‘We’ll make it all right?’
‘Yes, with several hours to spare. The timing will be adjusted by another engine room breakdown if necessary.’ Lind smiled. ‘And of course there’s the other stoppage. For your funeral.’
Krasicki chuckled. ‘Put on a good show for the sentimental sheep.’
‘The rope’s ready?’ Lind asked.
‘Yes.’ Krasicki stood up and pulled back the blue bedspread of the upper bunk. Strips torn from one of the sheets had been braided into a length of thin, strong rope. Lind examined it. He nodded.
‘Make one end fast to an overhead pipe,’ he said. ‘Stand on a lower bunk and put the noose around your neck. Tie it so it won’t tighten, of course. Five minutes after one bell strikes at eight thirty you’ll hear me unlocking the door. Goddard or the captain will be with me, but I’ll come in first. When you see the door start to open, step off the bunk, but support your weight with your hands on the rope until I’m all the way in. I’ll have you cut down in less than five seconds, so there’s no danger.’
‘And what about the witness?’
‘He won’t have a chance to touch you. I’ll send him for the first-aid kit. He just sees you, that’s all.’ ‘And the materials for the artwork?’
Lind tapped his pocket. 'I have them here, and you can use the mirror to put them on. You know how the bruises look, and the congested face?’
Krasicki smiled coldly. ‘I have seen many men who danced upon the air, Herr Lind.’
Lind stepped over with his back against the door and appraised the angle of view. He came back to where Krasicki was standing, and pointed upward to the pipe. ‘I think right there, beside the flange. The witness will see you the second I throw the door open and jump in, but I’ll block his view of any details in case you move.’
Krasicki looked up. Lind flipped the rope over his head from behind, tightened it around his throat, and twisted. Krasicki’s eyes appeared to bulge, going wide with horror, and his mouth flew open in a silent scream. Hands clawed futilely at the rope for several seconds, and then dropped with a grotesque flapping motion. His body sagged and went limp. Lind eased him to the deck, but knelt beside him, the big muscles of his shoulders and forearms still corded with the brutal strain on the garrote. The whole thing had been done in total silence, like some ghastly ballet performed without music on a soundproof stage.
After another minute the big mate relaxed the tension on the rope, fashioned it into a slip-knot about the dead man’s neck, and passed the other end over the pipe above them. He hoisted Krasicki up with the ease of a mother picking up a baby, held him clamped in his left arm while he used the right to take up the slack in the rope, pass it around the pipe again, and tie it off. He let go. Krasicki’s feet dangled a few inches off the deck, and his body began to swing slowly back and forth with the gentle rolling of the ship. Lind went out and relocked the door.
* * *
Madeleine Lennox made one final hoarse outcry, and a flash of lightning revealed the mask of ecstasy now become pain as it approached the unbearable, the face twisted and distorted and the eyes clamped tightly shut as her head rolled from side to side. The writhing body strained upward against Goddard’s as though in some dying effort to engulf and devour this instrument of her torture, and then collapsed and went limp with the suddenness of a snapping spring. The ragged exhalations of her breath were hot against his naked shoulder where a moment before the nails had gripped and dug.
Insatiable, Goddard thought, and wondered what her husband’s life had been like when he was at sea, knowing, as he must, of the succession of lovers bracketed by these silken, frenetic thighs. Maybe he didn’t even mind, he reflected, knowing her emotional involvement in the encounters was probably no greater than it would have been with a procession of repairmen trying to deal with a recalcitrant television set.
There was no doubt she’d worked out a novel system for coping with it, by staking out a male world where there was no competition at all. Women passengers on freighters were nearly always elderly, with exceptions like Karen Brooke a one-chance-in-a-hundred possibility, and the younger, swinging crowd wouldn’t be caught dead on one. The ship’s officers, though probably married in most cases, were still sailors, and far from home, living a monastic life where sexy females were a collector’s item. All steamship companies frowned on this sort of hanky-pank on the part of their masters and mates, of course, but in man’s long journey toward the light, fornication had survived harsher edicts.
He sat up and lit a cigarette. In a moment she stirred drowsily, and murmured, ‘I thank you.’
‘For what?’ he asked.
‘For the obvious. You’re very good, Mr. Goddard, at a social activity that bores you to death.’
‘Bored? Of course I wasn’t.’
‘Oh, I’m not complaining, dear man. I feel wonderful, and believe me, getting there is more than half the fun. I just wondered why. You could have burned your draft card; you obviously don’t have to prove anything.’
‘It wasn’t like that at all,’ he said.
‘Good manners,’ she decided. ‘I think that’s the clue. You see, you’re not even angry now, at this classic example of the perversity of females.’ She laughed softly. ‘I like you; you’re nice. Uninvolved and totally aloof, but nice. Could I have a cigarette?’
He lit one and passed it to her, and set the ashtray on his stomach. Thunder continued to rumble, but it was farther away now and the fury of the squall was diminishing.
She was silent for several minutes, and then she said musingly, ‘There’s still something about it that bothers me.’
‘About what?’ he asked.
‘Krasicki. Going berserk that way,’ she said. ‘If he did.’
Alarms tripped and began to ring their warning. 'I don’t think I’m following you.’
‘Don’t let it bother you. I’m not sure I know myself what I’m talking about. But there was something you said afterward that I’ve never been able to get out of my mind.’
So that stupid remark may get both of us killed, he thought. Unless he was being sounded, which was just as dangerous.
‘You remember,’ she went on, ‘you said it would be a very good director who could have staged that scene any better. I know you didn’t mean it that way, but afterward I got to thinking about it, and began to have the craziest feeling that what I’d seen hadn’t even happened. Am I making any sense to you at all?’
‘No,’ he said. ‘Unless you’re taking off into philosophical concepts of reality that’re too deep for me.’
‘I’m not talking about philosophical concepts,’ she replied. ‘I’m talking about deliberate, planned illusion.’
‘Wait a minute!’ He tried for the right tone of amazement and incredulity. ‘You mean you think that could have been faked?’
‘I don’t know. But it was too perfect. Too many separate elements came together at exactly the right point in space and time for random chance, and there are two or three things about it that bother me. One is the way Krasicki tricked Egerton—I mean Mayr—into speaking German. That was clever, but could a man with a deranged mind have done it?’
‘A disturbed mind doesn’t mean a moronic mind,’ Goddard protested. ‘And he had been a university professor.’
‘I know,’ she said. ‘But there’s another thing. In the theater, I think you call it blocking.’
Sharp, Goddard thought, unless she’s been coached. ‘That’s right. The movement of actors in a scene.’
‘Umh-umh. So with three men at the table, Lind is the only one in a position to grab Krasicki and try to stop him. The captain is clear at the other end, and you’re behind it.’