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The story is the first of HPL’s major tales to effect the union of horror and science fiction that became the hallmark of his later work. It is therefore not surprising that Amazing Stories(the first science fiction pulp magazine) readily accepted it upon submittal, early in the summer of 1927. But Amazing Storiesbecame a closed market to HPL when editor Hugo Gernsback paid him only $25 for
the story—a mere
¢ per word—and then only after three dunning letters. Although in later years
HPL briefly considered requests from Gernsback or from his associate editor, C.A.Brandt, for further submissions, he never again sent a tale to Amazing Stories. He always remembered Gernsback as “Hugo the Rat.”
Sam Moskowitz’s assertion that HPL submitted the story first to WT,and then to Argosy,is unwarranted; see HPL to Clark Ashton Smith, July 15, 1927 (ms., JHL): “As for ‘The Colour Out of Space’—Wandrei tells me that Amazing Storiesdoesn’t pay well, so that I’m sorry I didn’t try WT first.”
See Will Murray, “Sources for ‘The Colour out of Space,’” CryptNo. 28 (Yuletide 1984): 3–5; Steven J.Mariconda, “The Subversion of Sense in ‘The Colour out of Space,’” LSNos. 19/20 (Fall 1989): 20– 22; Donald R.Burleson, “Prismatic Heroes: The Colour out of Dunwich,” LSNo. 25 (Fall 1991): 13– 18; Robert M.Price, “A Biblical Antecedent for ‘The Colour out of Space,’” LSNo. 25 (Fall 1991): 23– 25; Donald R.Burleson, “Lovecraft’s ‘The Colour out of Space,’” CryptNo. 93 (Lammas 1996): 19–20. “Commercial Blurbs.”
Series of five advertising articles written in 1925 (general title coined by R.H.Barlow). First published in LS(Spring 1988); rpt. MW.
The five articles are as follows: “Beauty in Crystal” (on the Corning Glass Works, Corning, N.Y.); “The Charm of Fine Woodwork” (on the Curtis Companies, Clifton, IA); “Personality in Clocks” (on the Colonial Manufacturing Company, Zealand, MI); “A Real Colonial Heritage” (on the Erskine-Danforth Corporation, New York, N.Y.); and “A True Home of Literature” (on the Alexander Hamilton Book Shop, Paterson, N.J.). The articles were written in early 1925 for a trade magazine conceived by one Yesley (a friend of Arthur Leeds): authors would write the advertising copy (based on press notices or advertising matter supplied by the company) and have it published in the magazine; salesmen would then take the issue to the companies in question and urge them to buy a quantity of the magazines for advertising purposes, whereupon the author would get 10% of the net sales. But the venture never materialized, so far as can be ascertained, and HPL’s articles apparently were never published. HPL clearly sought out “high-toned” establishments to write about, and his articles— seemingly stiff and formal—are presumably meant to suggest the aristocratic quality of the products manufactured or sold by the companies about which he is writing.
Commonplace Book.
Notes (5,000 words); written between late 1919/early 1920 and 1935. First published in The Notes & Commonplace Book(Futile Press, 1938); rpt. BWS, SR,and MW. Annotated version in Commonplace Book(1987).
No “book” at all, HPL’s commonplace book was merely a sheaf of long, narrow, folded sheets of paper, on which he jotted ideas for stories. In January 1920, he wrote to Rheinhart Kleiner, “I have lately…been collecting ideas and images for subsequent use in fiction. For the first time in my life, I am keeping a ‘com
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monplace-book’—if that term can be applied to a repository of gruesome and fantastick thought” ( SL 1.106). In May 1934, after a decade and a half of keeping and using the book, HPL described it as follows, in a note jotted on the manuscript for presentation to a young friend: “This book consists of ideas, images & quotations hastily jotted down for possible future use in weird fiction. Very few are actually developed plots—for the most part they are merely suggestions or random impressions designed to set the memory or imagination working. Their sources are various—dreams, things read, casual incidents, idle conceptions, & so on.”
Few entries in the book are story plots per se; most are merely notes to jog the memory or spur the imagination. Consider these sample entries from c. 1920: “Transposition of identity.” “Man followed by invisible thing.” “Fisherman casts his net into the sea by moonlight—what he finds.” The first entry is the shortest possible description of an idea developed at length in two late stories: “The Thing on the Doorstep” and “The Shadow out of Time.” The next contains an early scene from Fungi from Yuggoth,and also scenes from “The Dunwich Horror” and “The Shadow out of Time.” The last finds its way into “The Haunter of the Dark” in a throwaway passage about a fisherman finding the Shining Trapezohedron in his net. In the manuscript, HPL noted the use of only a handful of items. However, many of the recorded images find their way into many of his works—perhaps not as complete story ideas, but as elements of stories; others are not used exactly as written, but modified to suit a particular need.
In 1938, the Futile Press published HPL’s notebook, derived from a manuscript in the possession of R.H.Barlow and augmented by later notes HPL kept on a typed copy made for him by Barlow. See “Notes on Weird Fiction” concerning the related material published with these notes. In BWSand SR, the commonplace book entries were conflated with the supplemental material, mistakenly identifying all the notes as part of HPL’s commonplace book; also, the text was based not on Barlow’s Futile Press Edition, but on the truncated typescript that Barlow had made for HPL. The annotated edition of 1987 restores all notes (including rejected items) to their proper sequence.
Comptons.
In “The Curse of Yig” and “The Mound,” Sally (“Grandma”), married to Joe, mother of Clyde, is a first-generation pioneer, “a veritable mine of anecdote and folklore.” She is the source of the story about their neighbors, the Davises, in “The Curse of Yig,” and it is she who discovers Walker Davis’s body.
“Confession of Unfaith, A.”
Essay (2,170 words); probably written in late 1921. First published in the Liberal(February 1922); rpt. MW