See S.T. Joshi, “On ‘The Descendant,’” CryptNo. 53 (Candlemas 1988): 10–11.
Description of the Town of Quebeck, A.
Essay (78,000 words); written September 1930–January 14, 1931. First published in HPL’s To Quebec and the Stars(1976), ed. L.Sprague de Camp.
HPL’s single longest literary work—an exhaustive history of Quebec and a detailed travelogue of the city and neighboring regions, based upon his first ecstatic visit to the region in late summer of 1930. HPL relied largely on published
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histories and guidebooks for much of his historical account, but the travelogue section is manifestly based upon first-hand experience. The entire text is written in exquisite eighteenth-century English and reflects a British attitude in recording the defeat of the French by the English in the course of the eighteenth century. The text is filled with HPL’s drawings of typical Quebec architecture, and there is an appendix providing French and English names of prominent landmarks and the origins of placenames and street-names. HPL never prepared the text for publication, nor even a typescript to circulate among colleagues; hence it long remained unpublished. De Camp’s edition contains many mistranscriptions and also fails to correct several instances of HPL’s erroneous French. “Despair.”
Poem (40 lines in 5 stanzas); written c. February 19, 1919. First published in Pine Cones(June 1919).
A brooding, pessimistic poem speaking of “Sweet Oblivion” to be found “beyond the groans and grating/Of abhorrent Life.” HPL notes ( SL1.79) that the poem was written in response to the illness of his mother, who had suffered a nervous breakdown and would soon be transferred to Butler Hospital, where she would die two years later.
Desrochers,———.
In “The Dreams in the Witch House,” a French Canadian who lives in the room directly below Walter Gilman’s in the Witch House in Arkham, and who sees and hears numerous odd things during the time of Gilman’s dreams and sleepwalking.
Dexter, Mercy.
In “The Shunned House,” the maiden sister of Rhoby (Dexter) Harris, who moves into the Shunned House in 1768 to tend to Rhoby, who had lapsed into insanity after the death of her husband and several of her children. Her health begins to fail from the moment she occupies the house, and she dies in 1782.
[Diary: 1925.]
Diary; unpublished (ms., JHL).
A small pocket diary in which HPL wrote very compressed records of his activities during 1925, when he was living alone at 169 Clinton Street. A sample entry: [March 1] “Up noon—call on GK [George Kirk]—SH [Sonia] get dinner here—eggs—pot. chips—crackers—cheese GW coffee—read papers— write Sonny [Frank Belknap Long] telephone—SL [Samuel Loveman] GK RK [Rheinhart Kleiner] call & go out to dinner—Wrote LDC [Lillian D. Clark]////Boys return—Session at Kirk’s—out to Scotch Bakery—GK & HP return to talk till dawn—retire.”
“Diary of Alonzo Typer, The.”
Short story (8,260 words); ghostwritten for William Lumley, October 1935. First published in WT (February 1938); first collected in BWS;corrected text in HM
In a spectral house in upstate New York, strange forces were summoned by a Dutch family, the van der Heyls, that had resided there. Alonzo Typer, an occult explorer, attempts to fathom the mysteries of the place. He senses several strange presences in the house, especially in the cellar. He realizes that he will
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probably not be allowed to leave and that some great cataclysm is to occur around Walpurgisnacht (May Eve). At length he discovers that an “ancient forgotten One” is lurking beneath the house who will show Typer “the gateway I would enter, and give me the lost signs and words I shall need.” At the climactic moment, Typer realizes that he himself is related to the van der Heyls and that he has been called here for the fulfilling of some hideous purpose. Typer continues writing in his diary to the last: “Too late—cannot help self—black paws materialise—am dragged away toward the cellar….” The story was based upon a nearly illiterate draft produced by Lumley (published in CryptNo. 10 [1982]: 21–25). HPL, while preserving such as he could of the draft—including such of Lumley’s inventions as the Book of Forbidden Things,“the seven lost signs of terror,” the mysterious city YianHo, and the like—has at least made some coherent sense of the plot. The preposterous conclusion, however, is HPL’s own.
HPL revised the story for no pay, thinking that it would encourage Lumley’s efforts at writing. Lumley promptly submitted the story to WT,where it was accepted in December 1935 for $70, but for some reason there was a long delay in its magazine publication.
“Disinterment, The.”
Short story (4,600 words); written in collaboration with Duane W.Rimel, September 1935. First published in WT(January 1937); corrected text in HM.
The unnamed narrator awakes to find himself in a hospital bed in a private clinic—a “veritable medieval fortress.” He then remembers that he had contracted leprosy while in the Orient and had appealed to his friend, Marshall Andrews, for help. Andrews, a surgeon of dubious reputation, persuades the narrator to spend nearly a year in his castle undergoing treatment. Then Andrews goes to the West Indies to study “native” medical methods. Returning, Andrews claims that he has found a drug in Haiti that could simulate death, even to temporary rigor mortis. The plan is to inject the narrator with the drug, have him declared dead, interred in a grave, and then resurrected. In this way the narrator could assume another identity without the stigma of leprosy. As the narrator wakes, he feels the lingering effects of the drug, and he seems paralyzed. Gradually the paralysis passes, but movement of arms and legs is still painful and jerky. There seems to be some kind of alienation between the narrator’s head and the rest of his body. Tormented by dreams and suspecting that some nameless experiment has been made upon him, he staggers out of bed, finds Andrews sleeping in a chair, and kills him with a candelabrum. He later kills Andrews’ butler, Simes. Going outside, he approaches his manor house and enters the family cemetery. He comes to his own tombstone, begins to dig up the grave, and finds to his horror his own headless body: Andrews had transplanted his head upon the body of an African American from Haiti.