Diana looked at Hal and Hal looked at Gwyn and Gwyn shrugged. A rustling noise carried to them.
"They're all standing up," said Yomi.
Gwyn chuckled suddenly. "Who ever said they'd know how to applaud?" he asked. He wiped sweat from his forehead and shook the moisture off his hand.
Owen appeared, looking intent and excited. "Di, where are you? Come on, come on.''
"Come on where?" she asked, shrinking back.
"The rest of you, too, up on the stage-this isn't a bow, they won't understand that-but don't you see? We can cement the link. We can complete the circle in their minds. The masque of a wedding followed by an actual wedding. Come, Diana."
"Owen, wait," said Joseph. With economical skill, he stripped the makeup from Di's face and then adorned her with the costume jewelry Seshat had brought. "That will do. You may go."
Owen grabbed Diana's wrist and dragged her away, back around the screens. By the time they got to the front, the other actors had filed onto the stage and formed themselves into a neat semicircle. The audience was standing, murmuring now, but Diana saw that their silence, their rise to their feet, was their way of showing respect for what had just been given them. A clot of people stood at the foot of the platform, but only one of them mattered. Her heart began to pound. He stared at her, and he looked nervous, worried even. Owen released her ten paces from Anatoly, and she halted.
Anatoly wore the brilliant red shirt of the jaran riders, embroidered in a fantastic pattern down the sleeves and along the collar. Gold-studded epaulets shone on his shoulders. Gold braid lined the rim of his black boots. He wore two necklaces at his throat and gold bands on each wrist, and his saber's hilt glinted in the lantern light. A belt of gold plates girdled his wrist. Then his grandmother stepped forward and addressed a long speech to Owen. It had the cadence of poetry.
Tess Soerensen stepped forward into the gap between the two pairs. She turned to Owen. "Elizaveta Sakhalin presents to you her grandson, who, in accordance with the traditions of the people, has come to bow to the parits and the relatives of the bride and to ask to be taken to your camp as husband to this woman. He brings with him a string of fine horses, he brings his armor and his weapons, and he brings his skill at fighting. To his bride he brings a new set of bow and arrows. His family brings these presents for the bride's family: wine and milk, dry fruit, meat, and a silk scarf to bind your camps together. They bring also blessings to this young couple, for their happiness and well-being." She paused, and then with an open hand gestured to Owen.