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The only pictures available of Christine and Harold were their respective mug shots. Though no one expects mug shots to be flattering photographs, it was clear that neither Christine or Harold were particularly attractive people. Both were painfully thin from years of drug addiction, with scraggly, longish hair, Christine blond and Harold brown. Harold had small brown eyes, a beakish nose and thin lips, protruding cheekbones, and one missing front tooth. Christine had a similarly gaunt face, but with big blue eyes that were moist and sad, and full pouting lips. She might have been pretty once, but years of abuse and self-neglect had ravaged her face and she just looked broken.

“So again, why are we assuming that these people are not holed up in a crackhouse somewhere?’’ asked Jeffrey.

“Again, because they took nothing with them. Their bank accounts have not been touched since they disappeared. They really did seem to be back on track.’’

“So then we are assuming that our alleged serial killer killed or abducted both husband and wife from their home. There’s no precedent for that.’’

“Son of Sam.’’

“David Berkowitz killed couples in their cars with a gun and ran away. He didn’t break into people’s homes, incapacitate or kill both of them and then remove them somehow from the scene – leaving no evidence. That’s a huge undertaking, highly organized and taking tremendous motivation. Whatever this guy wants, he wants it bad enough to take outrageous risks and perform complicated assaults and abductions. He must have unquestioning faith in his agenda to have such a high-maintenance signature.’’

“So if you were going to kill or abduct a couple how would you do it?’’

“I would stalk them to determine when they were the most vulnerable. Wait for the perfect opportunity, neutralize the greater threat, and then overpower the weaker. Man first, woman second, under normal circumstances. I would have a van or truck parked close to the point of assault because dead or unconscious people are very heavy.’’

“So you’d have to be smart, organized, and fairly big and strong.’’

“I’d say so.’’

“Well, I guess that rules you out as a suspect.’’

“Very funny.’’

Maria Lopez had been picked up twice for prostitution. But she hadn’t walked the streets in years and was a waitress at a local restaurant called Blue Moon Cafe. Last night, she had left work at eleven p.m. dressed to go out. She went to Smokey’s Sports Bar on Highway 434 that she frequented more or less nightly. She left with a man named Mike Urquia, who the police had picked up that afternoon and was being questioned as Lydia and Jeffrey spoke.

Hair, fibers, blood samples, and fingerprints had been collected at the Lopez scene and sent to the state lab for analysis. But it would take at least twenty-four hours for any results to come back. Even then most of what had been found would only be useful to eliminate or confirm suspects. Unless they got very lucky, for example, a carpet fiber that came from a very rare rug, only sold in a certain location…something like that. Or in the best case scenario, the offender had a prior record and the prints could be matched to someone already entered in the FBI database. DNA results could take months, not like on television where they came back in hours.

“So it may be that Mike’s our man,’’ said Jeffrey.

“I don’t think so.’’

“Why?’’

“I just don’t.’’

“Well, okay, then. Maybe you should get a job with Psychic Helpers.’’ “For starters, he’s Hispanic. There aren’t too many Hispanic serial killers.’’

“Richard Ramirez.’’

“It’s not him.’’ Lydia was firm, and Jeffrey had only been playing devil’s advocate.

She placed the final index cards on the board and the final red pin on the map.

She stood back and looked at them, wondering what it was they had in common. The problem child. The abuser. The abused. The prostitute. She could catch the scent of these lives, but their life force, their personal essence remained elusive.

“It’s hard to really get a sense of these people. Whoever gave the cops their information was distant, on the outside looking in, neighbors, bosses, social workers. No intimates, no friends except for Shawna Fox’s boyfriend, and no families. It’s almost like there’s no one to say who they really were.’’

“It’s a start,’’ he answered pragmatically.

She paused, leaning forward on the desk, picking up a crystal paperweight and holding it up to the sun streaming in the southern window. Rainbow flecks of light danced on the wall behind her.

“I wonder…’’ She drifted away, staring into the facets of the object in her hands.

“What?’’ He hated it when she started a sentence and then let it float off into space, leaving him waiting for the finished thought.

“I wonder if the lack of information is something in and of itself. Not even an incompetent like Morrow would fail to interview people close to the victims – especially a juvenile.’’

“So, what are you saying?’’

“I’m saying maybe there was no one close enough to give a true picture of these people. Maybe that’s significant.’’ She walked over to him and sat close to him on the couch. She pulled her feet up beneath her and let her legs rest on his thigh. She looked up at him. “We’re going to need to do some digging on our own. Nobody leaves this world without showing someone their truest heart.’’

Her gray eyes stared past him at the boards then, her body leaning into his. She could feel his strong quadriceps beneath the soft rust-colored corduroy pants he wore, could smell the faint musk of his cologne.

Really? Who have you shown your truest heart to? He put his arm around her and rested his chin on her head.

“In fact,’’ she mused, “it’s really the only thing that connects them.’’

“What is?’’

“That no one seemed to care when they were gone. That and poverty.’’

“And religion.’’

He handed her the picture of the crucifix that Simon Morrow had showed him. He had told her about the crucifixes when he recounted his conversation with Chief Morrow, but her jaw dropped when she looked at the picture. The crucifix was large, made of a highly varnished red wood – the Christ figure intricately detailed. The feet were neatly folded over one another, nailed viciously to the cross, a single drop of blood falling like a tear. The knees were bent together to one side in a feminine, almost demure manner, like a curtsey. The rib cage and collarbone strained against taut flesh and the neck was arched in agony and the face uplifted, contorted in an expression of profound pain and anger. It was just so human, so emotional, just like the statue of the Virgin Mary in the garden at the Church of the Holy Name.

“What’s wrong?’’ Jeffrey asked, peering at her over his Armani eyeglass frames.

“I’m so stupid,’’ she said. “I didn’t even think of it when you mentioned the crucifixes. When I went to the church before I picked you up at the airport yesterday, I saw a statue of the Virgin Mary and Baby Jesus. It was remarkable for its humanism and Juno said that his uncle had sculpted it. He mentioned that his uncle carved wood crucifixes and sold them to parishioners. Looking at this picture…it must be the same person, the same artist.’’

She walked over to the map. “All these people, they all live within five miles of it. The church is the connection.’’ She was excited but not really surprised. She felt the pieces start shifting into place like the squares on a Rubik’s Cube, though the puzzle wasn’t close to being solved.

“Wait a minute. Let’s not get ahead of ourselves. We still don’t know for sure that these people have been murdered.’’

“Jesus, Jeffrey, what do I need to convince you?’’

“A body for starters. Any body. Have you lost all perspective on this, Lydia? We’re nowhere yet.’’